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Her Fearful Symmetry

Average rating: 3/5

Based on 173 ratings

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Her Fearful Symmetry

by NIFFENEGGER AUDREY

Knopf Canada | June 27, 2011 | Hardcover

Another brilliant, original and moving novel from the author of The Time Traveler's Wife.

Julia and Valentina Poole are normal American teenagers - normal, at least, for identical "mirror" twins who have no interest in college or jobs or possibly anything outside their cozy suburban home. But everything changes when they receive notice that an aunt whom they didn't know existed has died and left them her amazing flat in a building by Highgate Cemetery in London. They feel that at last their own lives can begin … but they have no idea that they've been summoned into a tangle of fraying lives, from the OCD-suffering crossword setter who lives above them to their aunt's mysterious and elusive lover who lives below them, and even to their aunt herself, who never got over her estrangement from the mother of the girls - her own twin - and who can't even seem to quite leave her flat….
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Reviews

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    I loved this book. Of course, I feel biased because when The Time Traveler's Wife came out, I loved that as well. And the movie. What can I say? Audrey Niffenegger can write a good story!

    I didn't know what to expect when I started to read Her Fearful Symmetry. I bought the book strictly because of who wrote it and only knew it was about twin daughters and a flat their aunt had left them.

    I did NOT expect to be completely taken over by this book.

    The only twins I ever really remember reading about are Jessica and Elizabeth from Sweet Valley High. I still have one book from when I was addicted to the series when I was younger (and I intend on reading it again soon!) and remember thinking how neat it would be to have a twin.

    When I started reading Her Fearful Symmetry, I was immediately entranced. The first twins, Edie and Elspeth live an ocean apart from each other. Something had happened in their past that made them never keep in touch with each other. Now Elspeth, who lived in London, has died and left all of her belongings to Edie's twin girls, Julia and Valentina. When they turn 20, they can move into Elspeth's flat and cannot sell it for at least a year.

    I was expecting a journey into the deep dark secrets of the first set of twins and I got that, along with a very gothic tale. It wasn't too creepy - just enough to give you goosebumps. I wasn't expecting a ghost story, but it wasn't so scary that I found myself afraid to read in the dark, but it was enough to add an air of mystery to the novel - and some very unexpected twists (one of which I was deeply disappointed with - but it does work.)!

    The characters were very well developed and I found myself falling in love with the twins, with Robert, and even with the slightly-off-kilter Martin. Relationships are developed, adding both humour and intimacy to the novel. I love how the twins had so much fun when they first moved to London - wrapping themselves up in the city and the dialect.

    I've never been around sets of twins before, but it was a fascinating thing to read about - especially when the girls were described as being "Mirror Twins," which means that their internal structure is opposite of each others (e.g. Valentina's heart is on the opposite side from where Julia's is). This idea helped explain a lot of the differences between the two girls.

    Niffenegger is a great writer - she doesn't drone on with useless details, but every word is necessary, and every situation in the book is crucial to the storyline. I could really read this book again!

    Definitely recommended if you are a fan of Audrey Niffenegger's work, or if you like modern gothic tales and ghost stories. However, if you're looking for a book like The Time Traveler's Wife, this might not be for you - there's similar magic, but it does cross over to the dark side.

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    I received this book as a gift from a friend who is an avid reader and eyed it curiously.

    A novel by the writer of The Time Traveler's Wife? It sounded inconsequential.

    How pleasantly surprised I was to find a whimsical, somewhat eerie story that kept me turning the pages and not wanting it to end.

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    The first half of this book put me to sleep. Nothing really happened. It was mostly filled with character and location descriptions. I expect that from every story, but it went on too long, filling up the first half of the book. I didn't like any of the characters. I was ready to give up on the whole thing. But then the girls met the ghost and FINALLY it got interesting. The second half of the story saved it for me. Now I can say I enjoyed the book.

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    Rating: 3/5

    Interesting. And Morbid.

    Sarah

    14 months ago

    I'm finding it very hard to describe what I think about this book. I liked it, but it seemed morbid and very creepy. Throughout half of the novel, I had the "something jumpy is going to happen" feeling you get when you're watching a scary movie. Enjoyable, but I can't see myself reading it again anytime soon.

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Details

From the Publisher

Another brilliant, original and moving novel from the author of The Time Traveler's Wife.

Julia and Valentina Poole are normal American teenagers - normal, at least, for identical "mirror" twins who have no interest in college or jobs or possibly anything outside their cozy suburban home. But everything changes when they receive notice that an aunt whom they didn't know existed has died and left them her amazing flat in a building by Highgate Cemetery in London. They feel that at last their own lives can begin … but they have no idea that they've been summoned into a tangle of fraying lives, from the OCD-suffering crossword setter who lives above them to their aunt's mysterious and elusive lover who lives below them, and even to their aunt herself, who never got over her estrangement from the mother of the girls - her own twin - and who can't even seem to quite leave her flat….

About the Author

Audrey Niffenegger was born in 1963 in the idyllic hamlet of South Haven, Michigan. Her family moved to Evanston, Illinois when she was little; she has lived in or near Chicago for most of her life.

She began making prints in 1978 under the tutelage of William Wimmer. Miss Niffenegger trained as a visual artist at the School of the Art Institute of Chicago, and received her MFA from Northwestern University''s Department of Art Theory and Practice in 1991. She has exhibited her artist''s books, prints, paintings, drawings and comics at Printworks Gallery in Chicago since 1987.

Her first books were printed and bound by hand in editions of ten. Two of these have since been commercially published by Harry N. Abrams: The Adventuress and The Three Incestuous Sisters.

In 1997 Miss Niffenegger had an idea for a book about a time traveler and his wife. She originally imagined making it as a graphic novel, but eventually realized that it is very difficult to represent sudden time shifts with still images. She began to work on the project as a novel, and published The Time Traveler''s Wife in 2003 with the independent publisher MacAdam/Cage. It was an international best seller, and has been made into a movie.

In 1994 a group of book artists, papermakers and designers came together to found a new book arts center, the Columbia College Chicago Center for Book and Paper Arts. Miss Niffenegger was part of this group and taught book arts for many years as a professor in Columbia College''s MFA program in Interdisciplinary Book and Paper Arts. She still teaches at Columbia College; currently she is teaching writing courses that specialize in text-image relationships. Miss Niffenegger has also taught for the Newberry Library, Penland School of Craft and other institutions of higher learning.

Miss Niffenegger is a founding member of the writing collective Text 3 (T3). Recent T3 endeavors include the litmag little Bang and some rather amusing dinner parties.

Miss Niffenegger''s second novel, Her Fearful Symmetry, was published in 2009 by Scribner (USA), Jonathan Cape (UK) and many other fine publishers around the world.  She recently made a serialized graphic novel for the London Guardian, The Night Bookmobile, which will be published in book form in 2010. Other current projects include an art exhibit at Printworks Gallery in September, 2010, and a third novel, The Chinchilla Girl in Exile.

Bookclub Guide

1. What examples and imagery does the novel contain of people being trapped? 

2. After Elspeth''s out-of-body experience at the very beginning, the novel progresses a long way in a detailed, naturalistic manner before furtther supernatural events begin to occur. What effect does this structure have on you as a reader?

3. Ghost stories are traditionally frightening. Did you find any passages of Her Fearful Symmetry scary, or do you think the book was not written with that intention?
 

4. Why is Robert unable to introduce himself to Julia and Valentina for so long, and why does he follow them about London?

5. What examples of symmetry and pairings did you find in the book?

6. Do all of the relationships between characters in the book survive intact, or are they changed by events? Do some strike you as more likely to have a future than others?

7. Are there any characters you especially identify with?

8. What role does the Little Kitten of Death play in the narrative?

9. Why is a cemetery like Highgate such a focus of fascination, in reality as well as for the characters in the novel?

10. What do you think happens to Robert at the end of the book?

Hardcover

416 Pages, 6.3 x 9.4 x 1.3 in

June 27, 2011

Knopf Canada

English


0307397459
9780307397454

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From the Critics

NATIONAL BESTSELLER

"An engrossing read by someone who really knows how to keep a story rolling. . . . she makes us really care about her characters, but it's her storytelling chops that make Her Fearful Symmetry a winner."
- NOW (Toronto)

"[An] awesomely good read."
- Chatelaine

"Quirkily observed and rich on every level: plot, character, mood and theme. . . . She conjures a memorable world, and grants most of her characters happy endings, though perhaps not the ones they would have asked for."
- The Globe and Mail

"Entertaining. . . . The reader is pleasantly carried along by the author's ability to create credible characters and her instinctive narrative gifts. . . . The most powerful parts of Her Fearful Symmetry . . . deal not with paranormal events but with the ordinary pleasures and frustrations of life."
- The New York Times

"Niffenegger deftly creates and maintains suspense. . . . Niffenegger has created a startling cast of characters whose eccentricities make them both more memorable and more believable."
- The Gazette

"A modern Victorian novel revolving around a London cemetery, ghostly hauntings and a well-kept secret. . . . A bewitching modern-gothic tale that is at once unsettling and intriguing."
- Chicago Sun-Times

"Talk about time travel: The novel blends the history of London's famed Highgate Cemetery, the remarkable phenomena of mirror-image twins and the question of life after death into a ghost story that feels as if it could have been written a century ago."
- National Post

"Odd and disturbing but intensely mesmerizing and memorable. . . . Niffenegger spins such a riveting story - just like she did in The Time Traveler's Wife - that suspending disbelief is a pleasure. . . . Niffenegger's writing is bewitching. . . . Niffenegger delivers with great skill a chilling and haunting story."
- The Miami Herald

"Vivid prose. . . . Perverse fun. . . . The occult-loving Victorians would have been captivated. Her Fearful Symmetry begins slowly, but it ends with a shiver."
- Toronto Star

"Filled with originality and beauty, along with a touch of creepiness. . . . Niffenegger has managed it again, producing another book that is immensely readable, strikingly original and - forgive the pun - simply haunting. It's a delightful read and well crafted."
- The Record (Kitchener-Waterloo)

"Stylish, easy to read and . . . a dark delicious plot which has several neat twists. . . . Clever in its deviousness."
- The Scotsman

"Niffenegger creates . . . marvelous scenes of muted sadness and smothered affection. . . . A disorienting shift into the dark logic of fairy tales. But keep the children away and dust off the Ouija board; you're about to make contact with something deliciously creepy."
- The Washington Post

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