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The In-between World Of Vikram Lall

Average rating: 4/5

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The In-between World Of Vikram Lall

by M.G. Vassanji

September 30, 2003 | Hardcover

Double Giller Prize winner M.G. Vassanji's The In-Between World of Vikram Lall is a haunting novel of corruption and regret that brings to life the complexity and turbulence of Kenyan society in the last five decades. Rich in sensuous detail and historical insight, this is a powerful story of passionate betrayals and political violence, racial tension and the strictures of tradition, told in elegant, assured prose.

The novel begins in 1953, with eight-year-old Vikram Lall a witness to the celebrations around the coronation of Queen Elizabeth II, just as the Mau Mau guerilla war for independence from Britain begins to gain strength. In a land torn apart by idealism, doubt, political upheaval and terrible acts of violence, Vic and his sister Deepa must find their place among a new generation. Neither colonists nor African, neither white nor black, the Indian brother and sister find themselves somewhere in between in their band of playmates: Bill and Annie, British children, and Njoroge, an African boy. These are the relationships that will shape the rest of their lives.

We follow Vikram through the changes in East African society, the immense promise of the fifties and sixties. But when that hope is betrayed by the corruption and violence of the following decades, Vic is drawn into the Kenyatta government's orbit of graft and power-broking. Njoroge, his childhood friend, can abandon neither the idealism of his youth nor his love for Vic's sister Deepa. But neither the idealism of the one nor the passive cynicism of the other can avert the tragedies that await them.

In interviews given when the novel was published, Vassanji commented that The In-Between World of Vikram Lall is the first of his books to deal with his memories of Kenya, where he spent the first 5 years of his life: "I remember these images of fear, of terror. And I thought I had to come back to that and see the whole Mau Mau episode from the Asian point of view. I had never written a book set in Kenya, where my father was from. And when I did, I just felt good about it, because I was going back to one part, one of many homes."

The In-Between World of Vikram Lall, a compelling record in the voice of a character described as "a cheat of monstrous and reptilian cunning," took three years to write. After research in Kenya and Britain, M.G. Vassanji devoted himself to the novel in a dark office at the University of Toronto. It was a hard process of creation and discovery, especially as Vassanji is an assiduous editor of his own work: "I come back to it over and over. For me, it's like working on a sculpture. You sort of chip away a bit at a time until you tell yourself it's as perfect as you can make it." Vassanji's fifth novel met with immense Canadian and international success. As well as making him the first author to win the Giller Prize twice, the book was a #1 national bestseller.

The In-Between World of Vikram Lall is a profound and careful examination of one man's search for his place in the world; it also takes up themes that have run through Vassanji's work, such as the nature of community in a volatile society, the relations between colony and colonizer, and the inescapable presence of the past. It is also, finally, a deeply personal book:

"The major thing that stands out in the book is people who are in-between. The feeling of belonging and not belonging is very central to the book. And that also played out in my life. When we lived in Tanzania we belonged and did not belong because we had come from Kenya. That has been a major thread in my life."
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Reviews

    • Was this review
      helpful to you?

    Rating: 3/5

    Something was lacking...

    BookThia

    2 years ago

    And I can't put my finger on what, exactly. I liked this book, and thought the characters were engrossing, realistic and empathetic. I liked its unique place in history and its unique perspective of "in-between" in so many ways. But still... something was missing. Maybe the lack is mine, as others have loved it, and it did win the Giller.

    • Was this review
      helpful to you?

    Rating: 5/5

    Vassanji at his best!

    Glenn Clarke

    4 years ago

    For me, the first forty to fifty pages were an initiation of sorts - into the language, culture, and life of Vikram Lall. Telling his story from the shores of Lake Ontario, Vikram reveals his "in-betweenness," in his family, love, and business life. The ending leaves you waiting for an answer, anxious to here a broadcaster say, "And we'll be right back after this commerical message." Vikram, the businessman, is listed as the number one corrupt man in Kenya, yet, Vikram says, in not these exact words, that his crimes were of circumstance, finding himself in a situation and just going along for the ride. The novel was much more than I expected with its violence and tragedy, humour and passion. You'll learn a little bit about Indian culture and a great deal about life. It's worth the effort; a great read.

    • Was this review
      helpful to you?
    Anonymous

    Rating: 5/5

    Wonderful

    Anonymous

    5 years ago

    A book that introduced me to an amazing history that I previously knew nothing of. This book is beautifully written ... the characters are well developed and the story is interesting and intriguing.

    This reviewer also recommends:
    • Was this review
      helpful to you?
    Richard Isaac

    Rating: 5/5

    RJI

    Richard Isaac

    6 years ago

    We are in Kenya in the world of the Asian immigrants, East Indians, brought to this part of Africa to build the railways. This is a truly wonderful story, and a novel that provided for me some education into a history that I was not aware of. But it is not a didactic, heavily educational novel, the history is woven into a plot that truly keeps one reading. I read these 400 pages in a day and a half so engrossing it was. The novel is the life story of one person, Vikram Lall who lives in a small Kenyan town with his sister Deepa and his parents who own and run a small shop. The story is full of characters that Vikram meets, both relatives of his and friends he makes. It is multi-cultural in sense in that his friends are sometimes whites and more often Africans. His life is not one in which he has pre-determined career paths, but by chance and by accident he becomes involved in the politics of Kenya, going so far as being able to have direct contact with the president Jomo Kenyata.

    The story is a woven web of these characters and how they affect Vikram and how he reacts to them and always with the background of the insurgency forces of the Mau Mau, the corruption of the governments (both African and European). It is also a story about when a cultural group, transplanted to another country, can become integrated members of that adopted country. We normally understand racism as between whites and blacks in our North American or European context. Here, in this novel we have racism between Blacks and Browns in Africa.
    READ THIS - IT IS REALLY WORTHWHILE.

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Details

From the Publisher

Double Giller Prize winner M.G. Vassanji's The In-Between World of Vikram Lall is a haunting novel of corruption and regret that brings to life the complexity and turbulence of Kenyan society in the last five decades. Rich in sensuous detail and historical insight, this is a powerful story of passionate betrayals and political violence, racial tension and the strictures of tradition, told in elegant, assured prose.

The novel begins in 1953, with eight-year-old Vikram Lall a witness to the celebrations around the coronation of Queen Elizabeth II, just as the Mau Mau guerilla war for independence from Britain begins to gain strength. In a land torn apart by idealism, doubt, political upheaval and terrible acts of violence, Vic and his sister Deepa must find their place among a new generation. Neither colonists nor African, neither white nor black, the Indian brother and sister find themselves somewhere in between in their band of playmates: Bill and Annie, British children, and Njoroge, an African boy. These are the relationships that will shape the rest of their lives.

We follow Vikram through the changes in East African society, the immense promise of the fifties and sixties. But when that hope is betrayed by the corruption and violence of the following decades, Vic is drawn into the Kenyatta government's orbit of graft and power-broking. Njoroge, his childhood friend, can abandon neither the idealism of his youth nor his love for Vic's sister Deepa. But neither the idealism of the one nor the passive cynicism of the other can avert the tragedies that await them.

In interviews given when the novel was published, Vassanji commented that The In-Between World of Vikram Lall is the first of his books to deal with his memories of Kenya, where he spent the first 5 years of his life: "I remember these images of fear, of terror. And I thought I had to come back to that and see the whole Mau Mau episode from the Asian point of view. I had never written a book set in Kenya, where my father was from. And when I did, I just felt good about it, because I was going back to one part, one of many homes."

The In-Between World of Vikram Lall, a compelling record in the voice of a character described as "a cheat of monstrous and reptilian cunning," took three years to write. After research in Kenya and Britain, M.G. Vassanji devoted himself to the novel in a dark office at the University of Toronto. It was a hard process of creation and discovery, especially as Vassanji is an assiduous editor of his own work: "I come back to it over and over. For me, it's like working on a sculpture. You sort of chip away a bit at a time until you tell yourself it's as perfect as you can make it." Vassanji's fifth novel met with immense Canadian and international success. As well as making him the first author to win the Giller Prize twice, the book was a #1 national bestseller.

The In-Between World of Vikram Lall is a profound and careful examination of one man's search for his place in the world; it also takes up themes that have run through Vassanji's work, such as the nature of community in a volatile society, the relations between colony and colonizer, and the inescapable presence of the past. It is also, finally, a deeply personal book:

"The major thing that stands out in the book is people who are in-between. The feeling of belonging and not belonging is very central to the book. And that also played out in my life. When we lived in Tanzania we belonged and did not belong because we had come from Kenya. That has been a major thread in my life."

From the Jacket

Double Giller Prize winner M.G. Vassanji''s The In-Between World of Vikram Lall" is a haunting novel of corruption and regret that brings to life the complexity and turbulence of Kenyan society in the last five decades. Rich in sensuous detail and historical insight, this is a powerful story of passionate betrayals and political violence, racial tension and the strictures of tradition, told in elegant, assured prose.
The novel begins in 1953, with eight-year-old Vikram Lall a witness to the celebrations around the coronation of Queen Elizabeth II, just as the Mau Mau guerilla war for independence from Britain begins to gain strength. In a land torn apart by idealism, doubt, political upheaval and terrible acts of violence, Vic and his sister Deepa must find their place among a new generation. Neither colonists nor African, neither white nor black, the Indian brother and sister find themselves somewhere in between in their band of playmates: Bill and Annie, British children, and Njoroge, an African boy. These are the relationships that will shape the rest of their lives.
We follow Vikram through the changes in East African society, the immense promise of the fifties and sixties. But when that hope is betrayed by the corruption and violence of the following decades, Vic is drawn into the Kenyatta government''s orbit of graft and power-broking. Njoroge, his childhood friend, can abandon neither the idealism of his youth nor his love for Vic''s sister Deepa. But neither the idealism of the one nor the passive cynicism of the other can avert the tragedies that await them.
In interviews given when the novel was published, Vassanji commented that The In-Between World of Vikram Lall isthe first of his books to deal with his memories of Kenya, where he spent the first 5 years of his life: "I remember these images of fear, of terror. And I thought I had to come back to that and see the whole Mau Mau episode from the Asian point of view. I had never written a book set in Kenya, where my father was from. And when I did, I just felt good about it, because I was going back to one part, one of many homes."
The In-Between World of Vikram Lall, a compelling record in the voice of a character described as "a cheat of monstrous and reptilian cunning," took three years to write. After research in Kenya and Britain, M.G. Vassanji devoted himself to the novel in a dark office at the University of Toronto. It was a hard process of creation and discovery, especially as Vassanji is an assiduous editor of his own work: "I come back to it over and over. For me, it''s like working on a sculpture. You sort of chip away a bit at a time until you tell yourself it''s as perfect as you can make it." Vassanji''s fifth novel met with immense Canadian and international success. As well as making him the first author to win the Giller Prize twice, the book was a #1 national bestseller.
"
The In-Between World of Vikram Lall" is a profound and careful examination of one man''s search for his place in the world; it also takes up themes that have run through Vassanji''s work, such as the nature of community in a volatile society, the relations between colony and colonizer, and the inescapable presence of the past. It is also, finally, a deeply personal book:
"The major thing that stands out in the book is people who are in-between. The feeling of belonging and not belonging is very centralto the book. And that also played out in my life. When we lived in Tanzania we belonged and did not belong because we had come from Kenya. That has been a major thread in my life."

About the Author

M.G. Vassanji was born in Kenya, and raised in Tanzania. He took a doctorate in physics at M.I.T. and came to Canada in 1978. While working as a research associate and lecturer at the University of Toronto in the 1980s he began to dedicate himself seriously to a longstanding passion: writing.

His first novel, The Gunny Sack, won a regional Commonwealth Writers Prize, and he was invited to be writer-in-residence at the University of Iowa. The novel's success was a spur, Vassanji has commented: "It was translated into several languages. I was confident that this was what I could do, that writing was not just wishful thinking. In 1989 I quit my full-time job and began researching The Book of Secrets." That celebrated, bestselling novel won the inaugural Giller Prize, in 1994.

Vassanji's other books include the acclaimed novels No New Land (1991) and Amriika (1999), and Uhuru Street (1991), a collection of stories. His unique place in Canadian literature comes from his elegant, classical style, his narrative reach, and his interest in characters trying to reconcile different worlds within themselves. The subtle relations of the past and present are also constants in his writing: "When someone asks you where you are from or who you are, there is a whole resume of who you are. I know very few people who do not have a past to explain. That awareness is part of my work."

M.G. Vassanji was awarded the Harbourfront Festival Prize in 1994 in recognition of his achievement in and contribution to the world of letters, and was in the same year chosen as one of twelve Canadians on Maclean's Honour Roll. He lives in Toronto with his wife and two sons.

Hardcover

416 Pages, 6.54 x 9.51 in

September 30, 2003

English


0385659903
9780385659901

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From the Critics

Praise for M. G. Vassanji:
"It is part of Vassanji's great talent to demonstrate that the minor changes -- unexpected love, sex, accusations -- in the life of a very modest man are, in fact, transformations of history." -- The Globe and Mail

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