"Not a word is wasted in this spare, brilliant novel about the way
that reading changes and forms our lives, and about how one learns
to become a writer--and a conscious human being."
--Francine Prose, People
"Wolff again proves himself a writer of the highest order:
part storyteller, part philosopher, someone deeply engaged in
asking hard questions that take a lifetime to resolve."
--Carmela Ciuraru, Los Angeles
Times
"An elegant ode to writers, and to writing, from one of
our most exquisite storytellers."
--Adrienne Miller, Esquire
"The interesting, vexing drama [puts] readers in the
landscape tracked across by writers as different as J. M. Coetzee,
Philip Roth, and, going back, Conrad and Hawthorne . . . Impossible
to counterfeit, [the novel] persuades us, as the best art always
does, that however hard we look, there''s always more to see."
--Sven Birkerts, The Washington Post Book World
"Old School is utterly new, even as it
tells a story that draws you in with the warm comfort of its
narrator''s voice. [It] proceeds as a dream of innocence and
experience, but toward the end takes a twist that should not be
spoiled. [He] has created a world whose reality is so vivid, it
will break your heart."
--Ken Tucker, The Baltimore Sun
"A compact marvel of a book, with its tale of a paradise gained and
lost, its study of a young man''s emerging character and mind, and
its look at the subtlest workings of class-consciousness and
prejudice in an idyllic, ideal-driven setting. [Old
School] takes as its subject the slippery nature of truth and
fiction, honesty and dishonesty, sound judgment and seductive
delusion. As such, it couldn''t be bettered."
--Michael Upchurch, Seattle Times
"Acute, graceful . . . Tobias Wolff makes his grownup narrator a
writer very much like himself and brings him to a complex, loving
reconciliation with his old school despite its flaws. Writing,
Wolff suggests, can teach you not only a measure of self-knowledge
but also the ability to open yourself to an imperfect world."
--Christopher Porterfield, Time
"A fine offering, manly in spirit and style . . . Wolff displays
exceptional skill in capturing the small sights and sensations that
evoke the whole rarefied world he''s taking us back to."
--Thomas Mallon, The Atlantic Monthly
"The real satisfaction in this deeply satisfying book comes from
its main character, literature."
--Alec Solomita, New York Sun
"In this stylistically restrained but emotionally devastating book,
every sentence is nailed down with rare and terrific
precision."
-Entertainment Weekly
"[The novel''s] point, which is that telling the truth in
fiction--or, more generally, in writing--is both logically
impossible and morally essential . . . mirrors Wolff''s own
passionate ambivalence about the craft he has practiced so long and
so well.
--A. O. Scott, The New York Times Book Review
"Ingenious . . . A very fine novel, a deft tour de force that is
not only strangely exciting, but that by its end, achieves a real
profundity."
--Katherine A. Powers, The Boston Sunday Globe
"A big novel hidden in the structure of a small one, this work is
highly recommended."
--David Hellman, Library Journal
"Short yet bottomlessly provocative . . . Wolff has been writing so
well for so long that, in a single paragraph, he''ll toss off
sketches that a less gifted storyteller might prefer to husband
against a rainy day."
--David Kipen, San Francisco Chronicle
"There are ways to lie without saying a word . . . While a main
theme here is a writer''s growth, the work''s essential component,
the forming of character, gives it a universal appeal . . . Wolff,
acclaimed for his short stories and memoirs, has written a
marvelous novel with resonance for old and young alike. His
storytelling is economical, his prose is elegant, and his
meditations are utterly timeless. Some readers may wish to turn
from the last page to the first and begin again."
--Keir Graff, Booklist
"The novel''s candid, retrospective narration ruefully
depicts its protagonist''s retreat further and further behind his
public facade . . . Beneath its staid trappings, this is a sharply
ironic novel, in which love of literature is counterbalanced by
bitter disappointment . . . A delicate, pointed meditation on the
treacherous charms of art.
--Publishers Weekly, starred review