1. According to the scholar Howard Babb, Hardy's depiction of
Wessex "impinges upon the consciousness of the reader in many ways
. . . as mere setting, or a symbol, or as a being in its own
right." How does environment serve as an integral part of this
novel?
2. The title of Far from the Madding Crowd, borrowed from Thomas
Gray's "Elegy Written in a Country Churchyard," celebrates the
"cool, sequestered" lives of rural folks. Is the title ironic or
appropriate?
3. The rustics who work the land, tend the sheep, and gather at
Warren's malt house have been likened to a Greek chorus. Can you
support this analogy? What function do the rustics serve in the
novel?
4. Time is a theme that weaves throughout the story. One example
may be found in Chapter XVI, when Frank Troy stands rigidly in All
Saints Church awaiting Fanny's delayed arrival while a "grotesque
clockwork" agonizingly marks each passing moment. Where else does
Hardy employ the theme of time, and what purpose does it serve?
5. In Chapter IV, Bathsheba tells Gabriel, "I want somebody to
tame me; I am too independent: and you would never be able to, I
know." How is Bathsheba "tamed" over the course of the novel, and
who is responsible for her transformation?
6. How does the subordinate plot concerning Fanny Robin and
Sergeant Troy serve as a contract to the main storyline?
7. What do Bathsheba Everdene and Fanny Robin have in common,
and how do they differ? And what does Hardy's portrayal of these
two women reveal about Victorian moral standards?
8. In Gabriel Oak, Sergeant Troy, and Farmer Boldwood, Hardy has
depicted three very different suitors in pursuit of Bathsheba
Everdene. What distinguishes each of these characters, and what
values does each of them represent?
9. Two particular episodes in Far from the Madding Crowd are
often cited for their profound sensuality: Sergeant Troy's
seduction of Bathsheba through swordplay (Chapter XXVIII), and
Gabriel's sheep-shearing scene (Chapter XXII). What elements does
Hardy employ to make these scenes so powerful?
10. At the end of the novel, Hardy describes the remarkable bond
between Gabriel and Bathsheba: "Theirs was that substantial
affection which arises . . . when the two who are thrown together
begin first by knowing the rougher sides of each other's character,
and not the best till further on, the romance growing up in the
interstices of a mass of hard, prosaic reality." How does this
relationship serve as a contrast to other examples of love and
courtship throughout the novel? Consider Bathsheba and her three
suitors, as well as Fanny Robin and Sergeant Troy.