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Average rating: 4/5

Based on 20 ratings

Perfume: The Story Of Murder

by Patrick Suskind

Knopf Doubleday Publishing Group | September 12, 1986 | Hardcover

The year is 1738; the place, Paris. A baby is born under a fish-monger's bloody table in a marketplace, and abandoned. Orphaned, passed over to the monks as a charity case, already there is something in the aura of the tiny infant that is unsettling. No one will look after him; he is somehow too demanding, and, even more disturbing, something is missing: as his wet nurse tries to explain, he doesn't smell the way a baby should smell; indeed, he has no scent at all.

Slowly, as we watch Jean-Baptiste Grenouille cling stubbornly to life, we begin to realize that a monster is growing before our eyes. With mounting unease, yet hypnotized, we see him explore his powers and their effect on the world around him. For this dark and sinister boy who has no smell himself possesses an absolute sense of smell, and with it he can read the world to discover the hidden truths that elude ordinary men. He can smell the very composition of objects, and their history, and where they have been, he has no need of the light, and darkness is not dark to him, because nothing can mask the odors of the universe.

As he leaves childhood behind and comes to understand his terrible uniqueness, his obsession becomes the quest to identify, and then to isolate, the most perfect scent of all, the scent of life itself.

At first, he hones his powers, learning the ancient arts of perfume-making until the exquisite fragrances he creates are the rage of Paris, and indeed Europe. Then, secure in his mastery of these means to an end, he withdraws into a strange and agonized solitude, waiting, dreaming, until the morning when he wakes, ready to embark on his monstrous quest: to find and extract from the most perfect living creatures-the most beautiful young virgins in the land- that ultimate perfume which alone can make him, too, fully human. As his trail leads him, at an ever-quickening pace, from his savage exile to the heart of the country and then back to Paris, we are caught up in a rising storm of terror and mortal sensual conquest until the frenzy of his final triumph explodes in all its horrifying consequences.

Told with dazzling narrative brilliance and the haunting power of a grown-up fairy tale, Perfume is one of the most remarkable novels of the last fifty years.

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  • Kabuki Face's Review
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Rating: 3/5

A bit unexpected

Kabuki Face

3 years ago

This turned out a little different from what I had expected. I thought the book would be all about the planning and executing complicating murders, intertwined with detailed process of perfume-making out of the victims. I expected a delicious thriller of a death-chase against time in attempt to save the beautiful Laure from the ghastly claws of death. But it turned out all upside down.

*MINOR SPOILERS* Instead, the story was indeed that of the murderer, alas his life and hardships. Starting from Grenouille's accidental survival at birth and finishing with his maniacal desire to make people around him notice and love him. The book consists of four parts in total and all of them contain rather different material. First part I finished in two days or so, I was so drawn into the eighteenth century France. The characters of Madame Gaillard, Grimal the tanner, and even episodical father Terrier were developed very well, and presented with a wide arrange of personalities. They had their own story to tell, and we even got to see their ill-fated futures. Giuseppe Baldini's story was unique and fresh. The unfortunate and untalented perfumer succumbed to his own greed one day and perished in the waters of Seine.

Then it all changed. Part two was tremendously long and boring. It was all about Grenouille living in a cave in a middle of nowhere, feeding on every moving and dead thing and on his own fantasies of greatness. It was as if the author got very disgusted with his character and felt like he was supposed to make the reader feel likewise. It seemed like Suskind repeated himself endlessly describing the same thing over and over again, using the same words and purposes. And then he finally scared Grenouille to half-death with a nightmare to actually make him leave the cave and go back to his original idea of making a great perfume.

Part three was very rushed to my taste, or maybe it felt that way because of the overstretched previous counterpart. The story finally got to the murders of twenty four virgin girls for the purpose of collecting their scents and arranging them in a diadem of some sorts, only to crown it with the most sublime scent of all, that of Laure. However, the process of making the perfume was not revealed at all, the ways Grenouille handled the victims and disposed of evidence was not known, and all in all we knew nothing of Laure as a character accept that she was very beautiful. She looked more like a porcelain doll, dragged from one place to another aimlessly and unquestioning, so to be saved from the serial killer. But the reader should know better, that all undeveloped characters must die eventually one way or another.

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