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The Castle of Otranto: A Gothic Story

Average rating: 3/5

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The Castle of Otranto: A Gothic Story

by Horace Walpole
Editor: W. S. Lewis
Introduction by: E. J. Clery

Oxford University Press | April 1, 1998 | Trade Paperback

First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the second edition, `to blend the two kinds of romance: the ancient and the modern''. He gives us a series of catastrophes, ghostly interventions, revelations of identity, and exciting contests. Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole''s own favourite among his numerous works. His friend, the poet Thomas Gray, wrote that he and his family, having read Otranto, were now `afraid to go to bed o''nights''. The novel is here reprinted from a text of 1798, the last that Walpole himself prepared for the press.
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Reviews

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      helpful to you?

    Rating: 2/5

    Neccessary But Boring

    Sara Pinto

    4 years ago

    The Castle of Otranto by Horace Walpole is considered the founding text of the gothic genre. The novel centres on the character of Manfred, the prince of Otranto and his family. Beginning from the mysterious death of Manfred's only son and heir Conrad's death, which is crushed under the weight of a gigantic plumed helmet. This supernatural event leads to the events, which follow. All of which are meant to restore the rightful heir to Otranto amongst mysterious deaths and haunting. The heap surrounding this novel is obvious as it is the first book of its kind and would mark the beginning of a fabulous genre of fiction. Also adding to its fascination is the claim that the novel actually came to its author in a dream. It is for this reason no doubt that there has continued to be such interest in this book.

    Personally, I found this book to be too overly dramatic. It read more like a comedy then a serious work of fiction. Furthermore I found the portrayal of women to be slightly ideal in nature. This book to me just played into the basic fairytale Disney-like formula of bad vs. good and right vs. wrong. It was to a degree entertaining and a must read as it is a precursor to future fiction within this genre. But overall it was more then slightly boring

    • Was this review
      helpful to you?

    Rating: 1/5

    Disappointing

    Krisrid

    • Top Book Reviewer

    4 years ago

    When I read about this book, it sounded unique and fascinating and I was excited to get my hands on it. Unfortunately, I was very disappointed in the book.

    The writing style, was very dense, and tends to use run-on sentences and jump from person to person in a way that I found hard to follow and distracting. The language was from an earlier era, but that in and of itself would not have been an issue, as I enjoy both Chaucer and Shakespeare immensely.

    Although the story and characters were interesting, the writing style really took away from my enjoyment of the book. I found myself frequently having to go back and re-read sections two, and sometimes three times to be sure I was staying with the plot. As an avid reader, I never have to do that in any other type of book, so I don't think this was me.

    I wouldn't recommend this, which I always hate to have to say about any book, but I just did not enjoy it.

    • Was this review
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    Jane

    Rating: 5/5

    The Castle of Otranto

    Jane

    12 years ago

    A wonderful novel! Full of interesting and entertaining characters. An excellent gothic novel. I couldn't put it down until I was finished, what a page turner. I definately recommend it!

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Details

From the Publisher

First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the second edition, `to blend the two kinds of romance: the ancient and the modern''. He gives us a series of catastrophes, ghostly interventions, revelations of identity, and exciting contests. Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole''s own favourite among his numerous works. His friend, the poet Thomas Gray, wrote that he and his family, having read Otranto, were now `afraid to go to bed o''nights''. The novel is here reprinted from a text of 1798, the last that Walpole himself prepared for the press.

About the Author

E. J. Clery is Research Fellow in English at Sheffield Hallam University and author of The Rise of Supernatural Fiction 1762-1800 (1995).

Trade Paperback

176 Pages, 12.9 x 19.6 x 0.9 CM

April 1, 1998

Oxford University Press

English


0192834401
9780192834409

From the Critics

`with each volume having an introduction by an acknowledged expert, and exhaustive notes, the World''s Classics are surely the most desirable series and, all-round, the best value for money'' Oxford Times

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