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Average rating: 4/5

Based on 2 ratings

Spirit Engine

by John Donlan

Brick Books | March 31, 2008 | Trade Paperback

John Donlan’s lyric work seeks the connection between lives—not just the life of a coyote and the life of a man, or the peaceful cacophony of a pond in summer and the life of the human listener—but between the life before birth, and the life after. He reveals the wilderness to us moment by moment, while simultaneously driving us back into our own nature—a process readers, lifted by Donlan’s imagery, rhythms, and insights, can only experience as pure pleasure. Here beauty is the engine that enspirits the mind, freeing us from contemporary despair and the illusion we’ve left nature behind. Devil’s Paintbrush In my slow-burning archive orange hawkweed thrives in granite-charactered soil spalled off the basement stone, a beaver labours up her steep skid road logging poplar for food and shelter, wind drives rivers of ripples down a pond. Everything here knows what to do. I investigate every valve, work and rework notes to husks, skeletal remains, survivors who revive experience. I try to memorize, to make some pictures to walk into, in the final time when I can’t walk or hear or see, and see lake-cradling pink granite, its orange earth, its skin of lives flickering, flickering.
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  • Christine Borsuk's Review
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Rating: 5/5

The time of your life

Christine Borsuk

2 years ago

This slender book contains the poetic telling of about 50 occasions lived by the poet over a span of 8 years. Each poem puts into words both an inner and an outer event, the outside and inside meeting, interpenetrating, their duality explored; a transcendence perhaps sought, fleetingly attained. We strive with the poet to comprehend, to somehow embrace our existence in its ungraspable totality, with all its complexity and contradictions. And if pain and the inevitabilities that have the power to take us to the brink of despair infuse many of the lines, it's because their ubiquitous presence can't be avoided if we are fully alive and fully human. I gradually found myself warming to the author's honesty, becoming grateful to him for deeply honouring these realities, for not providing answers to the unanswerable questions, understanding to that which will not be fathomed. As for the more comforting frequencies informing our lives, awe and wonder, appreciation, courage, generosity: we stay open to them, acknowledge and welcome them as we would a grace given; and attending to them we find that we partake of the bittersweet awareness of beauty, of 'the simple, hopeless love of being here'.
I found these verses to be brimming over with a humanity born of a profound love for and empathy with creation / existence. The imagery is vivid, direct, exquisitely sensitive but never sentimentalized, unfurling implacably, challenging us to experience nature-including our own, the human variety-more mindfully. These lines may stay with you your lifetime long: explore their nooks and crannies, turn over stones untouched for years, tune in to the harmonies as, through its perceptions of the natural world, the poetry sings our deepest selves back to us.
Do experience the poems directly, through your own psyche, not reviewers': reading about a poem instead of reading the poem itself is like trying to experience the wind by listening to a weather report or hoping to appreciate a poplar bud by seeing it in a guidebook. Find the verses for yourself. And take your time with them: allow the words to circulate through you (and notice, next day, how the molecules of your bodymind shake out). Do not hurry to finish, to put yet another volume behind you, for, in the poet's words, 'spirit expands to fill the time allotted'.
Postscript :
Especially poignant in these days of the ongoing oil disaster in the Gulf is the poem titled 'Lo ', an interview, of sorts, with the ocean. For me, the spill is assuming iconic proportions : like Chornobyl, a sad symbol of humanity's relationship with the natural world; an admonishment, a warning, a cry.

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