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A Bed of Red Flowers: In Search of My Afghanistan

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A Bed of Red Flowers: In Search of My Afghanistan

by Nelofer Pazira

Random House of Canada | April 11, 2006 | Trade Paperback

As a young girl growing up in 1970s Afghanistan, Nelofer Pazira seems destined for a bright future. The daughter of liberal-minded professionals, she enjoys a safe, loving and privileged life. Some of her early memories include convivial family picnics and New Years' celebrations overlooking the thousands of red flowers that carpet the hills of Mazar. But Nelofer's world is shattered when she is just five and her father is imprisoned for refusing to support the communist party. This episode plants a "seed of anger" in her, which is given plenty of opportunity to grow as the years unfold.

In 1979, the Soviets invade Afghanistan beginning a ten-year occupation. The country becomes an armed camp with Russians fighting U.S.-backed mujahidin fighters while trying to impose military rule. For Nelofer, daily life includes an endless succession of tanks, rockets screaming overhead and explosions in the street. During this time, she and her best friend, Dyana, seek refuge in their love of poetry. At eleven, the two girls throw stones at Soviet tanks and plot other acts of rebellion at the local school. As Nelofer gets older, she joins the resistance movement, distributes contraband books, studies guerilla warfare and hides a gun in her parent's mint garden.

When Nelofer's younger brother comes home from school in military garb, the family finally decides to flee Afghanistan. What follows is a perilous, clandestine journey across rugged mountains into Pakistan. But the life of a refugee is not what Nelofer expects. Though she once idealized the mujahidin as freedom fighters, she is shocked, as a woman, to find herself stripped of her personal freedom in their midst.

In 1990, Nelofer and her family are offered refugee status in Canada. Here she corresponds with her friend Dyana, whose letters reveal the increasing oppression of life under the Taliban. Fearing that her friend will kill herself, Pazira returns to Afghanistan to rescue her. This search becomes the basis for the acclaimed film Kandahar. Her journey to discover Dyana's tragedy leads her finally to Russia, the land of her enemy, where she confronts the legacy of the Soviet invasion of her homeland first-hand.

A Bed of Red Flowers is a gripping, heart-rending story about a country caught in a struggle of the superpowers - and of the real people behind the politics. Universally acclaimed for its astute insights and extraordinary humanity, Pazira's memoir won the Drainie-Taylor Biography Prize for 2005.The Winnipeg Free Press writes: "Powerfully written, A Bed of Red Flowers is a rare account of a misunderstood country and its intrepid people, trying to live ordinary lives under extraordinary circumstances." The Gazette (Montreal) describes the book as "an outpouring of passionate non-fiction that captivates like the tales of Sheherazade.… It's a remarkable journey. An inspiring read."

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Reviews

    • Was this review
      helpful to you?

    Rating: 5/5

    Excellent

    Linda Bettle

    2 years ago

    When I started this book I felt as if the author was sitting with me having coffee and telling me her life story. I could not put the book down. It really opened my eyes to what the people of Afganistan are going thru. I would recommend this to everyone.

    • Was this review
      helpful to you?

    Rating: 4/5

    Fantastic

    Geography Guy

    • Top Music Reviewer

    4 years ago

    All about a young women living in Afghanistan during the Afghan War between the Soviets and the Islamic fighters. I really enjoyed how the author shows all views in the novel, not just her own. She talks about, and tries to understand, the Soviets' view as well as the views of the Islamic fighters.

    • Was this review
      helpful to you?

    Rating: 5/5

    A Wonderful Book

    Marilyn Jolly

    6 years ago

    I found this book a really good read. It is not preachy, and shows many sides to the story, including; the authors, other people of Afganistan, Iraquis, Iranians, Soviets (both military/government and families of...) and more.
    The author researched and talked to many people, even the 'enemy', and it makes for a good read, where you are not just hearing about one side of the story.

    • Was this review
      helpful to you?
    Anonymous

    Rating: 5/5

    An Amazing Story!

    Anonymous

    6 years ago

    Nelofer wrote an incredible and well written story about her family's challenging life in Afghanistan and beyond. Although I knew parts of the story as I was high school friends with her sister Mejgan, I am captivated by Nelofer's writing of the tale and continue finding myself wanting to know more as I turn from page to page. It's an emotional challenge to put the story down and I wish I had the time to read it all in one sitting. It is certainly an incredible tale, writen by an incredible woman about the plight of her family and of the Afghan people. This is a deffinate MUST read.

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From the Publisher

As a young girl growing up in 1970s Afghanistan, Nelofer Pazira seems destined for a bright future. The daughter of liberal-minded professionals, she enjoys a safe, loving and privileged life. Some of her early memories include convivial family picnics and New Years' celebrations overlooking the thousands of red flowers that carpet the hills of Mazar. But Nelofer's world is shattered when she is just five and her father is imprisoned for refusing to support the communist party. This episode plants a "seed of anger" in her, which is given plenty of opportunity to grow as the years unfold.

In 1979, the Soviets invade Afghanistan beginning a ten-year occupation. The country becomes an armed camp with Russians fighting U.S.-backed mujahidin fighters while trying to impose military rule. For Nelofer, daily life includes an endless succession of tanks, rockets screaming overhead and explosions in the street. During this time, she and her best friend, Dyana, seek refuge in their love of poetry. At eleven, the two girls throw stones at Soviet tanks and plot other acts of rebellion at the local school. As Nelofer gets older, she joins the resistance movement, distributes contraband books, studies guerilla warfare and hides a gun in her parent's mint garden.

When Nelofer's younger brother comes home from school in military garb, the family finally decides to flee Afghanistan. What follows is a perilous, clandestine journey across rugged mountains into Pakistan. But the life of a refugee is not what Nelofer expects. Though she once idealized the mujahidin as freedom fighters, she is shocked, as a woman, to find herself stripped of her personal freedom in their midst.

In 1990, Nelofer and her family are offered refugee status in Canada. Here she corresponds with her friend Dyana, whose letters reveal the increasing oppression of life under the Taliban. Fearing that her friend will kill herself, Pazira returns to Afghanistan to rescue her. This search becomes the basis for the acclaimed film Kandahar. Her journey to discover Dyana's tragedy leads her finally to Russia, the land of her enemy, where she confronts the legacy of the Soviet invasion of her homeland first-hand.

A Bed of Red Flowers is a gripping, heart-rending story about a country caught in a struggle of the superpowers - and of the real people behind the politics. Universally acclaimed for its astute insights and extraordinary humanity, Pazira's memoir won the Drainie-Taylor Biography Prize for 2005.The Winnipeg Free Press writes: "Powerfully written, A Bed of Red Flowers is a rare account of a misunderstood country and its intrepid people, trying to live ordinary lives under extraordinary circumstances." The Gazette (Montreal) describes the book as "an outpouring of passionate non-fiction that captivates like the tales of Sheherazade.… It's a remarkable journey. An inspiring read."

About the Author

Nelofer Pazira is a journalist, filmmaker and human rights activist living in Toronto.

In 2001, she starred in the film Kandahar, which was loosely based on her journey to find a friend living in Afghanistan. Two years later she co-directed and produced the Gemini Award-winning documentary Return to Kandahar.

A Bed of Red Flowers, her first book, won the Drainie-Taylor Biography Prize awarded by The Writers' Trust of Canada. In an interview with Time magazine, Pazira explains the impetus for writing the book: "A lot of my memories were unhappy, and I didn't want to revisit them. But making Kandahar, I was forced to think about those memories. Once we finished the movie, I felt that I had started something, and instead of closing that door, I should go through it." She elaborates on her choice of genre in Embassy: "I realized that I had a choice of doing either a very academic book that would be a history of Afghanistan, but what new can I say about that? There are hundreds of books written on that subject, analyzing various periods, and I asked what else can I add to this that would be different, that would really add a unique touch? I realized what I could do that was different would be to write about what life was like when we lived there. I realized that nobody knows about that, and that people don''t know what it was like to live in Afghanistan in those years before the Taliban."

A regular contributor to CBC's The National, Pazira has set up a charity - Dyana Afghan Women's Fund - to provide education and skills training for women in the city of Kandahar.

Bookclub Guide

1. Nelofer Pazira's A Bed of Red Flowers is subtitled In Search of My Afghanistan. Does she find it?

2. Since September 11, media coverage of Afghanistan has focused predominantly on the Taliban. How did your experience of reading A Bed of Red Flowers compare with following news reportage on Afghanistan? In what ways did the book provide a context for understanding the country's present-day situation?

3. "Once the last tank has gone, the dust from their tracks settles on the surface of the wall, on the leaves of our almond, pear and fig trees, over the roses, on the grapevines and on my hair and face. On the pond, a thin skin forms on the surface of the water." Pazira's writing has been described as cinematic, her language lush with details both beautiful and harrowing. What images from the book stand out most vividly in your mind?

4. The prologue recounts Pazira's experience of visiting her father in prison when she was four years old. What impact did this episode have on her? Why is it so pivotal in her development?

5. Pazira faces many painful contradictions in her life: her desire for personal freedom in Pakistan and her need to remain safe; the opportunity she enjoys in Canada and the oppression experienced by her best friend, Dyana, under the Taliban; her idealization of the mujahidin and her subsequent disillusionment. Does she manage to reconcile these aspects of her life?

6. Why does Pazira's journey end in Russia? What does she learn both about Russian perspectives on the occupation of Afghanistan and her own attitude toward the Russian people?

7. A Bed of Red Flowers emphasizes the importance of familial love and support. What influence does Pazira's father have on her? What are the most important insights he imparts to her? In what ways is she like him? Why does she write, "I think my mother is the most courageous of us all" in chapter 7?

8. Pazira writes: "A seed of anger, planted at the time of my father's imprisonment, is inside me." What role does anger play in Pazira's life? Have you ever experienced a similar type of anger?

9. The Paziras' story is truly extraordinary. And yet, what aspects of their experience might be considered universal to refugees around the world?

10. Discuss the role of the three women who inspire and motivate the author throughout her life: Malalai, Naseema and Dyana.

11. Did A Bed of Red Flowers have any effect on your perception of Afghan women, their plight in general and their role in society? How did Pazira's account differ from the images you see of Afghan women in the media?

12. In writing about Dyana, Pazira offers one of the most affecting and profound expressions of friendship in print. Do you have a friend like Dyana? What would you do if she were in Dyana's position?

13. "The pretense of normality is so pervasive that turmoil, physical and mental agony and family rows pass as something quite routine…" How would you describe this pretense of normality in psychological terms?

14. The chapter entitled "The Night Choirs of Kabul" offers a lyrical glimpse at the resilience of the Afghan people. What other acts of rebellion and courage stand out for you?

15. "For those lucky enough never to have experienced war, the word 'peaceful' has little meaning." Did Pazira's story make you re-examine your own experience of living in a prosperous, free and democratic country?

16. A Bed of Red Flowers blends personal memoir with history. How does one aspect enhance the other? What is Pazira's view on the importance of "digging into the grave of history"?

Trade Paperback

432 Pages, 5.2 x 4.4 x 0.95 in

April 11, 2006

Random House of Canada

English


0679312722
9780679312727

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From the Critics

"This is a remarkable book: an utterly engrossing read that provides a window into a culture that has long existed on the periphery of the world's vision…Pazira's account exudes an unself-conscious frankness and intelligence that will give readers a perspective on the last 30 years of Afghan politics and society that simply cannot be gleaned through media accounts."
-Quill and Quire

"A Bed of Red Flowers is more than the remarkable story of Nelofer Pazira's difficult life in war-torn Afghanistan, her family's sacrifices and escape, and her eventual triumph as a writer, teacher, journalist and actress. Written movingly, honestly and lyrically, it is the story of Afghanistan itself, a haunting diary of the tragedies that have plagued Pazira's nation in the last thirty years."
-Khaled Hosseini, author of The Kite Runner

"Through occupation and civil war, from being a refugee to a movie star - Nelofer Pazira's journey is a story told with passion, humanity and eloquence. Her unforgettable story provides a searing reminder of Afghanistan's long years of war and how a country was held hostage long before September 11. A Bed of Red Flowers is a deeply moving tribute that will grip you from beginning to end."
-Ahmed Rashid, author of Taliban: Militant Islam, Oil, and Fundamentalism in Central Asia

"A Bed of Red Flowers is a straightforward, open account of a childhood stained by war and stupidity. It is also a chronicle of the choices one woman made to live her life with courage and dignity, and for the benefit of others."
-The Globe and Mail

"Powerfully and thoughtfully written, A Bed of Red Flowers is a rare account of a misunderstood country and its intrepid people, trying to live ordinary lives under extraordinary circumstances."
-Winnipeg Free Press

"It's a remarkable journey. An inspiring read."
-The Gazette (Montreal)

"Equal parts lament for a long-gone era and memoir of a remarkable life, Nelofer Pazira's A Bed of Red Flowers does exactly what a contemporary book about Afghanistan should do. It reminds us that behind that nation's endlessly chronicled conflict and strife are real, three-dimensional people caught in the crossfire of political agendas and battles for supremacy."
-Toronto Star

"The juxtaposition of Pazira's life in Canada with that of Dyana, desolate and suicidal in Kabul, leavens the book and gives it both seriousness and page-turner appeal."
-The London Free Press

"[A Bed of Red Flowers] is both a love letter to a country that no longer exists, and an optimistic-tempered with just the right amount of clear-eyed realism-look into a possible future."
-Edmonton Journal

"Pazira presents the moving and stunningly written memoir of her childhood curtailed by the arrival of Soviet rule in Afghanistan and her family's sacrifices and eventual escape to Canada."
-Concordia University Magazine

"A Bed of Red Flowers is not merely a remarkable memoir of one family's struggle; it's also a succinct account of Afghanistan's political history. Within these 400 suspenseful pages lies a concise retelling of the complexities and futility of war in a country constantly used as a battleground for other people's ideologies. Pazira shows the reader the frustration of a diverse culture in which people have always had to choose between lack of safety and lack of sovereignty. This book is a victory, bringing us a truth banned or distorted by most with the power to speak about it. An enriching and heartrending read."
-NOW (Toronto)

"Pazira is a gifted and cinematic story-teller. Every page is a scene, moving the story through wartime survival and sacrifice to a relentless search for answers."
-The Observer


From the Hardcover edition.

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