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Fierce

Average rating: 5/5

Based on 8 ratings

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Fierce

by Hannah Holborn

McClelland & Stewart | December 30, 2008 | Trade Paperback

Fresh, tough, and thoroughly addictive, this sparkling debut collection calls to mind the beloved and bestselling works of Lisa Moore, Camilla Gibb, and Mark Haddon.

With an irresistible combination of playfulness and empathy, these effervescent, sometimes heartbreaking tales of underachieving adults, unfairly burdened children, and the unaccountably hopeful of all ages explore the moments of grace in lives that are too often defined by loss.

A punky young woman comes to terms with the accident that took away all of her family except the grandmother who believes she is a bird, and an aging prospector - a woman - discovers that a physical "curse" might have been something of a blessing all along. "The Indian Act" is a compact coming-of-age story, charting the journey of a boy who, though bounced through many foster homes, holds on to the dream of love and unconditional acceptance; and in the novella "River Rising," three generations in a small town struggle toward joy despite the accidents of fate and the foolish mistakes that almost, but not quite, derail their lives.

Fierce introduces Hannah Holborn as a shining new light in Canadian fiction.

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Reviews

    • Was this review
      helpful to you?

    Rating: 4/5

    an amazing cast of unique characters

    ChrisM

    • Top Book Reviewer

    3 years ago

    fierce

    Truthfully, I wasn't optimistic about Fierce when I started it. This Canadian collection of short stories and a novella features more emotionally and physically damaged people than it should be humanly possible for one writer to conjure. Doesn't the author, Hannah Holborn, know anyone even remotely normal?

    But then a strange thing happened during 'The Indian Act'. I sort of fell in love. Suddenly these crazy, damaged, sad people started making sense to me. 'The Indian Act' follows the fortunes (and misfortunes) of Liam, a kid who is shuffled from one foster home to the next until he finally finds a family who is decent and loves him and his best friend, Callie, whose mother just up and leaves her.

    'We Danced Without Strings' tells the heartbreaking story of a mother coming to terms with her daughter's diagnosis of Angelman's Syndrome; a condition which includes an absence of speech, facial abnormalities, a protruding tongue, hand-flapping, jerky gait and, strangely, a permanent smile and easy laughter. "If we let her," the mother muses, "she would be happy."

    'Ugly Cruising' gives us a glimpse at another kid, Elvin, with another horrible condition: Treacher Collins syndrome. "He has a torso and all the usual appendages," Elvin's younger sister, Cricket, notes "but what he does lack is a nose and a chin and a voice to confront others with." Cricket's family deals with with Elvin's condition in various ways: his mother, Wanda, drinks; his father, Bing, makes lame jokes and Cricket and her teenage friends apply horrible theatrical makeup and go Ugly Cruising.

    The book's novella, 'River Rising' is a beautiful conclusion to this book. The story follows the lives and fates of the people of a small northern town called Everlasting. Central to this story is River, a teenager who has spent her life mourning the mother she barely knew. The choices she makes are both inevitable and heartbreaking and, ultimately, hopeful.

    Although there were a couple stories I just didn't warm up to, by the time I closed the book on Holborn's strange cast of misfits I felt sort of sad to be leaving their company.

    Comments on this review:
    Hannah Holborn

    Thank you, Chris! Hannah Holborn

    • Was this review
      helpful to you?

    Rating: 4/5

    Fierce by Hannah Holborn

    Betty in Smithers

    • Most Helpful

    3 years ago

    Fierce by Hannah Holborn

    Fierce is a wonderful mix of writing styles, individual short stories and a novella. I will deal with the short stories first. I found the stories to be unrelated to each other, different types of stories, although some have a similar basic theme. Hannah has an exciting style that serves her well. The stories can flow into one another, or they can be read one story at a time with breaks between. There are nine short stories in all, dealing with such subjects as sudden death, the ones left behind, ghosts, living with mental and physical deformities, memories, lost souls and sexual crimes, and healing. They show an insight and charm that negates the depression of some subjects. The stories are very well written, some very short and others longer, a little mystic at times. Regardless, there seems to be a message of despair in some that turn to hope. Don't imagine the book to be depressing, it isn't. It delves into peoples' lives in fascinating ways. Most take place in or around water; I assume this is probably coastal. Hannah Holborn is a Canadian author living in White Rock, B.C. She has worked with the First Nations, inner-city youth, and the mentally ill which shows in her writing. Most of the stories are centered around young people and their families or foster families. The stories are easy to read, enlightening, and often witty.

    The novella makes up the second half of the book, River Rising. This story takes place in the fictional very small town of Everlasting, Yukon, situated between Dawson City and Mayo. It is a town of dysfunctional citizens and families living out their lives with high unemployment and too much gossip. Isolated as they are, they have only each other and drink for entertainment. The characters are once again well-defined, and there are underlying stories of love and hope. Difficult as their lives are, I felt at the end I wanted the story go on.

    The book is complex, creates whole lifetimes in short stories and the novella. It was an interesting experience to take part in. I recommend this book for quick reads, reading through at one go, for family dynamics. Well worth the read.

    Comments on this review:
    Betty in Smithers

    Thanks Hannah, I'm so glad I was able to do it justice, there was just so much going on with the stories! Great job!

    Hannah Holborn

    Thank you Betty for the lovely review! I especially like this line "The book is complex, creates whole lifetimes in short stories and the novella." All the best, Hannah

    • Was this review
      helpful to you?

    Rating: 5/5

    Untamed, Ferocious, and Fiery!

    Lady Ethereal Butterfly

    • Top List Publisher
    • Most Popular

    3 years ago

    Fierce by Hannah Holborn is a diverse and beautiful collection of short stories and a novella about damaged, imperfect individuals facing various difficult situations. The stories covered a wide spectrum of themes such as love, loss, death, loneliness, fear, isolation, madness, beauty, sadness, disability, and imperfection. Ultimately, the strongest message I took away from this book was acceptance, whether of yourself, your situation, or others. Fierce seems to be one of those rare and special books that can touch any number of people in a different way though.

    The characters in Fierce were all vivid, unique, and contrasting. There was something so genuinely human and likeable about almost all of the characters despite, or often because of, their flaws that I found myself wondering what happened next in their lives. Many of the short stories felt like the beginning of a more complex journey.

    Hannah Holborn had a way of using the location of the stories as a potent element of the plot. She used the setting to give each story an effective ambience. One common setting for the stories in Fierce is the Yukon. I found this very interesting because the Yukon is not a place that I have much knowledge about, and I had never read anything set there before. I felt an added connection with this book because a few of the stories were set in, or mentioned, cities in the Vancouver are that are very near or familiar to me.

    Fierce is an exceedingly well written novel that I would recommend to anyone who is looking for a book with a lot of deeper meanings, hidden emotions, and unexpected events. I'm looking forward to what this author has to offer in future novels.

    Comments on this review:
    Lady Ethereal Butterfly

    You're welcome, Hannah! Fierce was an amazing book. I'm glad I discovered Silent Girl too. It was wonderful. A few years ago I wouldn't have thought there were any good Canadian writers, but I was so very wrong! Some of my favorite books have been written by local Canadian authors.

    Hannah Holborn

    Thank you LEB, for your wonderful words about Fierce! I love this bit:"Ultimately, the strongest message I took away from this book was acceptance, whether of yourself, your situation, or others." I'm also glad to see that you found Silent Girl! Tricia's collection is amazing. All the best, Hannah

Details

From the Publisher

Fresh, tough, and thoroughly addictive, this sparkling debut collection calls to mind the beloved and bestselling works of Lisa Moore, Camilla Gibb, and Mark Haddon.

With an irresistible combination of playfulness and empathy, these effervescent, sometimes heartbreaking tales of underachieving adults, unfairly burdened children, and the unaccountably hopeful of all ages explore the moments of grace in lives that are too often defined by loss.

A punky young woman comes to terms with the accident that took away all of her family except the grandmother who believes she is a bird, and an aging prospector - a woman - discovers that a physical "curse" might have been something of a blessing all along. "The Indian Act" is a compact coming-of-age story, charting the journey of a boy who, though bounced through many foster homes, holds on to the dream of love and unconditional acceptance; and in the novella "River Rising," three generations in a small town struggle toward joy despite the accidents of fate and the foolish mistakes that almost, but not quite, derail their lives.

Fierce introduces Hannah Holborn as a shining new light in Canadian fiction.

From the Jacket

"Like Elizabeth Hay's Late Nights on Air, Fierce benefits from its largely northern setting, a still under-explored back road in Canadian fiction. . . . Penetrating and smart and a welcome antidote to the current vogue for alleged family values. . . . Treat yourself to its unique mix of irreverence, compassion and horse laughs. And then pass it along to a loved one."
- National Post

"As strong a first collection as we have any right to hope. . . . Holborn repeatedly demonstrates her skill in handling utterly disparate, and wholly unique, characters in surprising, and often surprisingly effective, ways. . . . River Rising, the novella that rounds out the book [is] a painful, often funny, bitingly realistic yet archly surreal story [that] seems to burst at the seams with life."
- Edmonton Journal

"[Fierce has] a bracing farcical edge that could hardly be blacker. . . . Holborn's double high-wire act leaps effortlessly between funny and tragic. . . . [Her] visuals are cinematic."
- The Globe and Mail

"The best stories . . . embody whole worlds. Such is true of the tough tales in Fierce. . . . The sassy grit of her characters and their tenacious humour - wry, raw, even twisted - get them through. Now and then, naked emotion pierces through their stubborn wit, like a shard of glass."
- Montreal Gazette

"Holborn's collection of stories is electric with wit and insight. Sassy, sexy, full of willful women, nasty business, a few freaks, some drunks, acts of adultery and abandonment, the voice of God and veins of gold. It's fierce."
- Lisa Moore, author of Alligator and Open

"Holborn, a gutsy writer from British Columbia, fills the pages of her latest collection with . . . one-of-a-kind characters, in stories that run the gamut from unfortunately heartbreaking to unaccountably hopeful."
- Canadian Living

About the Author

The influence of Hannah Holborn's various parents - foster and otherwise - has lent her fiction a unique blend of British humour, Slavic melancholy, naturalism, and First Nations sensibility. She has taught life skills to aboriginal women, inner-city youth, and the mentally ill, and her prize-winning stories have appeared in numerous journals including, Room of One's Own and Front and Centre. She is writing a novel in Gibsons, British Columbia.

Bookclub Guide

1. On the day her daughter receieves a diagnosis of Angelman's Syndrom, Alice says, "If we let her, [Gloria] would be happy." To what extent do the 'normal' characters in Fierce allow the disabled characters be happy? Apply the question to society.

2. Resilient people adapt positively when faced with adversity or trauma. Compare the degree of adversity faced and resilience shown by Penny in We Were Scenes of Grief, and by Judith in If the World was Flat. Do you see yourself as resilient? Why or why not?

3. Penny has an epiphany in We Were Scenes of Grief when she says of the unnamed officer, "I touched her hand. It felt hot and firm like a rock on the beach. She smelled of seaweed and I realized that if she was the beach, then I must be the sea."

What does this scene say about the importance of human connection? Give examples from other stories of social connectedness and social isolation. Do you think intimacy with others is necessary to happiness, or that people can thrive despite loneliness?

4. In The Fierce with the Fierce, when Dulcey asks Treeny, "Are you gone too?" Treeny answers, "I'm whatever you want me to be."

Treeny provides comfort, but she is also a figment of Dulcey's imagination. What does this self-deception say about Dulcey? Give other examples where characters use self-deception as a coping strategy. Have you ever used this strategy in your own life? Was it effective? Why or why not?

5. In River Rising Tom recalls how, "Getting to Everlasting, Yukon, all the way from Surrey, B.C., had not been easy. He had tried twice before, when he was twelve and fourteen, but both times the police had caught him before he got too far and delivered him back to whichever foster home he was living in. This time, however, he was the legal age to hit the road and run out of money without anyone caring."

Do you see the experiences of Liam in The Indian Act, and Tom in River Rising as an indictment against the foster care system? How does a childhood of constant dislocation affect schooling, peer interaction, and social bonding? Should at-risk children be made available for adoption early in the process? Why or why not?

6. In The Indian Act, Caucasian Liam says to Franky, "Maybe I could learn the old ways too." Does he achieve this goal, and, if so, in what way? How does the idyllic First Nations family in The Indian Act differ from the mythological old ananaksaq in Sedna, and the flawed but loving Yarddog family in River Rising? Do their encounters with First Nations culture change Clio or River? If so, in what ways?

7. Fierce starts with a quote from a Robert Service poem: "There's a land where the mountains are nameless, and the rivers all run God knows where." Water in the form of rivers, oceans, rain, tears and even the overflow from a bathtub plays important practical and symbolic roles in most of the stories. Give examples and discuss the symbolism.

8. A classic Canlit theme is human vs. nature. Discuss instances of stories in Fierce where nature is portrayed as a) an enemy, and b) a divine force.

9. The title We Were Scenes of Grief applies to all of the stories in Fierce to some degree. How does psychologist John Bowlby's idea that grief is the ebb and flow of processes such as shock and numbness, yearning and searching, disorganization and despair relate to the characters in Fierce?

10. Which definition of 'fierce' best applies to the protagonists in the collection - "violently hostile" or "furiously determined"? How does experience necessitate fierceness in Penny, Dulcey, Cally, and Cricket? Does their fierceness resonate with you or repel you? Do you consider yourself to be fierce, and, if so, in what ways and why?

11. "He's already defaced everything else," Wanda says of her son - a teenager who was born without a mouth or nose - when he sketches an accusation against her drunkenness on the family's new Maytag with an indelible felt pen. "Why not this too?"

How are puns, satire, black humour and absurdity used in Ugly Cruising and to what effect? How are they used in the other stories? Does black humour serve to hide or to reveal the truth?

12. "Henry looked at Tom then, really looked. And he'd spoken, just one phrase with the first letters transposed, "Sy mon." "My son", wasn't much, but it was more than some people ever got in their entire fucking lives."

When Henry claims Tom as his son in this brief moment of recognition, the pain of decades-old abandonment seems to fall away. How is the theme of parental acceptance/rejection explored in Seaweed, The Indian Act, Like Utah's Bingham Canyon Mine, and We Danced Without Strings? What is the importance of parental acceptance in your own life?

13. In Like Utah's Bingham Canyon Mine suicidal Cindy Gourlie is granted absolution by Gwen, a target of her childhood bullying.

What role does forgiveness play in the other stories? In your life?

14. Who is River referring to when she says, "Some things are so ugly they're beautiful." What do you think she means, and do you agree with her? Can this also be said of the book as a whole?

Trade Paperback

240 Pages, 5.7 x 8.37 x 0.66 in

December 30, 2008

McClelland & Stewart

English


0771041284
9780771041280

From the Critics

"Like Elizabeth Hay's Late Nights on Air, Fierce benefits from its largely northern setting, a still under-explored back road in Canadian fiction. . . . Penetrating and smart and a welcome antidote to the current vogue for alleged family values. . . . Treat yourself to its unique mix of irreverence, compassion and horse laughs. And then pass it along to a loved one."
- National Post

"As strong a first collection as we have any right to hope. . . . Holborn repeatedly demonstrates her skill in handling utterly disparate, and wholly unique, characters in surprising, and often surprisingly effective, ways. . . . River Rising, the novella that rounds out the book [is] a painful, often funny, bitingly realistic yet archly surreal story [that] seems to burst at the seams with life."
- Edmonton Journal

"[Fierce has] a bracing farcical edge that could hardly be blacker. . . . Holborn's double high-wire act leaps effortlessly between funny and tragic. . . . [Her] visuals are cinematic."
- The Globe and Mail

"The best stories . . . embody whole worlds. Such is true of the tough tales in Fierce. . . . The sassy grit of her characters and their tenacious humour - wry, raw, even twisted - get them through. Now and then, naked emotion pierces through their stubborn wit, like a shard of glass."
- Montreal Gazette

"Holborn's collection of stories is electric with wit and insight. Sassy, sexy, full of willful women, nasty business, a few freaks, some drunks, acts of adultery and abandonment, the voice of God and veins of gold. It's fierce."
- Lisa Moore, author of Alligator and Open

"Holborn, a gutsy writer from British Columbia, fills the pages of her latest collection with . . . one-of-a-kind characters, in stories that run the gamut from unfortunately heartbreaking to unaccountably hopeful."
- Canadian Living

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