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The Cure For Death By Lightning

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About this Book

Trade Paperback

304 Pages, 5.2 x 8 x 0.8 in

September 15, 1998

Knopf Canada


0394281802
9780394281803

From Our Editors

Some people record the passage of time in diaries while others go by photographs and memories associated with music, food or scent. The Cure for Death by Lightning captures Beth Weeks' story on the pages of her mother's scrapbook of recipes and home remedies. Set against the backdrop of daily life in remote Turtle Valley, B.C., it relates the story of her 15th summer and transition from childhood to adulthood. It was also shortlisted for the Chapters/Books in Canada First Novel Award.

From the Publisher

"The cure for death by lightning was handwritten in thick, messy blue ink in my mother's scrapbook, under the recipe for my father's favourite oatcakes: Dunk the dead by lightning in a cold water bath for two hours and if still dead, add vinegar and soak for an hour more."

So begins Gail Anderson-Dargatz's extraordinary first novel, a seductive and thrilling book that captures the heart and imagination, as filled with the magic and mystery of life as it is with its lurking evils and gut-wrenching hardships. The Cure for Death by Lightning sold more than a staggering 100,000 copies in Canada alone and became a bestseller in Great Britain, later to be published in the United States and Europe. It was nominated for the Giller Prize, the richest fiction prize in Canada, and received a Betty Trask Award in the U.K.

The Cure for Death by Lightning takes place in the poor, isolated farming community of Turtle Valley, British Columbia, in the shadow of the Second World War. The fifteenth summer of Beth Weeks's life is full of strange happenings: a classmate is mauled to death; children go missing on the nearby reserve; an unseen predator pursues Beth. She is surrounded by unusual characters, including Nora, the sensual half-Native girl whose friendship provides refuge; Filthy Billy, the hired hand with Tourette's Syndrome; and Nora's mother, who has a man's voice and an extra little finger. Then there's the darkness within her own family: her domineering, shell-shocked father has fits of madness, and her mother frequently talks to the dead. Beth, meanwhile, must wrestle with her newfound sexuality in a harsh world where nylons, perfume and affection have no place. Then, in a violent storm, she is struck by lightning in her arm, and nothing is quite the same again. She decides to explore the dangers of the bush.

Beth is a strong, honest, and compassionate heroine, bringing hope and joy into an environment that is often cruel. The character of Beth's haunted mother infuses the book with life by means of her scrapbook of recipes scattered throughout, with luscious descriptions of food, gardening, and remedies, both practical and bizarre. Seen through Beth's eyes, the West Coast landscape is full of beauty and mysteries, with its forests and rivers, and its rich native culture.

The Globe and Mail commented that The Cure for Death by Lightning was "Canadian to the core," with hints of Susannah Moodie and Margaret Atwood and Alice Munro. Anderson-Dargatz's vision of rural life has drawn comparisons with William Faulkner and John Steinbeck. A magic realism reminiscent of Latin American literature is also present, as flowers rain from the sky, and men turn into animals. Yet the style of The Cure for Death by Lightning, which the Boston Globe called "Pacific Northwest Gothic," is wholly original. Launched in a year with more than the usual number of excellent first novels (1996 was also the year of Fall On Your Knees by Ann-Marie MacDonald and Fugitive Pieces by Anne Michaels), this book with its assured voice heralds a worthy successor to Margaret Atwood, Carol Shields, Margaret Laurence and Alice Munro.

About the Author

Turtle Valley is the fifth book to come from talented Canadian author Gail Anderson-Dargatz, whose novels have been published in several languages worldwide. Her first novel The Cure For Death By Lightning met with terrific acclaim and garnered her the UK's Betty Trask Award and a nomination for Canada's Giller Prize. A Recipe For Bees soon followed with nominations for the Giller and the IMPAC Dublin Award. A Rhinestone Button was a national bestseller in Canada and her first book, The Miss Hereford Stories, was shortlisted for the Stephen Leacock Memorial Medal for Humour.

Her style has been called "Margaret Laurence meets Gabriel García Márquez" because her writing tends towards magic realism, but Anderson-Dargatz says the ghosts and premonitions in her novels arise from her family's stories of the Shuswap-Thompson area, which she carefully transcribed. "My father passed on the rich stories and legends about the region I grew up in, which he heard from the interior Salish natives he worked with," she explains. "And my mother told me tales of her own premonitions, and of ghosts, eccentrics and dark deeds that haunted the area."

Anderson-Dargatz has recently moved home to British Columbia's Shuswap-Thompson area, that landscape found in so much of her writing. She is married to photographer Mitch Krupp, who took the beautiful photos that are reproduced throughout Turtle Valley. Now at work on her next novel, she is an adjunct professor in the creative writing optional-residency MFA program at the University of British Columbia.

Of her inspiration for Turtle Valley, Anderson-Dargatz writes, "It all started back in 1998 when I helped evacuate my parents from the Salmon Arm fire. Almost the whole city was evacuated, in what was the largest peacetime evacuation in the history of BC up to that time. It was both terrifying and visually beautiful, as fire quite literally rained down on the Salmon River Valley. Even as we went through it, I knew I would write of it someday, and I did, in Turtle Valley."


From the Hardcover edition.

Bookclub Guide

1. "Dunk the dead by lightning in a cold water bath for two hours and if still dead, add vinegar and soak for an hour more." (p. 1) In this opening passage, how is Beth's mother revealed through her scrapbook, through her gallows humour and her rather brutal method of remembering the fragile determination of a butterfly? What does it say about the circumstances of Beth's childhood?

2. "The scrapbook was my mother's way of setting down the days so they wouldn't be forgotten. This story is my way." (p. 2) How is Beth's approach to memory-keeping different from her mother's?

3. "When it came looking for me I was in the hollow stump by Turtle Creek . . ." (p. 3). What is this "it," also variously referred to by Beth as "the thing," or as Coyote? How does Beth's attitude to "it"/Coyote change through the course of her story? Who ultimately wins, and how?

4. In this threatening landscape, women and livestock are closely guarded from dangers both real and perceived. Bells are tied around the necks of the livestock to keep track of them. Bells are given as love tokens. And Nora, too, wears bells. When Beth hears the bells tinkle, what does it often mean? What is their association for her?

5. Bertha describes Coyote as a complex devil figure, linked to the madness of world events. "Of course the old men here wouldn't agree with that," she says. (p. 170) Consider Bertha's description of Coyote, of the mix of good and evil that he brings and of his sorrow and regret. What does this say about her worldview? Do you see this version of Coyote reflected in any of the characters in the novel?

6. Beth's mother remains generally distant, only revealing herself through the pages of her scrapbook, which she guards from Beth, and in her mutterings to her own dead mother. She appears to have a wish to protect Beth, yet continually places her in jeopardy, and it's unclear if she's aware of the extremity of Beth's trauma. What is Beth's perspective on her mother? Do you think she will forgive her? Could you?

7. The colour red - the colour of berries, of beet wine, of lipstick and of blood - carries great significance in the novel. Do you see a pattern in its associations, for example with sexuality, with violence, with nature and with the lives of women?

8. When Bertha hears of Beth's lightning arm, she tells Beth the story of Lightning and Mosquito who were both attracted to the sweet blood of a young girl. (p. 171) What do you think the lightning strike means to Beth in light of Bertha's narrative?

9. Beth feels pulled by the desire coming from Dennis, from Nora and from Billy. How do the three differ in who they are and what they want from Beth? How are they similar? What is it about each of them that attracts Beth?

10. Men do not have the fear of Coyote that women, children and livestock share. The only exception is Billy. Why is he pursued by Coyote? What is their relationship?

11. Why doesn't Beth leave? What is really keeping her on the farm?

12. Some characters have totem animals associated with them; for instance Coyote Jack and Bertha with the birds. Do you see any other totem animals in the novel? What do they mean to Beth?

13. There are many recipes and anecdotes from Mrs. Weeks' scrapbook reproduced in Beth's story. What do they lend to the narrative? Will you try any of the recipes? Are there any scrapbooks or recipes passed down through your family? What do they mean to you?

From the Critics

"Superlative … A coming-of-age story like no other, by turns charming, funny and terrifying … Anderson-Dargatz's prose is lyrical, precise and infused with offbeat humour; she magically - and realistically - paints the details of rural life in wartime British Columbia. Beth Weeks - strong, confused, abused, touched by magic and blasted by lightning - is simply one of the most engaging young heroines in years."
-The Globe and Mail

"This is a haunting, stunning debut … overlapping the mundane with the extraordinary, Anderson-Dargatz creates a multi-layered tale of considerable power and suspense."
-The Toronto Star

"Some first novelists tiptoe. Not Gail Anderson-Dargatz. She makes her debut in full stride, confidently breaking the rules to create a fictional style we might call Pacific Northwest Gothic. Its spookiness doesn't settle like a Southern miasma; it breaks like thunder from a calm sky and rolls invisibly away."
-Boston Sunday Globe

"Gail Anderson-Dargatz has a noticing eye, a voice as unique as the countryside she writes about, and a heart large enough to love her entire cast of distinct and memorable characters. In The Cure for Death by Lightning she fashions an irresistible song out of the joys and dangers of growing up, the mysteries and wonders of life on a farm, the thrilling terror of trying to outrun the awful unseen force that pursues a growing girl. This novel opens a door to a shining, surprising world."
-Jack Hodgins

"Those who go hunting for 'the next Margaret Laurence' or 'the next Alice Munro' might find themselves perusing Gail Anderson-Dargatz … If Margaret Laurence were alive today, she'd be looking over her shoulder - not with worry, but anticipation. Anderson-Dargatz is the real thing."
-The Calgary Herald

"… As beautiful as it is uplifting. The struggle to find love in such an emotionally barren landscape, and Beth's dignity in the face of massive dysfunction, make her a remarkable heroine. The novel has culled the best from many fictional worlds - including Márquez's magical realism, Faulkner's Gothic claustrophobia, Ondaatje's lyricism, and Flannery O'Connor's engaging outcasts - to create a work that is startlingly original."
-Quill & Quire

"A robust but richly observed coming-of-age story of a complex young woman whose growth and resilience are celebrated without an iota of sentimentality."
-Kirkus Reviews

"I loved it from the first page. She is fluent and graceful and there's a passion there, a tension, in fact all I want from a novel. The writing is so powerful and yet holds back, showing a restraint that tightens the whole atmosphere. I was gripped."
-Margaret Forster

"Like lightning in the distance, Anderson-Dargatz's novel signals a strong force on the literary horizon."
-Maclean's

"
Brilliant.... A wonderful and challenging, truly bewitching novel, a unique work by an original voice....[Anderson-Dargatz] gives full reign to an amazing imagination and a compelling sense of time and place.... Like all powerful works of imagination, The Cure for Death by Lightning must be inhabited to be appreciated."
-Edmonton Journal

"Unusual and stimulating...Intriguing.... The dialogue is excellent, the characters well-drawn. The novel has real depth and integrity of voice. Its world is compelling, unusual and emotionally haunting."
-Vancouver Sun

"Powerful."
-Books in Canada

"A truly realized, completely gripping personal reconstruction of history, Salman Rushdie's Midnight's Children meets Like Water for Chocolate in this bold addition to the Canadian cannon."
-Id Magazine

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4

Reviews from the Community16 Reviews

  • Anonymous

    Anonymous

    • 1 person found this helpful

    The Cure for Death by Lightning 3

    This review is from: The Cure for Death by Lightning (Hardcover)

    4 years ago

    A very real look into Canadian identity through the eyes of a young girl. Interaction between an 'Anglo' and a 'Native' girl reveals how their friendship was observed and reacted to by the surrounding community. A good look at rural Canada and the reality of the 'white man' living alongside and in close proximity to an Indian reservation. I look forward to reading more of her books!

  • Stephanie McGlade

    Stephanie McGlade

    Interesting but not much more 2

    2 years ago

    I thought the prologue of this story was brilliant, it was witty, thought provoking, and I liked how it reiterated the need people have to capture their life story. The mother did this by keeping a scrapbook, the protagonist Beth was telling hers by writing the book. I thought this was an interesting attempt to make readers connect with the character, but for me it failed miserably. To connect to a character and capture their life -- you need to delve into the big issues. I found the… read more

  • JM

    JM

    Better off as a cook book 2

    6 years ago

    Like stopping to look at an accident through some sense of morbid curiosity, I continued to read this book after the first seven chapters. This novel lacked many things and as I read I prayed the writer had seen the lack of character development or plot and improved on it. Sadly, as I closed the back cover I was left with a sense of why did I waste my time. It struck me as I finished the book and looked at the back index that this novel would have been a better read as… read more

  • Nikki J

    Nikki J

    • 1 person found this helpful

    A Good Cure! 4

    6 years ago

    Was a good book, an easy read that had captivating characters, ones that stayed in your mind long after you'd finished the book. read more

  • Shayla Harvey

    Shayla Harvey

    • 2 people found this helpful

    The Cure For Death By Lightning 4

    9 years ago

    I read this book because I previously read "A Recipe For Bees" and thought that Dargatz had a very unique writing style. I thought this book was very well written with well developed characters. Dargatz did an excellent job of bringing to life characters as well as the aromas of her mothers kitchen. It felt like I was following Beth around in her daily life and was even frightened when Wild Bill came a knockin'.

  • Lisa

    Lisa

    • 3 people found this helpful

    The Cure For Death By Lightning 4

    9 years ago

    This is the story of a second world war-era family, outcasts within their community in the B.C. interior, due to the odd behaviour of the father. It is written from the perspective of the teenage daughter who most deeply feels the pain of her family's ostracism. Full of eccentric characters, as well as fascinating details concerning the day-to-day life of a struggling farm family. I found reading this story that I was reliving familiar experiences that my own mother had recounted from her… read more

see all 16 reviews

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