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Mrs. Dalloway

Average rating: 4/5

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Mrs. Dalloway

by Virginia Woolf
Foreword by: Maureen Howard

Houghton Mifflin Harcourt | September 30, 2002 | Hardcover

Heralded as Virginia Woolf''s greatest novel, this is a vivid portrait of a single day in a woman''s life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old. "Mrs. Dalloway was the first novel to split the atom. If the novel before Mrs. Dalloway aspired to immensities of scope and scale, to heroic journeys across vast landscapes, with Mrs. Dalloway Virginia Woolf insisted that it could also locate the enormous within the everyday; that a life of errands and party-giving was every bit as viable a subject as any life lived anywhere; and that should any human act in any novel seem unimportant, it has merely been inadequately observed. The novel as an art form has not been the same since. "Mrs. Dalloway also contains some of the most beautiful, complex, incisive and idiosyncratic sentences ever written in English, and that alone would be reason enough to read it. It is one of the most moving, revolutionary artworks of the twentieth century." --Michael Cunningham, author of The Hours

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    Rating: 4/5

    "One could not be in love twice"

    Sunny

    5 weeks ago

    Virginia Woolf once asked herself: "How can one weigh and shape dialogue till each sentence tears the shingles in the bottom of the reader's soul?" I am not aware of her answer to this question, but I think Woolf was quite successful, if she attempted to answer it with her immortal classic, "Mrs. Dalloway."

    At first it seems as though Mrs. Dalloway cares for nothing but her party, but this terse book much more profound than mere ramblings and on-goings of the upper-class English society. It is set in 1920s London, merely years after the horrible suffering of the First World War. Everything happens in the novel in one ordinary day - from the morning when Mrs. Dalloway goes to buy her flowers to her evening party. We meet different characters throughout London, we feel their feelings, try to grasp their ideas, and wonder what was it all for? Or for that matter, what is this all for? Why precisely are here?

    But perhaps nothing stands out more than Woolf's writing; her words dance rhythmically on every sentences and makes an unforgettable lyrics. At first, I read eight pages, then went back again to the first page to begin again. It was as though I wanted to consume all these words. The reason why I withheld from giving five stars is because it lacks dialouge; hence Woolf's otherwise beautiful prose can be in the danger of becoming dry.
    Nevertheless, very highly recommended to all the lovers of English literature and young, aspiring writers.

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    Lauren Saunders

    Rating: 4/5

    The book to read!

    Lauren Saunders

    6 years ago

    The timeless classic Mrs. Dalloway is named a classic for a reason. Brilliance comes easily to the astound author Virginia Woolf who keeps the audience gripped in this remarkable page turner. Woolf, known for her very unique form of writing wonderfully titled as "stream of consciousness" makes the reader feel as if they are in their own little world enveloped in the lives of Mrs. Clarissa Dalloway and the ever popular Mr. Warren Smith. The novel is centered on Mrs. Dalloway and the much anticipated party in which she is preparing for. Through out her shopping excursion we are introduced to her past, present and future. Mrs. Dalloway is the narrative. This newly founded approach puts the reader in a much different time frame and position that he/she is used to. It gives the reader a sense of not knowing, and finds themselves questioning the facts. Today, readers are used to being the omniscient reader who has been given all of the facts, but Woolf has taken that away from the reader to something raw and fresh.
    I recommend everyone to read this novel for several of reasons. I believe everyone should experience Ms. Woolf's style in writing in Mrs. Dalloway at least once, if not more, in their lifetime. The story itself is a classic and although my not be for everyone, has highlights that cannot be ignored. Finally, I ultimately recommend my fellow literature enthusiast to read this book because it has this remarkable talent to spark something in you that you never thought was there in the first place. Once you have experience one work of Virginia Woolf, you will be craving more.

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From the Publisher

Heralded as Virginia Woolf''s greatest novel, this is a vivid portrait of a single day in a woman''s life. When we meet her, Mrs. Clarissa Dalloway is preoccupied with the last-minute details of party preparation while in her mind she is something much more than a perfect society hostess. As she readies her house, she is flooded with remembrances of faraway times. And, met with the realities of the present, Clarissa reexamines the choices that brought her there, hesitantly looking ahead to the unfamiliar work of growing old. "Mrs. Dalloway was the first novel to split the atom. If the novel before Mrs. Dalloway aspired to immensities of scope and scale, to heroic journeys across vast landscapes, with Mrs. Dalloway Virginia Woolf insisted that it could also locate the enormous within the everyday; that a life of errands and party-giving was every bit as viable a subject as any life lived anywhere; and that should any human act in any novel seem unimportant, it has merely been inadequately observed. The novel as an art form has not been the same since. "Mrs. Dalloway also contains some of the most beautiful, complex, incisive and idiosyncratic sentences ever written in English, and that alone would be reason enough to read it. It is one of the most moving, revolutionary artworks of the twentieth century." --Michael Cunningham, author of The Hours

About the Author

Born in 1882, the daughter of Julia Jackson Duckworth and Victorian scholar Sir Leslie Stephen, Virginia Stephen settled in 46 Gordon Square, Bloomsbury, in 1904. This house would become the first meeting place of the now-famous Bloomsbury Group-writers, artists, and intellectuals such as E. M. Forster, John Maynard Keynes, and Lytton Strachey who, along with Virginia and her sister Vanessa, shared an intense belief in the importance of the arts and a skepticism regarding their society''s conventions and restraints. It was after Virginia''s 1912 marriage to Leonard Woolf-a remarkable and supportive twenty-nine-year-union-that she began to publish her major work. Her first novel, The Voyage Out, appeared in 1915 and was followed by Night and Day (1919), Jacob''s Room (1922), Mrs. Dalloway (1925), To the Lighthouse (1927), Orlando (1928), The Waves (1931), and The Years (1937). Woolf is also admired for her contributions to literary criticism in general and to feminist criticism in particular, with A Room of One''s Own (1929) and Three Guineas (1937) reflecting the full range of her intellectual vigor, insight, and compassion for the role cast for female artists in the modern world. Additionally, Woolf s diary and correspondence, published posthumously, provide an invaluable window into her world offer-flung relationships and interests, imaginative depth, and creative method. The victim of a lifetime of mental illness, Woolf com-mitted suicide in 1941. She left behind her a literary legacy, including The Hogarth Press, established with Leonard in 1917, which published not only Woolf s own work but that of an increasingly influential group of innovative writers-including T. S. Eliot, James Joyce, and Katherine Mansfield. 

Maureen Howard is the author of Natural History, Bridgeport Bus, and Facts of Life.

Hardcover

216 Pages, 5.8 x 8.3 x 0.9 in

September 30, 2002

Houghton Mifflin Harcourt

English


0151009988
9780151009985

From the Critics

Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realization of experiments that have completely broken with tradition.

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