Man for All Seasons

A historical play infused with drama and comedy, A Man for All Seasons tells the familiar tale of Henry VIII, his wives and his wrath. Robert Bolt used much research to describe the tryst between Henry, his wife Catherine, his love, Anne Boleyn and the Lord Chancellor Robert More who would not condone another marriage. Behind the scenes, Catherine is trying desperately to birth a male heir to the thrown while keeping under cover any plotting so as to keep Henry from doing what he is famous for: offing heads under pretence of treason. This play comes at readers from all angles, revealing the elaborate drama that plagued monarchical love.

Born in Manchester, England, where he attended the university, Robert Bolt was teaching school in 1957 when his play Flowering Cherry, with Ralph Richardson in the title role, was staged in London. The success of the play persuaded Bolt to devote himself to the theater. The Tiger and the Horse (1960) which, like its predecessor, concerns the paradoxes of idealism and detachment, appeared three years later. In the meanwhile, Bolt had written for BBC radio the short play about Sir Thomas More, which he was to expand into his international triumph, A Man for All Seasons (1960). The play brought Bolt the New York Drama Critics Circle Award in 1962, and, for the screenplay, an Academy Award. Bolt wrote a series of screenplays for David Lean including Lawrence of Arabia (1962), Doctor Zhivago (1965), and Ryan's Daughter (1970), in which personal melodrama is again played out against romanticized history. The stage work Vivat! Vivat Regina! (1970) confronts Queen Elizabeth's rigidity with the femininity of Mary of Scotland. State of Revolution (1977), written for the National Theatre, is a portrait of Lenin as a sensitive leader imprisoned in his ideals.