Mrs. Dalloway

"Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely? All this must go on without her; did she resent it; or did it not somehow become consoling to believe that death ended absolutely? But that somehow in the streets of London, on the ebb and flow of things, here, there, she survived." Virginia Woolf (1882-1941) is now generally recognised as the author of two of the twentieth century''s greatest literary works, To the Lighthouse and Mrs. Dalloway, both of which employ a style of narration that has come to be known as "stream of consciousness," which focuses on the interior-and not always logical-movement of thoughts that make up the better part of most people''s psyches. Woolf''s 1925 novel, Mrs. Dalloway, is about the casualties of early twentieth-century life, and she explores the gendered forms of mental illness, and the social repercussions of feminism, homosexuality, and colonialism. The central consciousness is that of the title character, Clarissa Dalloway, on the day of a dinner party that she is giving. Moving through the relatively uneventful preparations, the arrival of the guests, and the rituals of hosting a party, Clarissa''s thoughts wander across past, present, and into the future. Throughout the relatively mundane actions through which the book follows her, she is slowly revealed by means of her interior monologues of memory and reflection to be a most interesting person who has been squeezed by society into a rather ordinary role. The narrative broadens to include others in her life, most notably Septimus Warren Smith, a shell-shock victim whose life has had no direct connection to Clarissa''s, but who in many ways can be read as a male parallel. This Broadview edition provides a reliable text at a very reasonable price. It contains textual notes but no appendices or introduction.

"Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely? All this must go on without her; did she resent it; or did it not somehow become consoling to believe that death ended absolutely? But that somehow in the streets of London, on the ebb and flow of things, here, there, she survived." Virginia Woolf (1882-1941) is now generally recognised as the author of two of the twentieth century''s greatest literary works, To the Lighthouse and Mrs. Dalloway, both of which employ a style of narration that has come to be known as "stream of consciousness," which focuses on the interior-and not always logical-movement of thoughts that make up the better part of most people''s psyches. Woolf''s 1925 novel, Mrs. Dalloway, is about the casualties of early twentieth-century life, and she explores the gendered forms of mental illness, and the social repercussions of feminism, homosexuality, and colonialism. The central consciousness is that of the title character, Clarissa Dalloway, on the day of a dinner party that she is giving. Moving through the relatively uneventful preparations, the arrival of the guests, and the rituals of hosting a party, Clarissa''s thoughts wander across past, present, and into the future. Throughout the relatively mundane actions through which the book follows her, she is slowly revealed by means of her interior monologues of memory and reflection to be a most interesting person who has been squeezed by society into a rather ordinary role. The narrative broadens to include others in her life, most notably Septimus Warren Smith, a shell-shock victim whose life has had no direct connection to Clarissa''s, but who in many ways can be read as a male parallel. This Broadview edition provides a reliable text at a very reasonable price. It contains textual notes but no appendices or introduction.

Virginia Woolf was born in London, the daughter of the prominent literary critic Leslie Stephen. She never received a formal university education; her early education was obtained at home through her parents and governesses. After death of her father in 1904, her family moved to Bloomsbury, where they formed the nucleus of the Bloomsbury Group, a circle of philosophers, writers and artists. As a writer, Woolf was a great experimenter. She scorned the traditional narrative form and turned to expressionism as a means of telling her story. Mrs. Dalloway (1925) and To The Lighthouse (1927), her two generally acknowledged masterpieces, are stream-of-consciousness novels in which most of the action and conflict occur beneath a surface of social decorum. Mrs. Dalloway, set in London shortly after the end of World War I, takes place on a summer's day of no particular significance, except that intense emotion, insanity, and death intrude.To the Lighthouse's long first and third sections, each of which concerns one day 10 years apart, of the same family's summer holidays, are separated and connected by a lyrical short section during which the war occurs, several members of the family die, and decay and corruption run rampant. Orlando (1928) is the chronological life story of a person who begins as an Elizabethan gentleman and ends as a lady of the twentieth century; Woolf's friend, Victoria Sackville-West, served as the principal model for the multiple personalities. (The book was made into a movie in 1993.) Flush (1933) is a dog's soliloquy that, by indirection, recounts the love story of Robert Browning and Elizabeth Barrett Browning and their elopement and life in Florence. Her last short novel, Between the Acts (1941), was left without her final revision, but it is, nonetheless, a major representation of a society on the verge of collapse. Having had periods of depression throughout her life and fearing a final mental breakdown from which she might not recover, Woolf drowned herself in 1941. Her husband published part of her farewell letter to deny that she had taken her life because she could not face the terrible times of war. Leonard Woolf also edited A Writer's Diary (1953), which provides valuable insights into his wife's private thoughts and literary development. Equally informative are his own autobiographies, particularly Beginning Again and Downhill All the Way (1967), and The Letters of Virginia Woolf and Lytton Strachey . Virginia Woolf's Granite and Rainbow contains 27 essays on the art of fiction and biography. There are many sidelights on Woolf in the writings, letters, and biographies of other members of her Bloomsbury circle, such as Roger Fry, John Maynard Keynes (see Vol. 3), and Lytton Strachey (see Vol. 3). Also casting much light on her life, thought, and creative processes are The Common Reader (1925), The Second Common Reader (1933), A Room of One's Own (1929), Three Guineas (1938), The Captain's Death Bed and Other Essays, The Death of the Moth and Other Essays (1942), and various collections of her autobiographical writings, diaries, and letters. In addition, in recent years there has been a veritable industry of writers dealing with Woolf and her work.