1. Which of the two parts of Suite Française
do you prefer? Which structural organization did you find
more effective: the short chapters and multiple focus of Storm
in June, or the more restricted approach of
Dolce?
2. What is the significance of the title Dolce?
3. "He recalled the cars full of officers running away with
their beautiful yellow trunks and their painted women, civil
servants abandoning their posts, panic-stricken politicians
dropping files of secret papers along the road, young girls, who
had diligently wept the day the armistice was being signed, being
comforted in the arms of Germans. 'And to think that no one will
know, that there will be such a conspiracy of lies that all this
will be transformed into yet another glorious page in the history
of France.'"
Storm in June, p.173
How does Suite Française undermine the long-held
view of French resistance to the German occupation?
4. Discuss Irène Némirovsky's approach to class in Suite
Française. How do the rich, poor and the middle classes
view one another? How do they help or hinder one another? Are the
bonds of class or nationality closer to the front of their
minds?
(You might consider the aristocratic Mme de Montmort's thought in
Dolce: "What separates or unites people is not their
language, their laws, their customs, but the way they hold their
knife and fork.")
5. What is your overall view of Suite
Française? Would you recommend it to others? Why, or why
not?
6. In Dolce, the lovers question whether the needs of
the individual or the community should take priority. Lucille
imagines that "in five, or ten, or twenty years" this problem will
have been replaced by others. To what extent, if at all, has this
proved the case? Has Western society conclusively decided to
privilege the individual over the group?
7. How does Suite Française compare to
other novels of World War Two you have read? How would you compare
it to the great personal documents of the war (for example, those
written by Anne Frank and Victor Klemperer), or to fiction?
8. "Important events - whether serious, happy or unfortunate -
do not change a man's soul, they merely bring it into relief, just
as a strong gust of wind reveals the true shape of a tree when it
blows of all its leaves." -Storm in June, p.203
Do you agree?
9. Consider Irène Némirovsky's plan for the next part of
Suite Française (in the appendix). What
else do you think could happen to the characters?
10. What are your criticisms of Suite
Française?