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Female Chauvinist Pigs: Women and the Rise of Raunch Culture

Average rating: 4/5

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Female Chauvinist Pigs: Women and the Rise of Raunch Culture

by Ariel Levy

Free Press | October 3, 2006 | Trade Paperback

Meet the Female Chauvinist Pig -- the new brand of "empowered woman" who embraces "raunch culture" wherever she finds it. In her groundbreaking book, New York magazine writer Ariel Levy argues that, if male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women -- and of themselves. Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come; it only proves how far they have left to go.

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    I read Female Chauvinist Pigs: Women and the Rise of Raunch Culture by Ariel Levy after it was briefly mentioned in Chuck Palahniuk's book SNUFF. Levy has written a really compelling book that is worth having a look at. I checked out several of the online reviews and I wasn't impressed. I think a lot of the reviewers - in their summaries and criticisms - missed the point.

    Female Chauvinist Pigs are women who make sex objects of other women. This is the new (anti-)feminism: The Man Show, Maxim, and Girls Gone Wild. Levy is curious why women are participating so avidly in these cultural phenomena. In the course of her inquires Levy was told that "This new raunch culture didn't mark the death of feminism . . . it was evidence that the feminist project had already been achieved" (3). She writes, "Women had come so far, I learned, we no longer needed to worry about objectification or misogyny. Instead, it was time for us to join the frat party of pop culture" (4). Notice the subtle thesis here: raunch culture is about exclusion, not female empowerment.

    Through a series of interviews and a survey of feminist writings and social commentaries, Levy aims to explain why raunch culture has become mainstream, something she claims appears to be little more than a "fantasy world dreamed up by teenage boys" (17). How exactly, she asks, has stripping come to symbolize sexual liberation? Part of this is commercial, the creation of a single image that becomes shorthand for sexiness as a whole (30). Another part is competitive and status-driven: Sex and the City, for example. But there are other issues: the confusion of a desire for attention or recognition with sexual desire (162). In one chapter on sex and sexuality in high school Levy concludes that many female teenagers "weren't so much experimenting with sex as experimenting with celebrity" (146). The idea here is that the adoption of a particular kind of sexual persona is the means to achieve recognition and attention.

    What Levy doesn't address is the functioning of masculinity in all this. This isn't so much a criticism (since she isn't writing about masculinity) as a rejoinder. I think Levy has provided compelling evidence and would suggest that her study could also be linked to a more sustained analysis of masculinity as narcissism. Misogyny is an expression of masculine narcissism, a subjective position that engages in rivalry with other men and uses women as objects or as extensions of the self. It is difficult to diagnose because it is so pervasive and systematic and deep-seated.

    It is obvious after reading Levy's work that many women are terrified of being identifies as humourless. In numerous interviews Levy encounters the same desire: a desire to be perceived as being fun and sexy. This translates as wanting to participate in and wanting to be seen as wanting to participate in raunch culture. Today, if I can put it this way, to say that a woman isn't "fun" because she might not laugh at a sexist joke or enjoy the raunch displays and enactments of reified female sexuality is an exact expression of the new misogyny that pretends to be feminist and sex-positive but an unmitigated extension of fraternal norms and practices.

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    Anonymous

    Rating: 4/5

    Insightful and Entertaining

    Anonymous

    5 years ago

    Ariel Levy has a keen eye for things that may, frighteningly, have become commonplace for the rest of us. Her arguments for the shifting of our cultural paradigm are interesting and thought-provoking. This is a great starter book for cultural criticism and what gender construction looks like in our post-second wave feminism world. A great book for young men and women who need to know it wasn't always okay for pre-teens to wear thongs and for celebrities to be photographed sans panties.

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    Anonymous

    Rating: 3/5

    Interesting

    Anonymous

    6 years ago

    Well now, I always enjoy reading anything that reaffirms my own conviction that Paris Hilton is famous for no reason, and this book does that! I don't want to give the wrong impression of this book. It is very good, interesting and only slightly academic. Overall it is a very accessible good read. I think that since many of my own opinions coincide with those in the book, may be a factor as to why I enjoyed it and that it didn't just simply tick me off. I would recommend this book to anyone who has an interest in anthropology, especially to do with pop culture and feminism.

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    Y.R

    Rating: 5/5

    A must read for both genders.

    Y.R

    6 years ago

    A well written first book. Levy gives a solid argument of so called
    sexual liberation when its in fact just a commercialized product
    that has replaced true liberation. It also discusses that 90's reverted
    bimbo mentality, is the anti intellectual and over- bored sexuality of the Paris Hilton/s and Tara Reid/s. The willingly exploitation of
    sexual commodities is done from a business, pleasure and
    expression of pleasure is non existent. The power in sexuality is
    individual, not standardized, sanitized and conformity based.

Details

From the Publisher

Meet the Female Chauvinist Pig -- the new brand of "empowered woman" who embraces "raunch culture" wherever she finds it. In her groundbreaking book, New York magazine writer Ariel Levy argues that, if male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women -- and of themselves. Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come; it only proves how far they have left to go.

Bookclub Guide

Group Reading Guide

Female Chauvinist Pigs discussion questions:

  1. Try to define raunch culture. What are some examples you''ve noticed? What are the values expressed in raunch culture?
  2. Levy asserts that raunch is not essentially progressive, it''s essentially commercial. Do you agree with her?
  3. To what extent do you, or people you know, participate in raunch culture? Has this book made you reconsider any of your habits or assumptions?
  4. Is there anything positive about raunch culture? Are there ways in which it demonstrates women''s success?
  5. How does the rise of raunch affect teenagers? Can education help them cope with the messages about sex they find in media and entertainment?
  6. How do you think we should be educating young people about sexuality? Is this something best taught in school or at home?
  7. If you had a daughter, or if you have one, what would or do you tell her about sex? If you had a son, or if you have one, are those messages different?
  8. What does feminism mean to you and what influence does feminism have on your life? Has it always had the same value to you, or has it meant different things at different times?
  9. What do you think would be the single most empowering thing that could happen to women? Electing a female president? Seeing a female anchorwoman on television? The passage of the ERA? What did the women''s movement leave unfinished?
  10. What does it mean to you to be "like a man?" Or "like a woman?" Is there any such thing? Do you believe there are any inherently female or essentially male traits?
  11. What would you ask or say to a friend who had decided to "transition" from female to male?
  12. What are your thoughts on cosmetic surgery? Do you feel it is something people take too lightly? Is it an expression of a vain and shallow culture or is it something positive people can do to improve their looks and self image? Or does it depend upon the context?
  13. What can we do to make progress? What are some positive ways for women to pursue freedom and power?

Trade Paperback

256 Pages, 5.5 x 8.44 x 0.63 in

October 3, 2006

Free Press

English


0743284283
9780743284288

From Community

From the Critics

''Feminism''s newest and most provocative voice''

Malcolm Gladwell, author of The Tipping Point

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