1. Nelofer Pazira's A Bed of Red Flowers
is subtitled In Search of My Afghanistan.
Does she find it?
2. Since September 11, media coverage of Afghanistan has focused
predominantly on the Taliban. How did your experience of reading
A Bed of Red Flowers compare with
following news reportage on Afghanistan? In what ways did the book
provide a context for understanding the country's present-day
situation?
3. "Once the last tank has gone, the dust from their tracks
settles on the surface of the wall, on the leaves of our almond,
pear and fig trees, over the roses, on the grapevines and on my
hair and face. On the pond, a thin skin forms on the surface of the
water." Pazira's writing has been described as cinematic, her
language lush with details both beautiful and harrowing. What
images from the book stand out most vividly in your mind?
4. The prologue recounts Pazira's experience of visiting her
father in prison when she was four years old. What impact did this
episode have on her? Why is it so pivotal in her development?
5. Pazira faces many painful contradictions in her life: her
desire for personal freedom in Pakistan and her need to remain
safe; the opportunity she enjoys in Canada and the oppression
experienced by her best friend, Dyana, under the Taliban; her
idealization of the mujahidin and her subsequent disillusionment.
Does she manage to reconcile these aspects of her life?
6. Why does Pazira's journey end in Russia? What does she learn
both about Russian perspectives on the occupation of Afghanistan
and her own attitude toward the Russian people?
7. A Bed of Red Flowers emphasizes the
importance of familial love and support. What influence does
Pazira's father have on her? What are the most important insights
he imparts to her? In what ways is she like him? Why does she
write, "I think my mother is the most courageous of us all" in
chapter 7?
8. Pazira writes: "A seed of anger, planted at the time of my
father's imprisonment, is inside me." What role does anger play in
Pazira's life? Have you ever experienced a similar type of
anger?
9. The Paziras' story is truly extraordinary. And yet, what
aspects of their experience might be considered universal to
refugees around the world?
10. Discuss the role of the three women who inspire and motivate
the author throughout her life: Malalai, Naseema and Dyana.
11. Did A Bed of Red Flowers have any effect on
your perception of Afghan women, their plight in general and their
role in society? How did Pazira's account differ from the images
you see of Afghan women in the media?
12. In writing about Dyana, Pazira offers one of the most
affecting and profound expressions of friendship in print. Do you
have a friend like Dyana? What would you do if she were in Dyana's
position?
13. "The pretense of normality is so pervasive that turmoil,
physical and mental agony and family rows pass as something quite
routine…" How would you describe this pretense of normality in
psychological terms?
14. The chapter entitled "The Night Choirs of Kabul" offers a
lyrical glimpse at the resilience of the Afghan people. What other
acts of rebellion and courage stand out for you?
15. "For those lucky enough never to have experienced war, the
word 'peaceful' has little meaning." Did Pazira's story make you
re-examine your own experience of living in a prosperous, free and
democratic country?
16. A Bed of Red Flowers blends personal memoir
with history. How does one aspect enhance the other? What is
Pazira's view on the importance of "digging into the grave of
history"?