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The Englishman's Boy: A Novel

The Englishman's Boy: A Novel

by Guy Vanderhaeghe

Picador | September 15, 1998 | Trade Paperback

Winner of the Governor General''s Award

Counterpointing the stories of the legendary Western cowboy Shorty McAdoo and Harry Vincent, the ambitious young screenwriter commissioned to retell his story in 1920s Hollywood, this novel reconstructs an epic journey through Montana into the Canadian plains, by a group of men pursuing their stolen horses.

The Englishman''s Boy intelligently and creatively depicts an American West where greed and deception are tempered by honor and strength. As Richard Ford has noted, "Vanderhaeghe is simply a wonderful writer. The Englishman''s Boy, spanning as it does two countries, two centuries, two views of history-the Canadian Wild West as ''imagined'' by Hollywood-is a great accomplishment. Readers, I think, will find this book irresistible."

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Reviews

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    Vanderhaeghe's novel "The Englishman's Boy" is a well written, well crafted novel. Using accurate historical elements of both the 1920's in Hollywood and of the Cypress Hills Massacre of the late 1800 (approx. 1873), Vanderhaege is able to weave both stories, while very different in both content and subject, together with such a masterful flair. He takes themes common in both stories, laying these as his foundation, and continues to unfold two remarkably different, yet intriging stories. By juxtaposing these two stories, Vanderhaege allows the reader to switch back and forth, while not being confused, and wondering the whole time when the two parrallels of the story will eventually meet. It is at that point that the apex of the story is fully realized.

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    Michelle

    Rating: 4/5

    Where has this man been hiding?

    Michelle

    12 years ago

    Why isn't Guy Vanderhaeghe more famous than he is? I am no great fan of the Western genre, but this book completely astonished me, particularly by the fact that of the two stories interwoven throughout the novel, I much preferred the Western! This book has made me a fan of Guy Vanderhaeghe, as I am sure of many others who have had the pleasure of reading "The Englishman's Boy", or any of his short story collections. Definitely recommended for the non-Western reader like myself.

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    Susan

    Rating: 3/5

    Better on the Radio

    Susan

    12 years ago

    The publicity surrounding this book was recommendation enough, so why did I find it so difficult staying interested in this novel? True, this book is about two interconnected stories centered around the so-called wild west. But it seemed that every time a story started getting interesting the author dropped it and picked up the other. I've heard this novel read on CBC radio and had only marginally better luck staying interested.

    • Was this review
      helpful to you?

    Vanderhaeghe's skill with dialogue is astonishing. You can hear this book as you read it; it's almost like watching a movie. A Western, in this case. Interesting how it takes a Canadian to get to the heart of two of America's greatest mythologies: The Wild West, and Hollywood. Excellent book.

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Details

From the Publisher

Winner of the Governor General''s Award

Counterpointing the stories of the legendary Western cowboy Shorty McAdoo and Harry Vincent, the ambitious young screenwriter commissioned to retell his story in 1920s Hollywood, this novel reconstructs an epic journey through Montana into the Canadian plains, by a group of men pursuing their stolen horses.

The Englishman''s Boy intelligently and creatively depicts an American West where greed and deception are tempered by honor and strength. As Richard Ford has noted, "Vanderhaeghe is simply a wonderful writer. The Englishman''s Boy, spanning as it does two countries, two centuries, two views of history-the Canadian Wild West as ''imagined'' by Hollywood-is a great accomplishment. Readers, I think, will find this book irresistible."

About the Author

Guy Vanderhaege is the author of several books and lives in Saskatoon, Canada.

Trade Paperback

352 Pages, 5.58 x 10 x 0.84 in

September 15, 1998

Picador


0312195443
9780312195441

From the Critics

"[A] fine new novel . . . Vanderhaeghe deftly juxtaposes the events of two different time periods to dramatize his concern with history . . . By turns a western, a critique of Hollywood, and a novel of ideas."-John Motyka, The New York Times Book Review

"An epic tale that brings together the American West before the turn of the century with the Hollywood of the 1920s . . . Each segue from past to present to past again is a graceful little leap between subtly matched gestures and images."-Katharine Weber, The Los Angeles Times

"Fascinating . . . Vanderhaeghe seamlessly alternates two interconnected stories . . . Masterful storytelling."-Entertainment Weekly

"This is a terrific yarn, a la Larry McMurtry: funny and scary and impeccably detailed, told in classic Sophie''s Choice structure: naive narrator learns the story of a terrible moral post. And then, bam! There''s the stunning truth in Vanderhaeghe''s insight."-Sandra Scofield, author of A Chance to See Egypt

"A compelling read . . . Vanderhaeghe vividly conveys the dangers and discomforts of the journey."-The San Diego Union-Tribune

"Displaying a flair for the kind of descriptive prose that makes plain the essential characteristics of both the novel''s scenery, which is stunning, and its characters, who are unforgettable."-Kevin Driscoll, The Washington Times

"It is a wonder and glory--written by a man who has plundered the language for all its treasures."-Timothy Findley, author of The Pianoman''s Daughter

"[A] superb novel . . . [Vanderhaeghe] does a wonderful job."-The Dallas Morning News

"Superb . . . Immensely readable and finely crafted . . . American readers ready to confront our national facility for fashioning myth from reality will be well rewarded."-Judy Doenges, The Seattle Times

"Expertly written . . . [
f1The Englishman''s Boy] perfectly creates a world and characters you can''t help but care about."-Detroit Free Press

"A compelling yarn that delivers provocative intellectual content about the ways our tendency to mythologize history can prevent us from learning its lessons."-David Wiegand, The San Francisco Chronicle

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