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Anderson

Average rating: 5/5

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Anderson

by Michael Boyce

Pedlar Press | October 21, 2010 | Trade Paperback

Anderson is a mystery novel inspired by film noir and gothic/supernatural pulp fiction novels. It playfully keeps the reader guessing about what is real and what is fantasy, and uses elements of these pop-culture genres as metaphors of modern romance. The main character, Anderson, is a computer help desk clerk by day, by night a detective investigating occult mysteries. Perhaps he''s playing out a harmless fantasy, or perhaps he is insane, but either way, he finds a woman he believes to be haunted by a ghost. Perhaps she really is, or perhaps she is insane, or perhaps she is a femme fatal, who''s playing him for a fool. Regardless, the more Anderson investigates, the more he is drawn to her, until he starts to suspect that he himself is also being haunted. When do others become a threat, a controlling mechanism that confuses self-identity? When do others serve to free the self from its own egoic binds? The novel is in part a meditation on trust, on the dynamics of social boundaries, and on the mystery ("magic") of desire. Indeed, desire may be the true ghost in any relationship. Boyce asks, Why should Anderson feel lonely, when he''s surrounded by the mysteries?

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    Michael Boyce's Anderson is an original and haunting piece of writing, his second with Pedlar Press. His first novel, Monkey, was also rather original, and quite different from Anderson. Each of these novels is approached by the author as an artistic endeavour.

    Anderson does some interesting things as writing. It is, of course, something of an homage to film noire classics, but it also is by comparison rather outside the conventions of the genre. It is in some respects like a highly circumspect David Lynch movie.

    It is a more experimental type of writing-more literary, some might say, than most "mystery" novels are. It holds a tension between what is called by the industry 'genre' and 'literary' fiction. Of course these labels and definitions are the currency of the an industry that is changing, challenged by a culture that is naturally more fluid and contradictory in its definitions.

    One of the things the writing does to the reader is implicate them into the thinking of the main character, Anderson. This is interesting given that the voice is 3rd person. It manages thus to create the intimacy of first person narrative while maintaining the remote feeling of 3rd person. This simultaneous remoteness and intimacy is consistent with "strange detective" Anderson's relationship to the world, which is always possibly something other than it seems.

    A consequence of this implicating quality is that readers speak of how the book lingers with them in unexpected ways. The book's theme is in some respect about mystery itself, or "the strangeness" as Anderson would put it-treating it like it is itself an entity, a being capable of haunting you for good or ill, just as a ghost might.

    Although this all sounds rather heady and weird, there are many bits of absurd humour in the book, and the general surreal atmosphere is as playful as it is sometimes terrifyingly bizarre. Plus, it turns out that the strange detective is something of a taoist, so all the time spent in the dark unknown is not without glimpses of a brilliant light.

    The publisher and editor, Beth Follett, publishes only a handful of distinct books of poetry and fiction every year, with design work done by Zab Design. From the quality and originality of the writing to the physical look and feel of the book itself, including the image, font and paper stock - Pedlar has a careful relationship with its imprints. Great care is taken with these books and Anderson is no exception.

    This reviewer also recommends:

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From the Publisher

Anderson is a mystery novel inspired by film noir and gothic/supernatural pulp fiction novels. It playfully keeps the reader guessing about what is real and what is fantasy, and uses elements of these pop-culture genres as metaphors of modern romance. The main character, Anderson, is a computer help desk clerk by day, by night a detective investigating occult mysteries. Perhaps he''s playing out a harmless fantasy, or perhaps he is insane, but either way, he finds a woman he believes to be haunted by a ghost. Perhaps she really is, or perhaps she is insane, or perhaps she is a femme fatal, who''s playing him for a fool. Regardless, the more Anderson investigates, the more he is drawn to her, until he starts to suspect that he himself is also being haunted. When do others become a threat, a controlling mechanism that confuses self-identity? When do others serve to free the self from its own egoic binds? The novel is in part a meditation on trust, on the dynamics of social boundaries, and on the mystery ("magic") of desire. Indeed, desire may be the true ghost in any relationship. Boyce asks, Why should Anderson feel lonely, when he''s surrounded by the mysteries?

About the Author

Michael Boyce was born in Ottawa, grew up in New Brunswick, and lived in Toronto and Montreal for many years. When he was kicked out of high school he turned to music, literature and film as a means of education and self expression. After earning a Ph.D. in Humanities from Concordia/McGill Universities he concentrated on independent video production. Then he wrote a novel - Monkey, from Pedlar Press. Now he writes, mostly. Boyce is Irish Catholic/Scottish Presbyterian by lineage and Pagan/Taoist by nature.

Trade Paperback

240 Pages, 5.5 x 8 x 0.62 in

October 21, 2010

Pedlar Press

English


1897141378
9781897141373

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