Meg, Jo, Amy and Beth - are four "little women", enduring hardships and enjoying adventures in Civil War New England. The charming story of the March sisters, "Little Women" has been adored by generations. Readers have rooted for Laurie in his pursuit of Jo's hand, cried over little Beth's death, and dreamed of traveling through Europe with old Aunt March and Amy. Future writers have found inspiration in Jo's devotion to her writing. In this simple, enthralling tale, both parts of which are included here, Louisa May Alcott has created four of American literature's most beloved women.

Louisa May Alcott was born in Germantown, Pennsylvania, in 1832. Two years later, she moved with her family to Boston and in 1840 to Concord, which was to remain her family home for the rest of her life. Her father, Bronson Alcott, was a transcendentalist and friend of Ralph Waldo Emerson and Henry David Thoreau. Alcott early realized that her father could not be counted on as sole support of his family, and so she sacrificed much of her own pleasure to earn money by sewing, teaching, and churning out potboilers. Her reputation was established with Hospital Sketches (1863), which was an account of her work as a volunteer nurse in Washington, D.C. Alcott's first works were written for children, including her best-known Little Women (1868--69) and Little Men: Life at Plumfield with Jo's Boys (1871). Moods (1864), a "passionate conflict," was written for adults. Alcott's writing eventually became the family's main source of income. Throughout her life, Alcott continued to produce highly popular and idealistic literature for children. An Old-Fashioned Girl (1870), Eight Cousins (1875), Rose in Bloom (1876), Under the Lilacs (1878), and Jack and Jill (1881) enjoyed wide popularity. At the same time, her adult fiction, such as the autobiographical novel Work: A Story of Experience (1873) and A Modern Mephistopheles (1877), a story based on the Faust legend, shows her deeper concern with such social issues as education, prison reform, and women's suffrage. She realistically depicts the problems of adolescents and working women, the difficulties of relationships between men and women, and the values of the single woman's life.

In 1977, Showalter published A Literature of Their Own: British Women Novelists from Bronte to Lessing. It was one of the most influential works in feminist criticism, as it sought to establish a distinctive tradition for women writers. In later essays, Showalter helped to develop a clearly articulated feminist theory with two major branches: the special study of works by women and the study of all literature from a feminist perspective. In all of her recent writing, Showalter has sought to illuminate a "cultural model of female writing," distinguishable from male models and theories. Her role as editor bringing together key contemporary feminist criticism has been extremely influential on modern literary study.

"Little Women" is one of the best loved books of all time. Lovely Meg, talented Jo, frail Beth, spoiled Amy: these are hard lessons of poverty and of growing up in New England during the Civil War. Through their dreams, plays, pranks, letters, illnesses, and courtships, women of all ages have become a part of this remarkable family and have felt the deep sadness when Meg leaves the circle of sisters to be married at the end of Part I. Part II, chronicles Meg's joys and mishaps as a young wife and mother, Jo's struggle to become a writer, Beth's tragedy, and Amy's artistic pursuits and unexpected romance. Based on Louise May Alcott's childhood, this lively portrait of nineteenth- century family life possesses a lasting vitality that has endeared it to generations of readers.