1. Do you think that Xinran''s mission with the Words on the
Night Breeze and The Good Women of China, can ultimately be traced
back to her own problematic relationship with her mother, and her
absent father?
2. In her prologue, Xinran tells of when she risked her life
fighting an attacker for her bag, as it contained her only finished
manuscript. Would you do the same? Is life more important than a
book?
3. How far do you accept the old Chinese saying that woman''s
nature is like water and man''s nature is like mountains? Consider
to what extent this applies to both Western and Chinese
cultures.
4. Do you think Xinran agrees with the water/mountain comparison
by the end of her stories? Consider this in the light of her use of
imagery, and how these two motifs are used within the text.
5. Looking back at The Woman Who Loved Women story, do
you think that if Taohong had not been raped she still would have
found herself only able to love women? Is she really homosexual or
just badly scarred?
6. It might be said that in some way Xinran is worthy of
criticism for choosing to settle in England, leaving the women of
China to a world that is still so behind Western standards of
equality. Do you agree?
7. Which of the stories did you find most disturbing, and
why?