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Average rating: 4/5

Based on 77 ratings

No Great Mischief

by Alistair Macleod

McClelland & Stewart | January 25, 2001 | Trade Paperback

Alexander MacDonald guides us through his family's mythic past as he recollects the heroic stories of his people: loggers, miners, drinkers, adventurers; men forever in exile, forever linked to their clan. There is the legendary patriarch who left the Scottish Highlands in 1779 and resettled in "the land of trees," where his descendents became a separate Nova Scotia clan. There is the team of brothers and cousins, expert miners in demand around the world for their dangerous skills. And there is Alexander and his twin sister, who have left Cape Breton and prospered, yet are haunted by the past. Elegiac, hypnotic, by turns joyful and sad, No Great Mischief is a spellbinding story of family, loyalty, exile, and of the blood ties that bind us, generations later, to the land from which our ancestors came.


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  • Clinton Chau's Review
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Rating: 4/5

Superb storytelling

Clinton Chau

5 years ago

Through 9/10ths of the book, the story's plot takes place over the span of an afternoon. Alexander MacDonald is visiting his eldest brother, Calum, who lives in a one room apartment in the heart of Toronto, and who is dependent on alcohol just to function. During this visit, Alexander relates to the reader stories of the immediate past and involving his immediate family. Interwoven in this narrative are the stories of his immediate ancestors as well as the the stories of Clan Donald.

This novel is about identity, and how identity is rooted in places and memory, and suggests that this is universally true. It then asks the question, if ones' ties to place and memory are broken, what becomes of who we are? Peripherally, the book touches on the idea of fate as well.

The storytelling is superb. With simple strokes, MacLeod is nevertheless able to give life to these characters whom you will grow attached to. As places play an important role in the novel, MacLeod also works wonderfully with the settings, such as a small region within Cape Breton, or the Queen St. W. district of Toronto, or a mine in northern Ontario. These settings through MacLeod's pen become non-human characters themselves. He's an exemplar of the writer's addage: show, don't tell.

At the same time, this storytelling style admits a few weaknesses in this instance. Firstly, it is difficult to find direct references to the narrator's personality and motivations, and thus it is hard to sympathize with Alexander MacDonald. At the same time, however, this may be an intended effect, since the narrator himself is an integral part of this exploration of identity. Perhaps the distance and detachment we feel, is part of MacLeod's thesis of the erosion of his identity.

Secondly, there are some scenes of conversations between the narrator and his twin sister, which serves as a device for exposition on Clan Donald history and legend, as well as hinting at the sister's own struggle with identity. While I can't think of a better way to do it, it was nonetheless, a weakness in the novel. The exposition felt dry, and tired. But again, perhaps this was intended.

Overall, another great book by a Canadian author.

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