The long-awaited new novel from Margaret Atwood, The Year of the Flood is a brilliant visionary imagining of the future that calls to mind her classic novel The Handmaid's Tale.

Adam One, the kindly leader of God's Gardeners - a religion devoted to the melding of science and religion - has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have been spared: Ren, a young trapeze-dancer, locked inside a high-end sex club; and one of God's Gardeners, Toby, who is barricaded inside a luxurious spa. Have others survived?

By turns dark, tender, violent, thoughtful, and witty, The Year of the Flood unfolds Toby's and Ren's stories during the years prior to their meeting again. The novel not only brilliantly reflects to us a world we recognize but poignantly reminds us of our enduring humanity.

An international literary event: Ten new stories from a beloved and award-winning author.

This stunning collection of new stories demonstrates once again why Alice Munro is celebrated as a pre-eminent master of the short story. While some of the stories are traditional, set in "Alice Munro Country" in Ontario or in B.C., dealing with ordinary women's lives, others have a new, sharper edge. They involve child murders, strange sex, and a terrifying home invasion. By way of astonishing variety, the title story, set in Victorian Europe, follows the last journey from France to Sweden of a famous Russian mathematician. This daring, superb collection proves that Alice Munro will always surprise you.

In the heart of cottage country in Ontario, bordering on a native reservation, Ann and Richard are confronted with the abrupt reappearance after ten years of a local man, Billy. His presence once again in their lives brings back powerful memories and rekindles old conflicts, love, and a betrayal, as each of their past and present stories gradually unfolds during one 1980s summer. Containing all of the elements for which The Island Walkers was celebrated, The Last Woman envelops us in Bemrose's flawlessly crafted and complete world, where each character is unforgettably alive and real, and the land itself breathes its own story into our hearts.

Baking Cakes in Kigali is a tale in fourteen confections, and behind each cake lies a story. As baker Angel Tungaraza busies herself with her customers' orders, we learn about their lives: Ken Akimoto - with his penchant for partying, her best client - and Bosco, his lovesick driver; Dr. Rejoice, without whom she'd never cope with the hot flashes that send her delving into her brassiere for a handkerchief so often these days; Odile, an AIDS worker whose love life Angel has taken a keen interest in; and not forgetting young Leocadie, Modeste, and their baby boy, Beckham. Angel works her magic, solving problems for all around her; and in turn, they help her lay her own demons to rest: perhaps she can finally face the truth about the loss of her own son and daughter, and achieve a sense of peace . . .

Hauntingly charming, funny, and involving, Baking Cakes in Kigali is a novel about the real meaning of reconciliation - about how, in the aftermath of tragedy, life goes on and people still manage to find reasons to celebrate.

A fiercely funny and touching debut novel of a young girl uncovering the truth about her sister's death.

Fear doesn't come naturally to Mathilda Savitch. She prefers to look directly at things nobody else can even mention: for example, her beloved older sister's death. She was pushed in front of a train by a man who is still on the loose, and after a year of searching for clues, Mathilda has come no closer to the truth about Helene's murder…until she cracks her email password and a whole secret life emerges - one that swiftly draws Mathilda into her sister's world of clouded motives and strange emotions. If she can find the keys to Helene's past, she's sure she can wake her family from their nightmare of grief. But in crossing into that underworld and tracing her sister's footsteps, she has to risk everything that matters to her.

Mathilda Savitch is a poignant, furiously funny, and tender page-turner from an extraordinary debut novelist.

Highly acclaimed Canadian novelist Thomas Trofimuk bursts onto the international literary stage with this dazzling novel, rich with all the emotional intensity of The English Patient.

In a Spanish mental institution in 2004, a man who believes he is Christopher Columbus begins to tell his story. Nurse Consuela listens, hoping to discover what tragedy drove this educated, cultured man to retreat from reality. This Columbus is not heroic: he falls in love with every woman he meets, and, on land, he has absolutely no sense of direction. More troublingly, he is convinced a terrible tragedy is coming. Yet with each tale, Consuela draws closer to this lost navigator.

Waiting for Columbus is richly imagined, cinematic, and often playful; a novel about truth, loss, love, and hope by a writer at the height of his powers.

From one of the world''s foremost popular historians, a detailed and intricate portrait of the last days of one of the most influential and important figures in English history.

The imprisonment and execution of Queen Anne Boleyn, Henry VIII''s second wife, was unprecedented in the annals of English history. It was sensational in its day, and has exerted endless fascination over the minds of historians, novelists, dramatists, poets, artists, and filmmakers ever since.

Mystery surrounds the circumstances leading up to Anne''s arrest and imprisonment in May 1536. Was it Henry VIII who, estranged from Anne, instructed Master Secretary Thomas Cromwell to fabricate evidence to get rid of her so that he could marry Jane Seymour? Or did Cromwell, for reasons of his own, construct a case against Anne and her faction, and then present compelling evidence before the King?

Following the coronation of her daughter Elizabeth I as queen, Anne was venerated as a martyr and heroine. Over the centuries, she has inspired many artistic and cultural works and has remained ever-present in England''s, and the world''s, popular memory. Alison Weir draws on her unsurpassed expertise in the Tudor Period to chronicle the downfall and dramatic final days of this influential and fascinating woman.

That summer, the summer all the rules began to change, June seemed to last for a thousand years. The temperature was merciless: ninety-eight, ninety-nine, then a hundred in the shade. It was heat to die in, to go nuts or to spawn in. Old folks collapsed, dogs were cooked alive in cars, lovers couldn't keep their hands off each other. The sky pressed down like a furnace lid, shrinking the subsoil, cracking concrete, killing shrubs from the roots up. In the parched suburbs, ice cream trucks plinked their baby tunes into streets that sweated tar. Down at the harbor, the sea reflected the sun in tiny, barbaric mirrors. Asphyxiated, you longed for rain. It didn't come.
-from The Rapture by Liz Jensen

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It's a blazing hot summer in the not-too-distant future. Thirty-five-year-old psychologist Gabrielle Fox is painfully rebuilding her life after a terrible accident that has left her a paraplegic, and her lover dead. The effects of incapacitating memories and guilt have led to Gabrielle's dismissal from her London job. Craving anonymity and a fresh start, she moves to the coastal town of Hadport and accepts the first post she is offered, as an art therapist at a lackluster institution for dangerously psychopathic teens.

Gabrielle's predecessor is on emergency leave thanks to an unhealthy obsession with Bethany Krall, now Gabrielle's patient. A punky and precocious wild child with matted hair and kohl-rimmed eyes, Bethany's claim to fame is that she murdered her own mother with a screwdriver. Aside from a gift for rip-roaring verbal obscenities and a knack for intuiting the inner torments of strangers, Bethany has the uncanny ability to gleefully forecast the environmental catastrophes now befalling the earth at a terrifying rate. Though skeptical at first, Gabrielle finds herself preoccupied with Bethany, her alarm and fascination swelling with every accurate prediction.

Seeking a rational explanation, Gabrielle connects with the big-hearted Scottish geophysicist Frazer Melville, an expert on global weather patterns. Though Frazer is not able to give Gabrielle the easy answer she hopes for, she finds comfort in his presence, and perhaps even attraction. The two begin a tentative romance as Gabrielle realizes that the door to her sexual life may not be closed after all.

Meanwhile, the enormous human cost of each global cataclysm is tallied in advance by a jubilant Bethany, who likes to toss in a few snippets of scripture memorized at the knee of her father, the charismatic fundamentalist preacher Leonard Krall. Gabrielle suspects Krall of having more to do with his wife and child's ruin than he admits to, but before she can fully investigate, she and Frazer must put their reputations on the line and find a way to warn humanity of the looming apocalypse.

Raved about in The Times as "an unputdownable eco-thriller" and already optioned for film by Warner Brothers, Liz Jensen's The Rapture once again proves Jensen to be a master of page-turning suspense. Readers will be entertained by the pyrotechnics of this hugely intelligent and wholly original voice, while unnerved by the high-voltage ecological horror story that feels all too plausible in our time.

Lyrical, devastatingly funny, wise, and beguiling, A Gate at the Stairs is Lorrie Moore's most ambitious book to date.

The long-awaited new novel from one of the most heralded writers of the past thirty years, A Gate at the Stairs is a book of stunning power.

Set just after the events of September 2001, it is a story about Tassie Keltjin, a twenty-year-old making her way in a new world and coming of age. Tassie is a "smile-less" girl from the plains of the mid-west. She has come to a university town, her brain on fire with Chaucer, Sylvia Plath, and Simone de Beauvoir. In between semesters, she takes a part-time job as a nanny for a family that seems mysterious and glamorous to her. Though her liking for children tends to dwindle into boredom, Tassie begins to care for, and protect, their newly adopted little girl as her own. As the year unfolds, she is drawn even deeper into the world of the child and her hovering parents, and her own life back home becomes alien to her. As life reveals itself dramatically and shockingly, Tassie finds herself forever changed - less the person she once was, and more and more the stranger she feels herself to be.

Under the novel's languid surface, Moore's deft and lyrical writing skillfully illustrates the heart of racism, the shock of war, and the carelessness perpetrated against others in the name of love. It is the novel for our time.

Seventeen-year-old Anselm Andros has several clearly defined roles in his family and they're ones that he plays very well: he is confidante to his mother, Maria, who at age 15 gave birth to him and so grew up alongside him; he is the confessor to his stepfather Leo, a man haunted by the secrets of his past; and he is also the patient, caring brother to his precocious sister Jasmine.

When the political landscape of Malonia starts to shift, Anselm's ordinary world begins to unravel - all because of the choices Leo and Maria made fifteen years earlier. The voices from the past still echo in the present and shape the lives of the family, especially for Anselm, who is desperate to uncover the secret surrounding his birth. With so much uncertainty at home and in his world, it is more important than ever for Anselm to piece together the past. He must listen to his own voice and acknowledge his fears and desires - whatever the cost.

From the acclaimed author of 26a, comes a dazzling new novel about the fight to achieve one's dream, and an unsolved disappearance at the heart of a family.

As a child Lucas assumed that all children who'd lost their parents lived on water. Now a restless young man, and still sharing the West London narrowboat with his sister Denise, he secretly investigates the contents of an old wardrobe, in which he finds relics from the Midnight Ballet, an influential black dance company of the 1960s founded by his Jamaican father, the charismatic Antoney Matheus.

In his search to unravel the legacy of the Midnight Ballet, Lucas hears of hot-house rehearsals in an abandoned Notting Hill church, of artistic battles and personal betrayals, and a whirlwind European tour. Most importantly, Lucas learns about his parents' passionate and tumultuous relationship and of the events that led to his father's final disappearance.

Vividly conjuring the world of 1950s Kingston, Jamaica, the Blues parties and early carnivals of Ladbroke Grove, the flower stalls and vinyl riflers of modern-day Portobello Road, and the famous leap and fall of Russian dancer Vaslav Nijinsky, Diana Evans creates a haunting and visceral family mystery about absence and inheritance, the battle between love and creativity, and what drives a young man to take flight…

Soul searching was an unfamiliar exercise to Bill Stratton, and he found it intriguing as well as painful. He hadn?t had much occasion for it in his life, given that he was fairly shallow, but then, on the verge of his 60th birthday, his wife told him she was leaving him for another man. He?d been under the impression they had a happy marriage. She assured him that for nearly forty years, in fact since the second week of their honeymoon, she?d known she was married to the wrong person. Bill had not had much experience of dating (or sex, for that matter) before he met and married Andrea. Post-menopausal dating might be very different to dating in your twenties or thirties, but then he didn?t know much about either scene. Still, as a mildly famous television newsreader who?d managed to hold on to (most of) his looks, it seemed he was about to have plenty of opportunities to find out...