Couverture rigide
400 Pages, 6.12 x 9.25 x 1.22 in
3 juillet 2009
Simon & Schuster
1416541527
9781416541523
Notes de l'éditeur
Do we remember only the
stories we can live with?
The ones that make us look good in the rearview mirror? In
The Night of the Gun, David Carr redefines memoir with the
revelatory story of his years as an addict and chronicles his
journey from crack-house regular to regular columnist for The
New York Times. Built on sixty videotaped interviews, legal
and medical records, and three years of reporting, The Night of
the Gun is a ferocious tale that uses the tools of journalism
to fact-check the past. Carr''s investigation of his own history
reveals that his odyssey through addiction, recovery, cancer, and
life as a single parent was far more harrowing -- and, in the end,
more miraculous -- than he allowed himself to remember. Over the
course of the book, he digs his way through a past that continues
to evolve as he reports it.
That long-ago night he was so out of his mind that his best
friend had to pull a gun on him to make him go away? A visit to the
friend twenty years later reveals that Carr was pointing the
gun.
His lucrative side business as a cocaine dealer? Not all that
lucrative, as it turned out, and filled with peril.
His belief that after his twins were born, he quickly sobered up
to become a parent? Nice story, if he could prove it.
The notion that he was an easy choice as a custodial parent once
he finally was sober? His lawyer pulls out the old file and gently
explains it was a little more complicated than that.
In one sense, the story of The Night of the Gun is a
common one -- a white-boy misdemeanant lands in a ditch and is
restored to sanity through the love of his family, a God of his
understanding, and a support group that will go unnamed. But when
the whole truth is told, it does not end there. After fourteen
years -- or was it thirteen? -- Carr tried an experiment in social
drinking. Double jeopardy turned out to be a game he did not play
well. As a reporter and columnist at the nation''s best newspaper,
he prospered, but gained no more adeptness at mood-altering
substances. He set out to become a nice suburban alcoholic and
succeeded all too well, including two more arrests, one that
included a night in jail wearing a tuxedo.
Ferocious and eloquent, courageous and bitingly funny, The
Night of the Gun unravels the ways memory helps us not only
create our lives, but survive them.
Conseils de votre groupe de lecture
This reading group guide for Night of the Gun
includes an introduction, discussion questions, and ideas for
enhancing your book club. The suggested questions are intended to
help your reading group find new and interesting angles and topics
for your discussion. We hope that these ideas will enrich your
conversation and increase your enjoyment of the book."You
remember the story you can live with, not the one that happened."In
The Night of the Gun, David Carr, a renowned journalist
for the New York Times, uses his reporting acuity to
construct a memoir of his life: a sordid, harrowing tale of a drug
addict attempting to reestablish some sense of his humanity.
Through a series of setbacks and mishaps, David transforms from a
privileged suburban kid into a hardened crack addict with a
criminal record, and ultimately winds up a successful journalist
and father of three. However, it isn''t just David telling the
story.Admitting the fickle nature of memory (especially that of a
self proclaimed drug-addled maniac), David uses a slew of primary
sources -- video interviews with friends and family, medical
records, newspaper clippings, and photographs -- to retrace the
lost years of his life, and to reconcile his own recollection of
his journey through drugs, cancer, and single fatherhood. Self
deprecating and articulate, Carr tracks his own narrative while
simultaneously using his loved ones to set the record straight.
With wit and candor, Carr retraces his life, and finds that much
like the fabled Night of the Gun (a reference to an unclear
incident during his most intense drug use), what he remembers and
what actually happened are not always one and the
sameQuestions for Discussion1. Discuss the
nature of memory and the way it transforms throughout the book.
Re-read Chapter 53 ("We accessorize the memory with the present
tense") and cite examples throughout the story where memory served
as a function for the present, as the remembered event turned out
to be much different from what actually occurred. Does it matter
who had the gun?2. Compare and contrast the positive and negative
forces in his life -- from drug buddies to Fast Eddie to the
unnamed New York Times bigwig).3. How did the use of
epigraphs affect the reading of each chaptery? Which do you feel
correlated most directly with David''s life?4. Talk about the
nature of illness throughout the book -- from his numerous
addictions to his unfortunate ailments. Which affliction do you
think cause the greatest amount of deterioration in his life? Are
his addictions "curable?" Are his cancer and medical complications
stronger demons? Are both unavoidable?5. Whose interview was the
most poignant? Marion? Anna? The twins? Which primary sources gave
you the clearest picture of David''s past? Was the power in their
truthful account, or did it lie within their connection to David?6.
How did you feel about David''s relapse into alcoholism after years
of sobriety? What do you think drew him back to alcohol? Did you
see it coming? Discuss his description of addiction as a "pirate,"
or a "guy doing pushups in the basement, ready to come out at any
time."7. Do you agree that David was justified in seeking and
gaining custody of Erin and Meghan? As you were reading, did you
question his motivations? In light of the twins'' interviews at the
book''s close, how did the birth of the twins affect his life? Did
they save him? Did he save them?8. Can you cite a single major
mistake or poor choice that David made as grounds for his descent?
If the instance with the twins in the car is his redemptive,
revelatory moment, what are the moments that lead to his downward
spiral? Is it just a collection of pratfalls?9. Discuss David''s
romances and trysts. Consider Doolie, Anna, Jill, and any others
that he was briefly involved with. Track how David''s love life has
evolved since his time as a user. What do you make of his
admittance of abuse? How do you feel about his marriage to Jill?10.
In Chapter 49, David states, "If memoir is an attempt to fashion
the self through narrative, dreams simply reverse the polarity on
the same imperative. The future is even more fungible than the
past." Given that, what do you see for David Carr''s
future?Enhance Your Book Club1. Visit
nightofthegun.com and peruse the pictures, documents and videos
that David often references in the book. Do the testimonies and
back stories affect you differently when served through different
media? Do they enrich the story in the book? Discuss the narrative
within the context of the website versus that of the book.2. Sit at
your computer and go through the various photos, videos, and other
mementos collected from your life. See if you can map a story
through non-literary media alone. Attempt to make a photo sequence
of your personal evolution, and share your results.3. In the same
vein, write a brief account of an event in your life, and interview
a loved one or someone close to you about that same incident. See
how the stories match up, how memory informs itself, and how
personal narrative becomes shaped. Are there conflicting ideas of
the past between you and the other person? Try it with a few
subjects and share your results.4. Visit
http://www.salon.com/books/int/2008/08/08/carr/ and read the
review/interview with Carr. Does an interview apart from the book
have any effect on the content within? Do other mediums and
reportages continue to reframe the story and the "fungible nature
of memory?"5. Read a few similar drug-related memoirs (for example,
Augusten Burrough''s Dry and Frey''s much-maligned A
Million Little Pieces). How do they compare when held against
Night of the Gun? Discuss the different constructions of
memoir, their similarities, and their weaknesses/strengths.