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Average rating: 4/5

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Musicophilia: Tales Of Music And The Brain

by Oliver Sacks
Read by: Simon Prebble

Random House Audio Publishing Group | October 16, 2007 | Audio Book (CD)

Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat.  But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does-humans are a musical species.

Oliver Sacks's compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people-from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome, who are hypermusical from birth; from people with "amusia," to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds-for everything but music.

Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson's disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer's or amnesia.

Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.

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  • Community Reviews
    • Was this review
      helpful to you?

    the subject in and of itself is potentially very interesting. however, the bulk of the book is primarily anecdotal, with the science awkwardly juxtaposed in between the somewhat redundant stories. despite the under-edited content, still worth the read if the topic is your kind of thing because the complexity of the human brain is always fascinating.

    • Was this review
      helpful to you?

    I first read Oliver Sacks's Man Who Mistook His Wife for a Hat and always enjoyed his unique slant on things neurological. I bought Musicophilia for my son who is a musician and he found every page to be both fun and revealing. I would highly recommend this book.

    • Was this review
      helpful to you?

    " Music, uniquely among the arts, is both completely abstract and profoundly emotional. It has no power to represent anything particular or external, but it has a unique power to express inner states or feelings. Music can pierce the heart directly...music makes one experience pain and grief more intensely, it brings solace and consolation at the same time."

    Almost all of us listen to and enjoy some sort of music, but we do not all experience it the same or interpret what we hear in the same way. Dr. Sacks considers many of the varied ways in which people hear music. I was fascinated to learn that there really are people who do not hear music, called amusia. To them it is noise similar to the banging of pots and pans.

    Musicality or musical sensibilities vary from person to person. There are people who are highly talented with their music and seem born to perform. Then there are people who can't carry a tune in a bucket. Of course most of us fall somewhere in between. This section included a discussion of perfect pitch and its impact.

    Much of the information in this book is presented as case studies of various clients Dr. Sacks has met with. As a Neurologist he has provided very understandable explanations of the impact of music on the brain. He looks at blindness, amnesia, aphasia (speechlessness), Tourette's Syndrome, Parkinson's and more.

    This is a very readable book. Case studies are presented in all sections and they clearly illustrate the impact of music regarding each ailment/injury. I was most interested in the the musical retention by people with severe amnesia and certain types of dementia. It was amazing to read about people who had lost so much of their contact with the world and to see them come alive and interactive with their music.

    I'm not a musician or singer myself, but I do enjoy listening to a variety of musics and have tried to play several instruments, but alas, I can't carry a tune and I just don't get it when it comes to playing. I don't really have the feel for the music. Yes, I've had the lessons and understand the techniques, but its not there for me. I can sing and even stay in tune if I stand next to a strong singer, but you really don't want me to solo. Even with this pedigree, I really enjoyed this book and would highly recommend it if you have any interest in music or in how the brain works.

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