An unprecedented and original history of intellectual life throughout the past century.

Thinking the Twentieth Century is the final book of unparalleled historian and indomitable public critic Tony Judt. Where Judt''s masterpiece Postwar redefined the history of modern Europe by uniting the stories of its eastern and western halves, Thinking the Twentieth Century unites the century''s conflicted intellectual history into a single soaring narrative. The twentieth century comes to life as the age of ideas-a time when, for good or for ill, the thoughts of the few reigned over the lives of the many. Judt presents the triumphs and the failures of public intellectuals, adeptly extracting the essence of their ideas and explaining the risks of their involvement in politics. Spanning the entire era and all currents of thought in a manner never previously attempted, Thinking the Twentieth Century is a triumphant tour de force that restores clarity to the classics of modern thought with the assurance and grace of a master craftsman.

The exceptional nature of this work is evident in its very structure-a series of luminous conversations between Judt and his friend and fellow historian Timothy Snyder, grounded in the texts of their trade and focused by the intensity of their vision. Judt''s astounding eloquence and range of reference are here on display as never before. Traversing the century''s complexities with ease, he and Snyder revive both thoughts and thinkers, guiding us through the debates that made our world. As forgotten treasures are unearthed and overrated thinkers are dismantled, the shape of a century emerges. Judt and Snyder make us partners in their project as we learn the ways to think like a historian or even like a public intellectual. We begin to experience the power of historical perspective for the critique and reform of society, and for the pursuit of the good and the true from day to day.

In restoring and indeed exemplifying the best of the intellectual life of the twentieth century, Thinking the Twentieth Century charts a pathway for moral life in the twenty-first. An incredible achievement, Thinking the Twentieth Century is about the life of the mind-and about the mindful life.

EVERYONE KNOWSTHE IMAGE. NO ONE KNOWS ITS STORY. This is the story of Vitruvian Man: Leonardo da Vinci's famous drawing of a man in a circle and a square. Deployed today to celebrate subjects as various as the nature of genius, the beauty of the human form, and the universality of the human spirit, the figure appears on everything from coffee cups and T-shirts to book covers and corporate logos. In short, it has become the world's most famous cultural icon, yet almost nobody knows anything about it. Leonardo didn't summon Vitruvian Man out of thin air. He was playing with the idea, set down by the Roman architect Vitruvius, that the human body could be made to fit inside a circle, long associated with the divine, and a square, related to the earthly and secular. To place a man inside those shapes was therefore to imply that the human body was the world in miniature. This idea, known as the theory of the microcosm, was the engine that had powered Western religious and scientific thought for centuries, and Leonardo hitched himself to it in no uncertain terms. Yet starting in the 1480s he set out to do something unprecedented. If the design of the body truly did reflect that of the cosmos, he reasoned, then by studying its proportions and anatomy more thoroughly than had ever been done before-by peering deep into both body and soul-he might broaden the scope of his art to include the broadest of metaphysical horizons. He might, in other words, obtain an almost godlike perspective on the makeup of the world as a whole. Vitruvian Man gives that exhilarating idea visual expression. In telling its story, Toby Lester weaves together a century-spanning saga of people and ideas. Assembled here is an eclectic cast of fascinating characters: the architect Vitruvius; the emperor Caesar Augustus and his "body of empire"; early Christian and Muslim thinkers; the visionary mystic Hildegard of Bingen; the book-hunter Poggio Bracciolini; the famous dome-builder Filippo Brunelleschi; Renaissance anatomists, architects, art theorists, doctors, and military engineers; and, of course, in the starring role, Leonardo himself-whose ghost Lester resurrects in the surprisingly unfamiliar context of his own times. Da Vinci's Ghost is written with the same narrative flair and intellectual sweep as Lester's award-winning first book, the "almost unbearably thrilling" (Simon Winchester) Fourth Part of the World. Like Vitruvian Man itself, the book captures a pivotal time in the history of Western thought when the Middle Ages was giving way to the Renaissance, when art and science and philosophy all seemed to be converging as one, and when it seemed just possible, at least to Leonardo da Vinci, that a single human being might embody-and even understand-the nature of everything.

FBI agent Lin DeVecchio was a key player in the New York mafia wars from the late seventies through the early nineties. Yet despite his stunning success fighting organized crime, DeVecchio was accused of switching sides. Now, DeVecchio and bestselling author Charles Brandt, tell the story of a law enforcement officer who beat the mob bosses, only to end up fighting for his own freedom.

A gripping account of China's nineteenth-century Taiping Rebellion, one of the largest civil wars in history. Autumn in the Heavenly Kingdom brims with unforgettable characters and vivid re-creations of massive and often gruesome battles-a sweeping yet intimate portrait of the conflict that shaped the fate of modern China.
 
The story begins in the early 1850s, the waning years of the Qing dynasty, when word spread of a major revolution brewing in the provinces, led by a failed civil servant who claimed to be the son of God and brother of Jesus. The Taiping rebels drew their power from the poor and the disenfranchised, unleashing the ethnic rage of millions of Chinese against their Manchu rulers. This homegrown movement seemed all but unstoppable until Britain and the United States stepped in and threw their support behind the Manchus: after years of massive carnage, all opposition to Qing rule was effectively snuffed out for generations. Stephen R. Platt recounts these events in spellbinding detail, building his story on two fascinating characters with opposing visions for China's future: the conservative Confucian scholar Zeng Guofan, an accidental general who emerged as the most influential military strategist in China's modern history; and Hong Rengan, a brilliant Taiping leader whose grand vision of building a modern, industrial, and pro-Western Chinese state ended in tragic failure.
 
This is an essential and enthralling history of the rise and fall of the movement that, a century and a half ago, might have launched China on an entirely different path into the modern world.

Pearl Harbor . . . Midway . . . Guadalcanal . . . The Marianas . . . Leyte Gulf . . . Iwo Jima . . . Okinawa. These are just seven of the twenty battles that the USS Enterprise took part in during World War II. No other American ship came close to matching her record. Enterprise is the epic, heroic story of this legendary aircraft carrier-nicknamed "the fightingest ship" in the U.S. Navy-and of the men who fought and died on her.

America's most decorated warship, Enterprise was constantly engaged against the Japanese Empire from December 1941 until May 1945. Her career was eventful, vital, and short. She was commissioned in 1938, and her bombers sank a submarine just three days after the Pearl Harbor attack, claiming the first seagoing Japanese vessel lost in the war. It was the auspicious beginning of an odyssey that Tillman captures brilliantly, from escorting sister carrier Hornet as it launched the Doolittle Raiders against Tokyo in 1942, to playing leading roles in the pivotal battles of Midway and Guadalcanal, to undergoing the shattering nightmare of kamikaze strikes just three months before the end of the war.

Barrett Tillman has been called "the man who owns naval aviation history." He's mined official records and oral histories as well as his own interviews with the last surviving veterans who served on Enterprise to give us not only a stunning portrait of the ship's unique contribution to winning the Pacific war, but also unforgettable portraits of the men who flew from her deck and worked behind the scenes to make success possible. Enterprise is credited with sinking or wrecking 71 Japanese ships and destroying 911 enemy aircraft. She sank two of the four Japanese carriers lost at Midway and contributed to sinking the third. Additionally, 41 men who served in Enterprise had ships named after them.

As with Whirlwind, Tillman's book on the air war against Japan, Enterprise focuses on the lower ranks-the men who did the actual fighting. He puts us in the shoes of the teenage sailors and their captains and executive officers who ran the ship day-to-day. He puts us in the cockpits of dive bombers and other planes as they careen off Enterprise's flight deck to attack enemy ships and defend her against Japanese attackers. We witness their numerous triumphs and many tragedies along the way. However, Tillman does not neglect the top brass-he takes us into the ward rooms and headquarters where larger-than-life flag officers such as Chester Nimitz and William Halsey set the broad strategy for each campaign.

But the main character in the book is the ship itself. "The Big E" was at once a warship and a human institution, vitally unique to her time and place. In this last-minute grab at a quickly fading history, Barrett Tillman preserves the Enterprise story even as her fliers and sailors are departing the scene.

35 page, 26 cm x 38 cm hardcover.

A graphic and thrilling account of the sinking of the greatest floating palace ever built, carrying down to watery graves more than 1,500 souls

With newly commissioned artwork, "Wreck and Sinking of the 'Titanic'" is a deluxe reproduction of the 1912 memorial edition edited by the great descriptive writer Marshall Everett and published immediately after the event occurred. This collectible volume gives a sobering account of the disaster, detailing exciting escapes from death and acts of heroism not equaled in ancient or modern times.

From "Birthers" who claim that Barack Obama was not born in the United States to counter-jihadists who believe that the Constitution is in imminent danger of being replaced with Sharia law, conspiratorial beliefs have become an increasingly common feature of our public discourse. In this deeply researched, fascinating exploration of the ideas and rhetoric that have animated extreme, mostly right-wing movements throughout American history, Arthur Goldwag reveals the disturbing pattern of fear-mongering and demagoguery that runs through the American grain.
 
The New Hate takes readers on a surprising, often shocking, sometimes bizarrely amusing tour through the swamps of nativism, racism, and paranoid speculations about money that have long thrived on the American fringe. Goldwag shows us the parallels between the hysteria about the Illuminati that wracked the new American Republic in the 1790s and the McCarthyism that roiled the 1950s, and he discusses the similarities between the anti-New Deal forces of the 1930s and the Tea Party movement today. He traces Henry Ford's anti-Semitism and the John Birch Society's "Insiders" back to the notorious Protocols of the Elders of Zion, and he relates white supremacist nightmares about racial pollution to nineteenth-century fears of papal plots.
 
"The most salient feature of what I have come to call the New Hate," Goldwag writes, "is its sameness across time and space. The most depressing thing about the demagogues who tirelessly exploit it-in pamphlets and books and partisan newspapers two centuries ago, on Web sites, electronic social networks, and twenty-four-hour cable news today-is how much alike they all turn out to be."

The author of acclaimed books on the bitter clashes between presidents and chief justices-Jefferson and Marshall, Lincoln and Taney-over the character of the nation, constitutional power, slavery, secession and the president's war powers, James F. Simon tells the dramatic story of the struggle between FDR and Chief Justice Charles Evans Hughes that decided the fate of the New Deal.

The collision of Roosevelt and Hughes, like those of Jefferson and Marshall, Lincoln and Taney, occurred at a pivotal moment in American history. Roosevelt came to office in 1933 at the height of the Great Depression. He bombarded Congress with a fusillade of legislative initiatives that included shutting down insolvent banks, regulating stocks, imposing industrial codes, and rationing agricultural production. Major New Deal statutes, which Roosevelt considered critical to the nation's economic recovery, were struck down by the Hughes Court as unconstitutional.

In 1936, FDR was reelected by a landslide and the exasperated president proposed legislation to relieve, he said, the overburdened and elderly justices of their heavy workload. He proposed the appointment of an additional justice for each sitting member over seventy years old. Six of the justices on the Hughes Court, including the Chief Justice, were over seventy. The proposal would have permitted the president to stack the Court with justices favorable to the New Deal. The Chief deftly rebutted the claim that the Court was not abreast of its work, and the proposal was defeated. In grudging admiration, FDR later said that the Chief Justice was the best politician in the country.

Despite the defeat of his plan, Roosevelt never lost confidence and, like Hughes, never ceded leadership. He outmaneuvered isolationist senators to expedite aid to Great Britain as the Allies hovered on the brink of defeat. He then led his country through the Second World War to become the greatest president of the twentieth century.

When a nineteen-year-old member of a Black Muslim cult assassinated Oakland newspaper editor Chauncey Bailey in 2007-the most shocking killing of a journalist in the United States in thirty years-the question was, Why? "I just wanted to be a good soldier, a strong soldier," the killer told police.   A strong soldier for whom?

Killing the Messenger is a searing work of narrative nonfiction that explores one of the most blatant attacks on the First Amendment and free speech in American history and the small Black Muslim cult that carried it out. Award-winning investigative reporter Thomas Peele examines the Black Muslim movement from its founding in the early twentieth century by a con man who claimed to be God, to the height of power of the movement's leading figure, Elijah Muhammad, to how the great-grandson of Texas slaves reinvented himself as a Muslim leader in Oakland and built the violent cult that the young gunman eventually joined. Peele delves into how charlatans exploited poor African Americans with tales from a religion they falsely claimed was Islam and the years of bloodshed that followed, from a human sacrifice in Detroit to police shootings of unarmed Muslims to the horrible backlash of racism known as the "zebra murders," and finally to the brazen killing of Chauncey Bailey to stop him from publishing a newspaper story. 
 
Peele establishes direct lines between the violent Black Muslim organization run by Yusuf Bey in Oakland and the evangelicalism of the early prophets and messengers of the Nation of Islam.  Exposing the roots of the faith, Peele examines its forerunner, the Moorish Science Temple of America, which in the 1920s and '30s preached to migrants from the South living in Chicago and Detroit ghettos that blacks were the world's master race, tricked into slavery by white devils. In spite of the fantastical claims and hatred at its core, the Nation of Islam was able to build a following by appealing to the lack of identity common in slave descendants. 

In Oakland, Yusuf Bey built a cult through a business called Your Black Muslim Bakery, beating and raping dozens of women he claimed were his wives and fathering more than forty children.  Yet, Bey remained a prominent fixture in the community, and police looked the other way as his violent soldiers ruled the streets.
 
An enthralling narrative that combines a rich historical account with gritty urban reporting, Killing the Messenger is a mesmerizing story of how swindlers and con men abused the tragedy of racism and created a radical religion of bloodshed and fear that culminated in a journalist's murder.

THOMAS PEELE is a digital investigative reporter for the Bay Area News Group and the Chauncey Bailey Project. He is also a lecturer at the University of California, Berkeley, Graduate School of Journalism.  His many honors include the Investigative Reporters and Editors Tom Renner Award for his reporting on organized crime, and the McGill Medal for Journalistic Courage. He lives in Northern California.