Craig Russell's debut novel, The Black Bottle Man, is fabulous in
different meanings of that word. As the subtitle promises, the
story pertains to a fable (the original meaning). This is a brief
work, just 174 pages, that entertains and provides a moral. In the
telling, the story is also fabulous as in simply great. Russell is
a fine storyteller who presents a daunting conundrum for his
characters. He is an excellent wordsmith whose incisive metaphors
and similes conjure myth, legend and history. His detail of setting
is rich, particularly prairie life as experienced by a young boy.
The book unfolds two parallel and ultimately intersecting story
lines through a series of flashbacks. The dominant tale focuses on
Rembrandt and his involuntary travel across Canada and the United
States during most of the twentieth century and into the
twenty-first. When Rembrandt is 10, his father strikes a bargain
with the Devil who comes to their family as "the black bottle man."
In an attempt to redeem the souls of two aunts who have committed a
terrible sin, the souls of Rembrandt's father, uncle and Rembrandt
himself are wagered. The terms are tough. The trio must find a
champion who can defeat the Devil and, complicating their quest,
the they cannot stay in any one place for more than 12 days. A
momentous and especially tense part of the story is Rembrandt's
experience as a young man during the Great Depression with other
displaced, travelling men. He learns their hobo signs, a written
communication that really was part of that historical subculture
and, for him, a secret discovery.
The complementary story concerns a former school teacher, Gail, who
finds herself confronting demons of her own. This is about another
kind of soul-taking and search for redemption. Numbers, ritual and
symbols figure prominently in Gail's reality, just as they do in
Rembrandt's.
The Black Bottle Man presents us with humanity and magic. Russell
tells the tale from a Christian perspective, but the themes of
love, loyalty and family are universal. The publisher markets The
Black Bottle Man as "teen fiction." While Russell's allusions to
myth and history may challenge some young people, they are an
invitation to further discovery. The teen fiction label should not
deter other readers. This is a story that has something to say to
everyone. And isn't that the mark of any good fable?