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Musicophilia: Tales Of Music And The Brain

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Musicophilia: Tales Of Music And The Brain

by Oliver Sacks
Read by: Simon Prebble

Random House Audio Publishing Group | October 16, 2007 | Audio Book (CD)

Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat.  But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does-humans are a musical species.

Oliver Sacks's compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people-from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome, who are hypermusical from birth; from people with "amusia," to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds-for everything but music.

Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson's disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer's or amnesia.

Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.

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    Rating: 2/5

    pretty good

    Riley Smith

    2 years ago

    the subject in and of itself is potentially very interesting. however, the bulk of the book is primarily anecdotal, with the science awkwardly juxtaposed in between the somewhat redundant stories. despite the under-edited content, still worth the read if the topic is your kind of thing because the complexity of the human brain is always fascinating.

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    I first read Oliver Sacks's Man Who Mistook His Wife for a Hat and always enjoyed his unique slant on things neurological. I bought Musicophilia for my son who is a musician and he found every page to be both fun and revealing. I would highly recommend this book.

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    " Music, uniquely among the arts, is both completely abstract and profoundly emotional. It has no power to represent anything particular or external, but it has a unique power to express inner states or feelings. Music can pierce the heart directly...music makes one experience pain and grief more intensely, it brings solace and consolation at the same time."

    Almost all of us listen to and enjoy some sort of music, but we do not all experience it the same or interpret what we hear in the same way. Dr. Sacks considers many of the varied ways in which people hear music. I was fascinated to learn that there really are people who do not hear music, called amusia. To them it is noise similar to the banging of pots and pans.

    Musicality or musical sensibilities vary from person to person. There are people who are highly talented with their music and seem born to perform. Then there are people who can't carry a tune in a bucket. Of course most of us fall somewhere in between. This section included a discussion of perfect pitch and its impact.

    Much of the information in this book is presented as case studies of various clients Dr. Sacks has met with. As a Neurologist he has provided very understandable explanations of the impact of music on the brain. He looks at blindness, amnesia, aphasia (speechlessness), Tourette's Syndrome, Parkinson's and more.

    This is a very readable book. Case studies are presented in all sections and they clearly illustrate the impact of music regarding each ailment/injury. I was most interested in the the musical retention by people with severe amnesia and certain types of dementia. It was amazing to read about people who had lost so much of their contact with the world and to see them come alive and interactive with their music.

    I'm not a musician or singer myself, but I do enjoy listening to a variety of musics and have tried to play several instruments, but alas, I can't carry a tune and I just don't get it when it comes to playing. I don't really have the feel for the music. Yes, I've had the lessons and understand the techniques, but its not there for me. I can sing and even stay in tune if I stand next to a strong singer, but you really don't want me to solo. Even with this pedigree, I really enjoyed this book and would highly recommend it if you have any interest in music or in how the brain works.

Details

From the Publisher

Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat.  But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does-humans are a musical species.

Oliver Sacks's compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people-from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome, who are hypermusical from birth; from people with "amusia," to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds-for everything but music.

Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson's disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer's or amnesia.

Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.

From the Jacket

Music can move us to the heights or depths of emotion. It can persuade us to buy something, or remind us of our first date. It can lift us out of depression when nothing else can. It can get us dancing to its beat.  But the power of music goes much, much further. Indeed, music occupies more areas of our brain than language does-humans are a musical species.

Oliver Sacks's compassionate, compelling tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own brains, and of the human experience. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians, and everyday people-from a man who is struck by lightning and suddenly inspired to become a pianist at the age of forty-two, to an entire group of children with Williams syndrome, who are hypermusical from birth; from people with "amusia," to whom a symphony sounds like the clattering of pots and pans, to a man whose memory spans only seven seconds-for everything but music.

Our exquisite sensitivity to music can sometimes go wrong: Sacks explores how catchy tunes can subject us to hours of mental replay, and how a surprising number of people acquire nonstop musical hallucinations that assault them night and day. Yet far more frequently, music goes right: Sacks describes how music can animate people with Parkinson's disease who cannot otherwise move, give words to stroke patients who cannot otherwise speak, and calm and organize people whose memories are ravaged by Alzheimer's or amnesia.

Music is irresistible, haunting, and unforgettable, and in Musicophilia, Oliver Sacks tells us why.

About the Author

Oliver Sacks is a physician and the author of nine previous books, including The Man Who Mistook His Wife for a Hat and Awakenings (which inspired the Oscar-nominated film). He lives in New York City, where he is Professor of Clinical Neurology and Psychiatry at Columbia University. Visit his website at www.oliversacks.com.

Audio Book (CD)

5.48 x 6.24 x 0.94 in

October 16, 2007

Random House Audio Publishing Group

English


0739357395
9780739357392

From the Critics

"Dr. Sacks writes not just as a doctor and a scientist but also as a humanist with a philosophical and literary bent. . . [his] book not only contributes to our understanding of the elusive magic of music but also illuminates the strange workings, and misfirings, of the human mind."
-Michiko Kakutani, The New York Times
"Oliver Sacks turns his formidable attention to music and the brain . . . He doesn't stint on the science . . . but the underlying authority of Musicophilia lies in the warmth and easy command of the author's voice."
-Mark Coleman, Los Angeles Times
"His work is luminous, original, and indispensable . . . Musicophilia is a Chopin mazurka recital of a book, fast, inventive and weirdly beautiful . . . Yet what is most awe-inspiring is his observational empathy."
-American Scholar

"Curious, cultured, caring, in his person Sacks justifies the medical profession and, one is tempted to say, the human race . . . Sacks is, in short, the ideal exponent of the view that responsiveness to music is intrinsic to our makeup. He is also the ideal guide to the territory he covers. Musicophilia allows readers to join Sacks where he is most alive, amid melodies and with his patients."
-Peter D. Kramer, The Washington Post

"Readers will be grateful that Sacks . . . is happy to revel in phenomena that he cannot yet explain."
-The New York Times Book Review

"The persuasive essays about composers, patients, savants, and ordinary people . . . offer captivating variations on the central premise that human beings are 'exquisitely tuned' to the illuminating yet ultimately mysterious powers of music."
-Elle

"With the exception of Lewis Thomas, no physician has ever written better about his trade."
-Salon

"A gifted writer and a neurologist, Sacks spins one fascinating tale after another to show what happens when music and the brain mix it up."
-Newsweek



From the Hardcover edition.

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