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Purple Hibiscus: A Novel

Average rating: 4/5

Based on 28 ratings

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Purple Hibiscus: A Novel

by Chimamanda Ngozi Adichie

Knopf Doubleday Publishing Group | September 14, 2004 | Trade Paperback

Fifteen-year-old Kambili''s world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home.

When Nigeria begins to fall apart under a military coup, Kambili''s father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father''s authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new. 

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Reviews

    • Was this review
      helpful to you?

    Rating: 4/5

    Lyrical; accurate

    Wakiro

    12 months ago

    Chimamanda really captures life in middle class Africa, and portrays it in an excellent, lyrical manner.

    This reviewer also recommends:
    • Was this review
      helpful to you?

    Rating: 0/5

    Great Read

    Sara A

    17 months ago

    This was used as my first book club pick. It definitely brought up a lot of different topics for discussion! Only 1 out of the 5 of us in the book club didn't like the book, but it was due to the religion aspect of the book instead of the book as a whole. I'd definitely recommend this to anyone looking for a good read.

    • Was this review
      helpful to you?

    Rating: 5/5

    Deeply absorbing

    Genna Lozier

    • Indigo Employee

    5 years ago

    This book was completely absorbing; I couldn't put it down until I finished it. The story centers around a privileged pre-teen girl confined to painful shyness by her deeply religious father who keeps her and her family secluded from real life. Through changing relationships and events, she slowly begins to bloom. Wonderful writing. I can't wait to read "Half a Yellow Sun".

    • Was this review
      helpful to you?
    AK

    Rating: 5/5

    Great read

    AK

    7 years ago

    This was a great read! The characters were so alive and interesting, I loved the story and the setting. I highly recommend it, it's a story that will stay with you long after you're done reading it.

    Comments on this review:
    Sara A

    This was used as my first book club pick. It definitely brought up a lot of different topics for discussion! Only 1 out of the 5 of us in the book club didn't like the book, but it was due to the religion aspect of the book instead of the book as a whole. I'd definitely recommend this to anyone looking for a good read.

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From the Publisher

Fifteen-year-old Kambili''s world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home.

When Nigeria begins to fall apart under a military coup, Kambili''s father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father''s authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new. 

From the Jacket

Fifteen-year-old Kambili''s world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home.
When Nigeria begins to fall apart under a military coup, Kambili''s father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father''s authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new.

About the Author

Chimamanda Ngozi Adichie grew up in Nigeria, where she attended medical school for two years at the University of Nigeria before coming to the United States. A 2003 O. Henry Prize winner, Adichie was shortlisted for the 2002 Caine Prize for African Writing. Her work has been selected by the Commonwealth Broadcasting Association and the BBC Short Story Awards, and has appeared in various literary publications, including Zoetrope and the Iowa Review. She now divides her time between the U.S. and Nigeria.

Bookclub Guide

Chimamanda Ngozi Adichie grew up in Nigeria, where she attended medical school for two years at the University of Nigeria before coming to the United States. A 2003 O. Henry Prize winner, Adichie was shortlisted for the 2002 Caine Prize for African Writing. Her work has been selected by the Commonwealth Broadcasting Association and the BBC Short Story Awards, and has appeared in various literary publications, including Zoetrope and the Iowa Review. She now divides her time between the U.S. and Nigeria.

1. What is the emotional atmosphere in Kambili's home? What effect does this have on Kambili and Jaja? Why is their father so strict?

2. When Kambili visits Aunty Ifeoma, she is immediately struck by how much laughter fills the house. Why is it so surprising to her to hear people speak, laugh, and argue so freely? How does she manage to regain her own ability to speak, and, most importantly, to laugh?

3. When Kambili hears Amaka weeping after her grandfather's death, Kambili thinks: "She had not learned the art of silent crying. She had not needed to" [p. 185]. What does this passage suggest about the differences between Amaka and Kambili? In what other ways are Aunty Ifeoma's children-Amaka, Obiora, and Chima-different from Kambili and Jaja?

4. Amaka says, "Uncle Eugene is not a bad man,
really. . . . People have problems, people make mistakes" [p. 251]. Is he in fact a "bad man"? Why does he violently abuse his wife and children? What good deeds does he perform? How can his generosity and political integrity coexist with his religious intolerance?

5. In what ways are Aunty Ifeoma and Eugene different from one another? How does each character approach life? How do they differ in their religious views? Why is Ifeoma so much happier even though she is poor and her brother is rich?

6. Eugene boasts that his Kambili and Jaja are "not like those loud children people are raising these days, with no home training and no fear of God"; to which Ade Coker replies: "Imagine what the Standard would be if we were all quiet" [p. 58]. Why is quiet obedience a questionable virtue in a country where the truth needs to be spoken? In what ways is the refusal to be quiet dangerous?

7. What kind of man is Papa-Nnukwu? What are his most appealing qualities? What do the things he prays for say about his character? Why has his son disowned him so completely?

8. What are the ironies involved in Eugene loving God the Father and Jesus the Son, but despising his own father and abusing his own son?

9. Why does Kambili's mother keep returning to her husband, even after he beats her so badly that he causes a miscarriage, and even after he nearly kills Kambili? How does she justify her husband's behavior? How should she be judged for poisoning her husband?

10. How does Father Amadi bring Kambili to life? Why is her relationship with him so important to her sense of herself?

11. Jaja questions why Jesus had to be sacrificed, "Why did He have to murder his own son so we would be saved? Why didn't He just go ahead and save us?" [p. 289] And yet, Jaja sacrifices himself to save his mother from prison. Why does he do this? Should this be understood as a Christian sacrifice or a simple act of compassion and bravery?

12. After Aunty Ifeoma moves her family to the United States, Amaka writes, "there has never been a power outage and hot water runs from a tap, but we don't laugh anymore . . . because we no longer have the time to laugh, because we don't even see one another" [p. 301]. What does this passage suggest about the essential difference between American culture and African culture?

13. What does the novel as a whole say about the nature of religion? About the relationship between belief and behavior?

14. What does Purple Hibiscus reveal about life in Nigeria? How are Nigerians similar to Americans? In what significant ways are they different? How do Americans regard Nigerians in the novel?

15. Why does Chimamanda Ngozi Adichie end the novel with an image of rain clouds? What are the implications of Kambili feeling that the clouds hung so low she "could reach out and squeeze the moisture from them"? What is the meaning of the novel's very simple final sentence: "The new rains will come down soon"?

Trade Paperback

320 Pages, 5.17 x 7.99 x 0.65 IN

September 14, 2004

Knopf Doubleday Publishing Group

English


1400076943
9781400076949

From the Critics

"One of the best novels to come out of Africa in years."--The Baltimore Sun
"A breathtaking debut. . .[Adichie] is very much the 21st-century daughter of that other great Igbo novelist, Chinua Achebe."-The Washington Post Book World

"The author''s straightforward prose captures the tragic riddle of a man who has made an unquestionably positive contribution to the lives of strangers while abandoning the needs of those who are closest to him."-The New York Times Book Review

"At once the portrait of a country and a family, of terrible choices and the tremulous pleasure of an odd, rare purple hibiscus blooming amid a conforming sea of red ones"--San Francisco Chronicle

"Prose as lush as the Nigerian landscape that it powerfully evokes. . . . Adichie''s understanding of a young girl''s heart is so acute that her story ultimately rises above its setting and makes her little part of Nigeria seem as close and vivid as Eudora Welty''s Mississippi."-The Boston Globe
 
"Adichie renders this coming-of-age story beautifully. Every character has dimension; every description resonates like cello music. . . . [Her] strong, lyrical voice earns her a place on the shelf squarely next to Gabriel Garc'a M‡rquez and Alex Haley and Chinua Achebe." --San Diego Union-Tribune
 
"A fiction writer's job is to create a world so detailed, evocative and emotionally true that, like Alice, you fall into it. Adichie does exactly that, placing among the frangipani trees and bougainvillea of her native country a family demoralized and degraded by a father's cruelty. Amazing." --The Minneapolis Star Tribune

"[A] splendid debut." -Vanity Fair
 
"Stunning. . . .With Purple Hibiscus, Adichie has established herself as a writer of enormous promise and with important stories to tell." --Bust
 
"Remarkable. Kambili's voice is sensitive and unassuming. It is also, by turns, funny, full of young and passionate longing, and crushingly sad. In addition to its lovely, spare writing and complex characters, [Purple Hibiscus] has a swift, seamless story line and makes politically tumultuous and intricately textured Nigeria completely accessible. [Adichie is] a budding star on the rise." --The Hartford Courant
 
"A sensitive and touching story of a child exposed too early to religious intolerance and the uglier side of the Nigerian state." --J. M. Coetzee
 
"Adichie writes with subtlety and cleanliness. Her hushed tone and economy of words invoke a wise calm, and the inclusion of animals, flowers and trees as characters suggests a connectedness with the Earth and its forces that gives the narrative a romance and African sensibility. Elegant turns of phrase thrive throughout the work, along with a thousand themes." --Black Issues Book Review

"A remarkably original debut, at once seductive, tender, and true. . . . Purple Hibiscus is the best debut I''ve read since Arundhati Roy''s The God of Small Things." --Jason Cowley, The Times (London) journalist and literary editor of New Statesman 

"[A] wonderful debut. . . . Adichie skillfully blends the traditional story-as-parable approach with the more . . . introspective Western approach to novel writing. . . . Purple Hibiscus is more than entertainment. It is political satire and a call for change for a nation smothering under a lack of free speech." --San Antonio Express-News
 
"A novel of tragic beauty and exquisite tension. . . . A monumental literary achievement and a heartfelt prayer for Nigeria." --Jervey Tervalon, author of Dead Above Ground and Understand This

"Radiant. . . . It takes an incredible talent to write knowingly about adolescent turmoil, the cultural ties that bind generations and the demanding forces that shape our lives. Adichie . . . possesses this genius. . . . Kambili's story could be recreated anywhere, but not with the same intensity Adichie brings to this breathtaking novel." -The Sanford Herald (Sanford, North Carolina)

"A heartfelt novel that sheds dramatic light on the ugly truths of family violence. Adichie has wrested moments of pure beauty and grace out of the siblings'' quiet rebellion." --Time Out New York

"Replete with beauty and horror, Adichie's novel of self-hatred, fear and family, with its political/allegorical overtones, is a moving, sometimes breathtaking debut." -Herald Sunday (Portsmouth, New Hampshire)

"Vivid, authoritative, and true to the experiences of a teenage girl in contemporary middle-class Nigeria. Kambili's plainspoken narration adds texture to the novel. [Adichie is a] writer to watch." --Boston Phoenix

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