Lee Alexander McQueen (19692010), whose design combined
visionary aesthetics, emotional power, and extraordinary craft, was
known for staging provocative shows that were as much performances
as venues to display his couture creations. Charged with energy,
informed by history and culture, and filled with fresh concepts,
McQueen's shows have become legends not only of fashion but also of
art. Anne Deniau was the only photographer allowed backstage by
McQueen for 13 years, beginning in September 1997 and ending with
the final show in March 2010. She captured McQueen working with his
close circle of collaboratorsincluding designer Sarah Burton,
milliner Philip Treacy, jewelry designer Shaun Leane, and model
Kate Mossto create his meticulously produced spectacles. Her book
offers an inspiring homage, through the art of photography, to the
work of a great artist.
Praise for Love Looks Not With the Eyes: Thirteen Years With
Lee Alexander McQueen:
The pictures are evocative of the torture, the toughness and, most
of all, the tenderness of Mr. McQueen." New York
Times
Deniau's close connection to McQueen and her appreciation for his
formidable talent is like many of the pieces he created:
breathtaking." San Francisco Chronicle
Thekinetic color and black-and-white photographs document the
fantastical,shocking spectacle of a McQueen show in action: hairdos
trussed up with birdsof prey; hubcaps strapped to foreheads; faces
enhanced by extraterrestrialcheek prostheses. The images are
sensual, spooky, and whimsical, playing up thedrama of McQueen's
vision; like one of the designer's fabulous garments,
thephotographs transform fashion into high art. The book is both an
homage and amemorial; this celebration of McQueen's vast, unique
talent is also a eulogyfor his tragic loss." Haute couture has a
reputation for spectacle, but Anne Deniau's photographs remind us
that it's also the last bastion of craftsmanship in fashionor it
was, as practiced by designer Alexander McQueen (19692010)."
Wall Street Journal
Lush, previously unpublished backstage photographs from many of
the late designer's provocative fashion shows."The Los Angeles
Times
The kinetic color and black-and-white photographs document the
fantastical, shocking spectacle of a McQueen show in action:
hairdos trussed up with birds of prey; hubcaps strapped to
foreheads; faces enhanced by extraterrestrial cheek prostheses. The
images are sensual, spooky, and whimsical, playing up the drama of
McQueen's vision; like one of the designer's fabulous garments, the
photographs transform fashion into high art. The book is both an
homage and a memorial; this celebration of McQueen's vast, unique
talent is also a eulogy for his tragic loss." Publishers
Weekly
Love Looks Not with the Eyes document[s] the intense
work and equally intense emotions that played out behind the scenes
of McQueen's poetic, passionate, and provocative shows. . . . The
intimacy is evident in the pictures." Vogue
The haunting images offer a rarefied glimpse into the designer's
inner world." Harper's Bazaar
Deniau, in the process of documenting 26 McQueen presentations,
captured images which, too, transcend photographymatching the
decadent and grand world created by the hands of McQueen."
Time.com
Haute couture has a reputation for spectacle, but Anne Deniau's
photographs remind us that it's also the last bastion of
craftsmanship in fashionor it was, as practiced by designer
Alexander McQueen (19692010)." Wall Street Journal