Trade Paperback
144 Pages, 6.61 x 7.99 x 0.48 IN
September 21, 2000
Douglas & McIntyre
Canadian Author
1550548182
9781550548181
From Our Editors
Douglas Coupland describes the spirit of his
hometown, Vancouver, in this fascinating, stylish collection of
words and images. Vancouver is a beautiful city famous for
snowboarding, Greenpeace, cyberpunk, Generation X, The X
Files and Culture Jamming. Now discover what it's like from
the inside. Clever, eclectic, insightful and provocative,
City of Glass reveals the real Vancouver:
a social laboratory for new ways of thinking and living, blending
extreme politics and sports, European, Asian and indigenous
cultures. The 70 colour images include breathtaking shots of the
city from eminent photographers, as well as ephemera such as unique
Campbell's soup cans with Cantonese/English/French labels.
From the Publisher
A witty survey by the noted chronicler of alternative culture
From the Jacket
"There's nothing about Vancouver on the book shelves that offers
any visual sense of our city's being a laboratory for new ways of
thinking and living. Which it is. Especially after World War II --
design and art and architecture from then and ongoing." -- Douglas
Coupland
A stylish little book of text and image in which Douglas Coupland
captures the essence of his home town, Vancouver.
The world sees Vancouver as a beautiful city harbouring a special
secret -- a snowboarding Pacific sphinx, brash and free of
historical luggage. The city is also the birthplace of cultural
phenomena such as Greenpeace, cyberpunk, the schism of Generation
X, The X Files and now, Culture Jamming.
So -- what is Vancouver really like?
What does Vancouver feel like from the inside?
Electric, provocative, witty and, above all, eerily perceptive,
here is Vancouver inside out, from the Grouse Grind to glass
towers, First Nations to feng-shui, Kitsilano to Cantonese. Here's
life in the social laboratory of extreme politics and extreme
sports, where Europe meets Asia meets indigenous, and where the
notion of Paradise at the end of a Canadian rainbow is rewritten
every day.
Coupland's 25,000-word text, broken up into 49 personal
categories, is matched with a like number of images reflecting the
unexpected city: archival photographs, "beauty" shots, images from
internationally known photo-artists, and ephemera such as
Campbell's soup cans with Cantonese/English/French labels ( ... the
only such cans in the world).
Full of inimitable insights, this unique little book is designed
by Coupland and Vancouver's Judith Steedman in the manner of
underground Japanese magazines. Unlike any take on Vancouver that
anyone has seen before, Coupland's exploration of his home city
will intrigue his broad and growing international audience.
Douglas Coupland was born on a Canadian NATO base in
Baden-Sollingen, Germany, and raised in West Vancouver, where he
still resides, in a house designed by Ron Thon. Among his
best-sellers are Generation X, Polaroids from the Dead, Microserfs
and, most recently, Miss Wyoming -- altogether in print in some 30
countries. Less well known is the fact that he is a graduate of the
Emily Carr School of Art and Design in Vancouver and that his
on-going design experiments include everything from launching a
line of furniture to Smirnoff vodka ads for the New Yorker (a
fundraiser for the Western Canada Wilderness Committee). His
journalism ranges form a short story on Dolly the cloned sheep in
Time magazine (U.S. edition) to guest-editing two special issues of
Vancouver Magazine on Vancouver's quirky future as a city state on
the Pacific.
About the Author
Douglas Coupland was born December 30, 1961 on a Canadian military base in Baden-Soellingen, Germany. He attended Emily Carr College of Art and Design in Vancouver in 1984 and he completed a two-year course in Japanese business science in Hawaii in 1986. His career has consisted of writing, sculpting, and editing and he also hosted The Search for Generation X, a PBS documentary, 1991. His work includes Generation X: Tales for an Accelerated Culture, Shampoo Planet, Life after God, and Polaroids from the Dead. He has also contributed articles to periodicals, including The New Republic, The New York Times, Wired, and Saturday Night.
Edition Details
with flaps