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Lolita

Average rating: 5/5

Based on 7 ratings

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Lolita

by Vladimir Nabokov

Knopf Doubleday Publishing Group | March 9, 1993 | Hardcover

(Book Jacket Status: Jacketed)When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. But Vladimir Nabokov''s wise, ironic, elegant masterpiece owes its stature as one of the twentieth century''s novels of record not to the controversy its material aroused but to its author''s use of that material to tell a love story almost shocking in its beauty and tenderness. Awe and exhilaration-along with heartbreak and mordant wit-abound in this account of the aging Humbert Humbert''s obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love-love as outrage and hallucination, madness and transformation.With an Introduction by Martin Amis

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Reviews

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    ***MAY CONTAIN SPOILERS***

    I'm not entirely sure why this book is talked about so much. It seemed like Lolita, written by Victor Nabokov, was one of those books that a person must read in their lifetime, but after spending a few days on it, I wasn't too sure why. Nabokov clearly has a gift for writing, but it seemed that the book just dragged on and on, even though the reader pretty much had it drilled into their brain that yes, the main character loved Lolita.

    At first, I was intrigued, instantly thinking that this person-older person, really-must be caught by someone about his pedophilia. Lolita's mother? A teacher? A friend of Lolita's? To think that this would all be kept secret for so long just didn't make sense to me. The subject matter-aside from the pedophilia-was quite difficult to stomach, too: the fact that the main character felt it was necessary to marry Lolita's mother in order to, basically, molest his new daughter is just unthinkable. After Lolita's mother dies, I also don't understand how Lolita and her new father of one month manage to get away from school and society for well over a year-no one asks questions anymore? It just seems strange to me that this man could get away with what he got away with.

    I guess I just feel like I was ripped off of my time having spent a few days reading this. Nabokov just went on and on, page by page, and I felt like all I could do was speed up my reading to just get the darn book read. Not very English-minor of me, eh? I realize that Nabokov loved words and he did a magnificent job of crafting sentences-even if they were excruciatingly long at some points.

    In the end, there was very little "love" in the novel. Humbert married Lolita's mother just to get closer to her. He wondered what it would be like to impregnate Lolita so he could have his way with their nymph-ish children. Lolita cried every single night when they were "on the road" after her mother died, but he would still have his way with her. It's amazing she turned out how she did.

    That being said, I was mildly impressed by the turnaround in Lolita's character. She turned from a manipulative little brat to someone with a little decency. And even though the subject matter was a little hard to digest, once any kind of seduction or "romance" came up, Nabokov didn't even write about it. It was all implied, which was good since I don't want to feel like I'm reading something completely indecent (I mean, why else would we have the Marquis de Sade?).

    Of course, I'm still not happy having had wasted my time.

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    Rating: 4/5

    A Disturbingly Remarkable Classic

    Mya

    3 years ago

    This is a disturbingly remarkable novel. Nabokov creates a timeless classic from cruelty, egotism, deviancy and loss of child innocence. This is a story of love and of lust. Readers will rethink the way they originally thought about the characters; readers will rethink all human morals for sympathy. Readers will start thinking about what is true and what is being exaggerated in the minds of the characters. I highly recommend this book.

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    Rating: 5/5

    A Classic!

    Michael Richland

    3 years ago

    Beautiful, alluring and enticing this book is a love story in its own right.

    It's shocking nature and honest text makes one thoroughly involved in the lives of Humbert and his precious nymph.

    As the father of a young girl, some friends have thought that I would find this book unnerving. But it has been just the opposite. Taken into context it is an astounding piece of work. It is both cunningly edgy as well as incredibly sad.

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    joseph benjamin

    Rating: 5/5

    nobokov for everyone

    joseph benjamin

    11 years ago

    i appreciate great liturature as i'm sure you do, but i don't always understand it. i enjoyed lolita the book very much but by listening to jeremy irons reading it, i can understand much better the language and especially the humor of vladimir nabokov. plus there's just so much more her or in the book than there is in either films (still i recomend kubrick's over lynne's).

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From Our Editors

The most controversial classic novel of the 20th century, Lolita tells the story of Humbert Humbert, a middle-aged man who is aroused to erotic desire only by a young girl.

From the Publisher

(Book Jacket Status: Jacketed)When it was published in 1955, Lolita immediately became a cause célèbre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. But Vladimir Nabokov''s wise, ironic, elegant masterpiece owes its stature as one of the twentieth century''s novels of record not to the controversy its material aroused but to its author''s use of that material to tell a love story almost shocking in its beauty and tenderness. Awe and exhilaration-along with heartbreak and mordant wit-abound in this account of the aging Humbert Humbert''s obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love-love as outrage and hallucination, madness and transformation.With an Introduction by Martin Amis

From the Jacket

With an Introduction by Martin Amis
When it was published in 1955, Lolita immediately became a cause celebre because of the freedom and sophistication with which it handled the unusual erotic predilections of its protagonist. But Vladimir Nabokov''s wise, ironic, elegant masterpiece owes its stature as one of the twentieth century''s novels of record not to the controversy its material aroused but to its author''s use of that material to tell a love story almost shocking in its beauty and tenderness.
Awe and exhilaration--along with heartbreak and mordant wit--abound in this account of the aging Humbert Humbert''s obsessive, devouring, and doomed passion for the nymphet Dolores Haze. Lolita is also the story of a hypercivilized European colliding with the cheerful barbarism of postwar America, but most of all, it is a meditation on love--love as outrage and hallucination, madness and transformation.

About the Author

Vladimir Vladimirovich Nabokov was born on April 23, 1899, in St. Petersburg, Russia. The Nabokovs were known for their high culture and commitment to public service, and the elder Nabokov was an outspoken opponent of antisemitism and one of the leaders of the opposition party, the Kadets. In 1919, following the Bolshevik revolution, he took his family into exile. Four years later he was shot and killed at a political rally in Berlin while trying to shield the speaker from right-wing assassins.

The Nabokov household was trilingual, and as a child Nabokov was already reading Wells, Poe, Browning, Keats, Flaubert, Verlaine, Rimbaud, Tolstoy, and Chekhov, alongside the popular entertainments of Sir Arthur Conan Doyle and Jules Verne. As a young man, he studied Slavic and romance languages at Trinity College, Cambridge, taking his honors degree in 1922. For the next eighteen years he lived in Berlin and Paris, writing prolifically in Russian under the pseudonym Sirin and supporting himself through translations, lessons in English and tennis, and by composing the first crossword puzzles in Russian. In 1925 he married Vera Slonim, with whom he had one child, a son, Dmitri.

Having already fled Russia and Germany, Nabokov became a refugee once more in 1940, when he was forced to leave France for the United States. There he taught at Wellesley, Harvard, and Cornell. He also gave up writing in Russian and began composing fiction in English. In his afterword to Lolita he claimed: "My private tragedy, which cannot, and indeed should not, be anybody''s concern, is that I had to abandon my natural idiom, my untrammeled, rich, and infinitely docile Russian tongue for a second-rate brand of English, devoid of any of those apparatuses-the baffling mirror, the black velvet backdrop, the implied associations and traditions-which the native illusionist, frac-tails flying, can magically use to transcend the heritage in his own way." [p. 317] Yet Nabokov''s American period saw the creation of what are arguably his greatest works, Bend Sinister (1947), Lolita (1955), Pnin (1957), and Pale Fire (1962), as well as the translation of his earlier Russian novels into English. He also undertook English translations of works by Lermontov and Pushkin and wrote several books of criticism. Vladimir Nabokov died in Montreux, Switzerland, in 1977.

Hardcover

376 Pages, 5.22 x 8.29 x 1.16 IN

March 9, 1993

Knopf Doubleday Publishing Group

English


0679410430
9780679410430

From the Critics

"The only convincing love story of our century." -Vanity Fair

"Lolita blazes with a perversity of a most original kind. For Mr. Nabokov has distilled from his shocking material hundred-proof intellectual farce…Lolita seems an assertion of the power of the comic spirit to wrest delight and truth from the most outlandish materials. It is one of the funniest serious novels I have ever read; and the vision of its abominable hero, who never deludes or excuses himself, brings into grotesque relief the cant, the vulgarity, and the hypocritical conventions that pervade the human comedy." -Atlantic Monthly

"Intensely lyrical and wildly funny." -Time

"The conjunction of a sense of humor with a sense of horror [results in] satire of a very special kind, in which vice or folly is regarded not so much with scorn as with profound dismay and a measure of tragic sympathy…The reciprocal flow of irony gives to both the characters and their surroundings the peculiar intensity of significance that attends the highest art." -The New Yorker

"Lolita is an authentic work of art which compels our immediate response and serious reflection-a revealing and indispensable comedy of horrors." -San Francisco Chronicle

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