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Burnt Shadows

Average rating: 5/5

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Burnt Shadows

by Kamila Shamsie

Doubleday Canada | April 28, 2009 | Hardcover

Hiroko steps out onto the veranda. Her body from neck down a silk column, white with three black cranes swooping across her back. She looks out towards the mountains, and everything is more beautiful to her than it was early this morning. Nagasaki is more beautiful to her than ever before. She turns her head and sees the spires of Urakami Cathedral, which Konrad is looking up at when he notices a gap open between the clouds. Sunlight streams through, pushing the clouds apart even further.
 
Hiroko.
 
And then the world goes white.
 
-From Burnt Shadows by Kamila Shamsie
--
 
The morning of August 9, 1945 breaks dreary and unspectacular in the city of Nagasaki. Nonetheless, twenty-one year-old Hiroko Tanaka is elated: she is in love. Her emerging romance with the displaced German Konrad Weiss offers release from the greyness of wartime deprivation. In this time of heightened xenophobia, their affair must be kept secret, particularly as Hiroko's father has recently been outcast for questioning the patriotism of sending children on kamikaze missions. As Hiroko and Konrad furtively plan for a future after the war, there is no way they can comprehend the unspeakable devastation bearing down upon them.
 
Two years later, Hiroko arrives in Delhi at the home of Konrad's sister Ilse and his brother-in-law James Burton. Upon Hiroko's back are crane-shaped scars, seared into her skin when her kimono was incinerated by the bomb. She is on the run from unbearable memories, as well as from the stigma of being branded a hibakusha, a survivor of the bomb. Ilse, in an uncharacteristically impulsive move, welcomes Hiroko into her home, seeing in the brave young woman a possibility of release from her own conscripted existence. Hiroko quickly destabilizes the frigid hierarchy of the household, much to the relief of Sajjad Ashraf, James's bored servant.
 
Tensions are running high in the Mohalla with the looming partition of India and Pakistan. Will Sajjad remain in his beloved Dilli/Delhi, or depart with so many others for the promise of Pakistan? Sajjad's family has secured for him a wife, and he yearns for a legal career, still half-clinging to the hope that James will assist him. But James's only use for him is as a chess opponent, an idle distraction as the Raj winds to a close. The Burtons are preparing to decamp for England, having already dispatched their son Harry to boarding school. But what James does not know is that Ilse is making other plans.
 
A romance blooms between Hiroko and Sajjad, much to the incredulity of the Burtons, whose own emotional lives have become entwined in the futures of their charismatic young charges. Despite outbursts of jealousies and a terrible act of betrayal, the Burtons nevertheless assist Hiroko and Sajjad in their flight to married life in Istanbul. Later the Ashrafs will move to Karachi to raise their son, Raza.
 
The lives of the Ashrafs and the Burtons will remain entwined for decades, though in ways they cannot anticipate. Across continents and through geopolitical flux, each family will continue to act as a catalytic force upon the other, sometimes in life-saving ways, and sometimes causing great peril. Why is it that some bonds flourish in times of crisis, and why do some fail? What defines the character that survives the cruelest of circumstances? And how is it that entire populations can support unspeakable acts en masse, while relating as individuals with compassion?
 
Longlisted for the prestigious Orange Prize for Fiction, Kamila Shamsie's Burnt Shadows is an enthralling meta-cultural epic, the panoramic tale of two families tangled together in some of the most devastating conflicts of modern history.
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Reviews

    • Was this review
      helpful to you?

    Rating: 3/5

    Merely o.k.

    LibraryCin

    • Top Book Reviewer

    3 months ago

    Hiroko is in Nagasaki when a bomb hits during WWII. Her finacee is killed, and she leaves Japan a couple of years later to go to India, where his sister lives. Hiroko moves in with Elizabeth and her husband James, and falls in love with one of their employees. Fast-forward 35 years and Hiroko and her husband have a teenage son, Raza, who manages to get involved in something a little over his head.

    The fast forwarding of time didn't bother me (there was an additional 10 year forward after the 35 year one), but for me, the book started off really slowly. I got more interested in Hiroko falling in love in India. But, there were still dry spots where I did lose interest again. Parts of Raza's story were interesting for me, but other parts weren't. This book varied for me, with me tuning out some parts that didn't catch my interest and other parts that did draw me in. Overall, I'd consider this one merely o.k.

    • Was this review
      helpful to you?

    Rating: 5/5

    An excellent read

    Kevin Peterson

    3 years ago

    This novel has been longlisted for the Orange Prize and fully warrants that nomination. It is sweeping in scope but Shamsie has executed a complex plot very well. For a more detailed review, see my thoughts at www.kevinfromcanada.wordpress.com.

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From the Publisher

Hiroko steps out onto the veranda. Her body from neck down a silk column, white with three black cranes swooping across her back. She looks out towards the mountains, and everything is more beautiful to her than it was early this morning. Nagasaki is more beautiful to her than ever before. She turns her head and sees the spires of Urakami Cathedral, which Konrad is looking up at when he notices a gap open between the clouds. Sunlight streams through, pushing the clouds apart even further.
 
Hiroko.
 
And then the world goes white.
 
-From Burnt Shadows by Kamila Shamsie
--
 
The morning of August 9, 1945 breaks dreary and unspectacular in the city of Nagasaki. Nonetheless, twenty-one year-old Hiroko Tanaka is elated: she is in love. Her emerging romance with the displaced German Konrad Weiss offers release from the greyness of wartime deprivation. In this time of heightened xenophobia, their affair must be kept secret, particularly as Hiroko's father has recently been outcast for questioning the patriotism of sending children on kamikaze missions. As Hiroko and Konrad furtively plan for a future after the war, there is no way they can comprehend the unspeakable devastation bearing down upon them.
 
Two years later, Hiroko arrives in Delhi at the home of Konrad's sister Ilse and his brother-in-law James Burton. Upon Hiroko's back are crane-shaped scars, seared into her skin when her kimono was incinerated by the bomb. She is on the run from unbearable memories, as well as from the stigma of being branded a hibakusha, a survivor of the bomb. Ilse, in an uncharacteristically impulsive move, welcomes Hiroko into her home, seeing in the brave young woman a possibility of release from her own conscripted existence. Hiroko quickly destabilizes the frigid hierarchy of the household, much to the relief of Sajjad Ashraf, James's bored servant.
 
Tensions are running high in the Mohalla with the looming partition of India and Pakistan. Will Sajjad remain in his beloved Dilli/Delhi, or depart with so many others for the promise of Pakistan? Sajjad's family has secured for him a wife, and he yearns for a legal career, still half-clinging to the hope that James will assist him. But James's only use for him is as a chess opponent, an idle distraction as the Raj winds to a close. The Burtons are preparing to decamp for England, having already dispatched their son Harry to boarding school. But what James does not know is that Ilse is making other plans.
 
A romance blooms between Hiroko and Sajjad, much to the incredulity of the Burtons, whose own emotional lives have become entwined in the futures of their charismatic young charges. Despite outbursts of jealousies and a terrible act of betrayal, the Burtons nevertheless assist Hiroko and Sajjad in their flight to married life in Istanbul. Later the Ashrafs will move to Karachi to raise their son, Raza.
 
The lives of the Ashrafs and the Burtons will remain entwined for decades, though in ways they cannot anticipate. Across continents and through geopolitical flux, each family will continue to act as a catalytic force upon the other, sometimes in life-saving ways, and sometimes causing great peril. Why is it that some bonds flourish in times of crisis, and why do some fail? What defines the character that survives the cruelest of circumstances? And how is it that entire populations can support unspeakable acts en masse, while relating as individuals with compassion?
 
Longlisted for the prestigious Orange Prize for Fiction, Kamila Shamsie's Burnt Shadows is an enthralling meta-cultural epic, the panoramic tale of two families tangled together in some of the most devastating conflicts of modern history.

From the Jacket

"Kamila Shamsie is a writer of immense ambition and strength. She understands a great deal about the ways in which the world's many tragedies and histories shape one another, and about how human beings can try to avoid being crushed by their fate and can discover their humanity, even in the fiercest combat zones of the age. Burnt Shadows is an absorbing novel that commands, in the reader, a powerful emotional and intellectual response."
- Salman Rushdie

"Burnt Shadows is audacious in its ambition, epic in its scope. A startling expansion of the author's intentions, imagination and craftsmanship. One can only admire the huge advances she has made, and helped us to make, in understanding the new global tensions."
- Anita Desai

"In this brilliant book Kamila Shamsie opens a vista onto the century we have just lived through - pointing out its terror and its solace. She is so extraordinary a writer that she also offers hints about the century we are living through - the dark corners that contain challenges, as well as the paths that lead to beauty's lair."
- Nadeem Aslam, author of Maps for Lost Lovers

"Burnt Shadows is a beautiful, beautiful book. I was entirely swept up in the story, and I feel, now that I've (so reluctantly) put it down, that I have traveled the world and spent the past six decades with Hiroko and her family. The book speaks boldly and powerfully of our age; I know it will stay with me for a long time to come."
- Tahmima Anam, author of The Golden Age, which was shortlisted for the Guardian First Book Award and the Costa, and won the Commonwealth Writer's Prize for First Book

About the Author

Kamila Shamsie was born in 1973 in Karachi, where she grew up. She has a BA in Creative Writing from Hamilton College in Clinton, NY and an MFA from the University of Massachusetts, Amherst. While at the University of Massachusetts she wrote In The City By The Sea, published by Granta Books UK in 1998. This first novel was shortlisted for the John Llewelyn Rhys Award in the UK, and Shamsie received the Prime Minister''s Award for Literature in Pakistan in 1999. Her 2000 novel Salt and Saffron led to Shamsie's selection as one of Orange''s "21 Writers of the 21st Century." With her third novel, Kartography, Shamsie was again shortlisted for the John Llewelyn Rhys award in the UK. Both Kartography and her next novel, Broken Verses, won the Patras Bokhari Award from the Academy of Letters in Pakistan. Burnt Shadows, Shamsie's fifth novel, has been longlisted for the Orange Prize for Fiction. Her books have been translated into a number of languages.

Shamsie is the daughter of literary critic and writer Muneeza Shamsie, the niece of celebrated Indian novelist Attia Hosain, and the granddaughter of the memoirist Begum Jahanara Habibullah. A reviewer and columnist, primarily for the Guardian, Shamsie has been a judge for several literary awards including The Orange Award for New Writing and The Guardian First Book Award. She also sits on the advisory board of the Index on Censorship.

For years Shamsie spent equal amounts of time in London and Karachi, while also occasionally teaching creative writing at Hamilton College in New York State. She now lives primarily in London.

Of the themes in Burnt Shadows, Shamsie says, "There are a number of interconnected ideas in the book that are of interest to me but I suppose if I had to pin it down I''d say I''m exploring what happens at different intersections of personal lives and the force of history - how do people survive living through cataclysmic events? How do relationships survive it? Why is it that some relationships do survive and others don''t?"

Bookclub Guide

1. Did reading about the unnamed prisoner in the prologue affect your experience of the book? Did you return to this passage later? "How did it come to this?" wonders the prisoner. How would you answer this question?

2. What was your impression of the opening chapters set in Nagasaki, including the description of the bombing? Discuss the ways in which Shamsie weaves the imagery of these pages through the rest of the book.

3. Discuss the meaning of the four section titles. (Note that "The Yet Unknowing World" is a quote from Hamlet, and "The Speed Necessary to Replace Loss" comes from Michael Ondaatje's The English Patient.)

4. What does Hiroko hope to achieve by going to India? What is her effect on the delicate hierarchies of life in the Bungle Oh! household?

5. When Ilse first meets Hiroko, she thinks "Here was one who would squeeze the sun in her fist if she ever got the chance; yes, and tilt her head back to swallow its liquid light." Why is she so drawn to Hiroko?

6. Discuss the love affair between Hiroko and Sajjad. Upon what is it based? How does their bond compare with that of the Burtons?

7. Shamsie wrote this book using an omniscient narrative technique, allowing us to glimpse several characters' inner thoughts and experiences. What did you think of this strategy? Could the story have been told without it?

8. Discuss the various characters' perspectives on ethnicity, identity, and the bigger geopolitical events that shape their lives. How do their attitudes benefit or hinder each character?

9. Raza is drawn into violent circles, despite his parents' pacifism. Are these affiliations just a lark, or does he seek something deeper? How would you explain his relationships with Harry and Abdullah?

10. Raza and Kim seem often to be in counterpoint. Discuss the impact each has on the other's life. Was the outcome of their interactions what you expected?

11. Discuss the various forms of betrayal in the novel.

12. Near the novel's end, Raza tries to convey to Kim that "he still saw the spider as well as its shadow." What is the significance of the spider legend shared between the two families, and what does Raza mean in this instance?

13. In the final scene, Hiroko talks to Kim about the psychology that feeds public acceptance of terrible wartime acts. Earlier Harry contemplates how far he'd go in the line of duty: "What wouldn''t I do if I thought it was effective?" he muses to Raza, "Almost nothing." Do you believe terrible acts can be justified in the name of greater good?

Hardcover

384 Pages, 5.85 x 8.55 x 1.25 in

April 28, 2009

Doubleday Canada

English


0385666950
9780385666954

From the Critics

"Kamila Shamsie is a writer of immense ambition and strength. She understands a great deal about the ways in which the world's many tragedies and histories shape one another, and about how human beings can try to avoid being crushed by their fate and can discover their humanity, even in the fiercest combat zones of the age. Burnt Shadows is an absorbing novel that commands, in the reader, a powerful emotional and intellectual response."
- Salman Rushdie

"Burnt Shadows is audacious in its ambition, epic in its scope. A startling expansion of the author's intentions, imagination and craftsmanship. One can only admire the huge advances she has made, and helped us to make, in understanding the new global tensions."
- Anita Desai

"In this brilliant book Kamila Shamsie opens a vista onto the century we have just lived through - pointing out its terror and its solace. She is so extraordinary a writer that she also offers hints about the century we are living through - the dark corners that contain challenges, as well as the paths that lead to beauty's lair."
- Nadeem Aslam, author of Maps for Lost Lovers

"Burnt Shadows is a beautiful, beautiful book. I was entirely swept up in the story, and I feel, now that I've (so reluctantly) put it down, that I have traveled the world and spent the past six decades with Hiroko and her family. The book speaks boldly and powerfully of our age; I know it will stay with me for a long time to come."
- Tahmima Anam, author of The Golden Age, which was shortlisted for the Guardian First Book Award and the Costa, and won the Commonwealth Writer's Prize for First Book

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