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RICHARDS DAVID ADAMS | Doubleday Canada | November 20, 2009
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What had happened, from those days until now? And why had it?
And how had his life gone? And who was to blame? Or why did he
think he had to blame anyone? Certainly he couldn't even blame Mr.
Roach, caught in the same turmoil as everyone believing half-truths
in order to blame other people. (p. 141)
These are the forlorn thoughts of Alex Chapman, the tragic
anti-hero of David Adams Richards' masterful novel The Lost
Highway. An exploration of the philosophical contortions
of which man is capable, the novel tracks the desperate journey of
an eternally lost and orphaned child/man who has nearly squandered
his frail birthright but might yet earn some degree of
redemption.
Alex spent a stunted childhood watching his gentle mother defiled
by rough-handed men including Roach, his biological father. Upon
his mother's death Alex is passed into the care of his hard-nosed
great-uncle Jim Chapman, nicknamed "The Tyrant" by their Miramichi
community. Alex's uncle becomes a symbol of all that he loathes.
Alex distinguishes himself from this brutal masculinity that stole
his mother from himby becoming a self-imposed ascetic, entering the
local seminary and rehearsing his own version of piousness. But
when he is tempted by the Monsignor's request to deliver charitable
funds to the bank, Alex pockets the money and flees to the home of
Minnie, whom he worships and who he has learned is now pregnant by
Sam Patch, a good man, but too rough in Alex's eyes. He attempts to
talk Minnie into using the money for an abortion, and it is only
her refusal that sends him back to the seminary to return the
money. "Do you remember if the phone rang in the booth along the
highway that night?" (p. 87) asks MacIlvoy, a fellow seminarian who
had gotten wind of the theft and tried to detour Alex from this
path. But of course Alex had ignored the rings, as he would ignore
many warnings in his tragic life.
Caught red-handed and forced to return as a prodigal
son-that-never-was to his uncle's house, Alex again flees to yet
another refuge, this time to the safe moral relativism of academia,
where he becomes an expert at reducing meaning to ethical dust.
However, he finds himself unable to navigate the easy duplicity in
which his peers are fluent, and takes an isolated and idealistic
stand which causes him to be drummed out of the facultyas a figure
of ridicule. A bitter and alienated Alex once again returns
defeated to a shack on his uncle's property, spending his days in
the family scrapyard forging dreadful humanoid creatures out of
junked metal, a modern-day Prometheus. One day he is asked by
MacIlvoy, now the local priest, to create a Virgin for the church
grotto. Some part of him still influenced by divinity guides his
hand to create a beautiful Madonna, her face inspired by a lovely
young girl he spots one day in the market. Two days later he finds
out that the girl is Amy Patch, the child he urged his childhood
sweetheart to abort fifteen years earlier. He will also find out
that it is once again the fate of this innocent girl, at his own
hands, that will determine whether he will ever experience the
grace he so dearly craves.
Trudging the lost highway while mulling over his grievances as
usual, Alex runs into Burton Tucker, whose own mind and body have
been stunted by the brutality of his birth mother. The generally
pliant Burton runs the local garage, offering lotto tickets as a
bonus for oil changes. He is on his way to deliver some good news:
Jim Chapman is a winner, to the tune of $13 million. Alex realizes
that he could have been the one to bring Jim's truck to Burton and
receive the winning ticket, but he had refused because of the
grudge he held against Jim. Once again, Alex has been thwarted by
an ironic twist of fate and it is too much to bear. He decides at
that moment that his uncle must never see the money, and begins a
treacherous intrigue, which he justifies through the tortured
ethical logic with which he has become so skilled. He unwittingly
aligns himself with a very dangerous partner, Leo Bourque, the
childhood bully who made his schooldays such hell, and whose days
of playing cat-and-mouse with the weak Alex are not over. Their
twinned descent will become deadly, marked by murder both actual
and intended.
How far would any of us go to avenge a terrible wrong done to us at
birth? To whom shall we assign blame? And can we achieve
redemption, no matter how grievous our sins? David Adams Richards'
The Lost Highway is a taut psychological thriller
that goes far beyond the genre into the worlds of Leo Tolstoy, and
Emily Brontë's Wuthering Heights, as well as
classical Greek mythology, testing the very limits of humankind's
all too tenuous grasp on morality.