Fall on Your Knees

by Ann-marie Macdonald

Knopf Canada | December 6, 1998 | Trade Paperback

Based on 520 ratings | Rate this
"What a wild ride - I couldn't turn the pages fast enough," Oprah Winfrey told her viewers as she announced Fall on Your Knees as her February 2002 Book Club selection. Set largely in a Cape Breton coal mining community called New Waterford, ranging through four generations, Ann-Marie MacDonald's dark, insightful and hilarious first novel focuses on the Piper sisters and their troubled relationship with their father, James. Winner of the 1997 Commonwealth Writers Prize for Best First Book, it was a national bestseller in Canada for two years, and it has been translated into 17 languages.

At the start of the 20th century, James Piper sets fire to his dead mother's piano and heads out across Cape Breton Island to find a new place to live, eventually eloping with 13-year-old Materia Mahmoud, the daughter of wealthy, traditional Lebanese parents. And so, from early on, Ann-Marie MacDonald establishes some major themes: racial tension, isolation, passion and forbidden love, which will gradually lead to incest, death in childbirth, and even murder. At the centre of this epic story is the nature of family love, beginning with the Piper sister who depend on one another for survival. Their development as characters - beautiful Kathleen, the promising diva; saintly Mercedes; Frances, the mischievous bad girl, who tries to bear the family's burden; and disabled Lily, everyone's favourite - forms the heart of the novel. And then there is James, their flawed father.

Moving from Cape Breton Island to the battlefields of World War I, to Harlem in New York's Jazz Age and the Depression, the tense and enthralling plot of Fall on Your Knees contains love, pain, death, joy, and triumph. The structure of the narrative is multi-faceted, richly layered, and shifts back and forth through time as it approaches the story from different angles, "giving it a mythic quality that allows dark, half buried secrets to be gracefully and chillingly revealed" (The New York Times Book Review). As the details of the labyrinthine plot are pulled together, the question of whether it is possible to escape one's family history gradually raises itself.

The book's epigraph, taken from Wuthering Heights, seems appropriate to a novel concerned with the different, often violent, forms that love can take. On the inexorable journey towards tragedy we encounter dark yet vivid images of neglect and violence, yet the novel radiates an unquenchable life-force, and yet the novel radiates an unquenchable life-force, shimmering with emotional depth, sensual with virtuoso descriptions of the power of music. It is a saga haunted by ghosts and saints, religious fanaticism and magic. MacDonald gives the most ordinary lives extraordinarily dramatic dimensions.

The Sunday Times wrote, "It is the unpredictability of this huge book that is its greatest joy." With allusions ranging from Hollywood stars to religious tracts, Fall on Your Knees simmers with vibrancy and crackling, effervescent, breathtaking language.
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Found in: Fiction and Literature
  • Eilythea Senis

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    5
    Non fiction truth in a fictional world
    by Eilythea Senis
    3 years ago

    This novel may possibly be the key hole to many of our silenced victims’ lives, whether they’ve been consumed by unwanted penetration, bewildered, hindered from accomplishing equality, and brought down to desperation to the full extent; even without knowing it. Fall On Your Knees is an incredibly written fiction in which history, culture, and the hidden disturbances of social issues, have been composed into one. It can be difficult to comprehend, and attempting to soak up each word may take courage. For the willing eyes that seek to discover the non fiction’s secret truths in a fictional world, it is best to be warned to open up your mind before opening the pages that expose humanity’s filth. Without an open mind, it is guaranteed to injure the mind of one that is weak. It is not advised to read the novel as casual. The key to reading one that exposes the human world takes a lot of comprehension, dissection, and evaluation. In order to survive a novel that holds so much, it is best to keep your logic on guard, while your emotions are kept tamed. In refusing to do so, it would not be a surprise to find yourself unable to cope with the mental disturbances and emotional grievances you’ve welcomed by not reading it with a controlled heart and careful eyes. pg 375 One would consider this as perverted. But only those with perverted minds would look over these passages again and again constantly while quoting it without a purpose. There is purpose in what Ann-Marie has written in this excerpt from the book. Hurt, heaviness and hate was the goal of this passage. She intended to cause her audience to be appalled, abashed, and abhorred. Not only was she genius in doing so, but she included a response in which her character “Frances” has comforted her watchful sister after the incident. This response, in which a 6 year old has assured to her slightly older sister, was well composed to cause heartbreak in her audience. "I keep looking at each other until he falls asleep like that, then she crawls out from behind his arms and walks over to me. 'It doesn’t hurt', she says." - pg. 376 The author, Ann-Marie Macdonald has obviously put a lot of thought in this novel. Palpably enough, it is blatant that Ann-Marie has been careful to select the right words, and combine them together to create the impact she has intended it to be. If put into a symbolic image, Fall On Your Knees is like an immaculate white house. It shines, and sparkles. But everyone that passes by it does not feel the innocence the house is supposed to hold present. And if one dares to enter, they find that the white house is not as immaculate as it imitates itself to be. Instead, past the sturdy bricks of white, you see that the paint is peeling off, and inside the house it is nothing but dusty and bloody. There are no people, but it is not empty; it is haunted.

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