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The Road

Average rating: 4/5

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The Road

by Cormac Mccarthy

March 28, 2007 | Trade Paperback

NATIONAL BESTSELLERPULITZER PRIZE WINNERNational Book Critic''s Circle Award FinalistA New York Times Notable BookOne of the Best Books of the YearThe Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington PostThe searing, postapocalyptic novel destined to become Cormac McCarthy''s masterpiece.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don''t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food--and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other''s world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

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    Rating: 4/5

    Very Depressing

    Dana

    2 hours ago

    A boy and his father start to travel south in search of warmer climes in a post-apocalyptic world. It has been several years since the disaster and times are hard. The father has to protect his son while trying to find food and shelter and even clothing as they go on their journey.

    This is the most depressing book I have ever read. But having said that I am glad I read it and it certainly makes one think about the father's and son's situation and how you would cope. Can one 'keep the world at bay' in a situation like this? Will anyone end up surviving? This book was easy to read because of the simplistic prose which was a great tool for the plot in this grey book. I hated the ending but I guess whatever the ending the hope is in the eye of the reader.

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    Rating: 1/5

    Regret Reading This

    Willa

    5 weeks ago

    I know I'm going against the majority on this one, but I hated this book. Some of the images/situations were horrific and I could not get them out of my head for days - I really regretted reading it.

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    We all have a very good idea of how the world is going to end: amid torrents of sulfur and brimstone, tidal waves of flame, an armageddon of carnage. Apocalypse might come in the form of an incurable pandemic, a cataclysmic meteor hitting the Earth, or some destructive variant of Mother Nature's wrath that will cauterize the terrain and wipe out most of humankind. This will usher in the collapse of governments and societies as we know it, and the unfortunate few who will be left behind will be forced to take up arms and relapse into a primitive and pernicious brutality in order to survive. Even these, however, will come to pass as the inevitable destruction of everything and anything becomes more and more imminent.

    Cormac McCarthy's tenth novel, The Road, undertakes the difficult and ultimately bleak task of contemplating the end of, well, the world. In this novel, McCarthy presents to us a dying Father and his Son, and their heartbreaking struggles in the irrevocably damaged landscape of a post-apocalyptic, unnamed country that has succumbed to an abominable nuclear winter. Armed with a pistol that has only two bullets and chased by degenerate marauders, other survivors who have turned to thievery and cannibalism, the Father and Son plod together desperately to the coast on the far side of the country, on the blind and perhaps foolish hope that they will be able to glimpse something-anything-other than gray snow, melted stumps of buildings, mummified corpses on the road, and ashes of what was once civilization.

    The Road, like McCarthy's other works such as Blind Meridian or No Country for Old Men, is a challenging read. Rivaling the hand of even the foremost master of apocalyptic writing, Samuel Beckett, McCarthy's minimalist style, influenced greatly by Hemingway, shines brightly and consistently throughout the novel, but which in turn makes it deceptively simple. He paints the calamitous state of things in stark, unflinching language that is terrifyingly beautiful and endurable only because of its integrity, as when he describes the overcast days and nights as "sightless and impenetrable. A blackness to hurt your ears with listening…. No sound but the wind in the bare and blackened trees."

    Underneath his lucid, lilting prose, his spartan paragraphs, and his short, seemingly innocuous episodes lies perhaps the greatest truth of the book: that life, especially a dying life, is hardly neat or simple. On the contrary, the closer one stands to the face of death, the more morally complex one's thoughts and decisions become. Indeed, as the Father comes to realize that his bloody coughing fits will soon take him, he begins to seriously reconsider if his moral obligation to protect his son extends to killing him instead of letting him be eaten by the cannibals around them. In the end, a father's got to do what a father's got to do.

    Perhaps it is on this unabashedly moral point that The Road succeeds immensely. It is not merely some Camusian commentary on the bleakness and futility of human existence. Evil exists, and in this context, evil is triumphant. In this make-believe but thoroughly believable world, visions of a society and its people reduced to rubble and moral bankruptcy are absurd. What is even more absurd, however, is how two people's love for each other can see them through even the most nightmarish things the world throws at them, and how it can sustain them enough to believe that their years-long journey will end in anything but despair and defeat. As one reads the book, one begins to wonder where the long and difficult journey in the novel will end. At the end of the road, one realizes that it only leads to one place: hope.

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    Rating: 5/5

    Haunting

    Stacey S

    11 months ago

    This is the story of a father and a son trying to survive in a post-apocalyptic world. McCarthy is at the absolute top of his game here. Although not a long book page-wise, it is probably the most haunting story I've ever read. McCarthy doesn't give you one unnecessary word, but still manages to knock the wind out of his reader with their power. I will never forget this story.

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Details

From the Publisher

NATIONAL BESTSELLERPULITZER PRIZE WINNERNational Book Critic''s Circle Award FinalistA New York Times Notable BookOne of the Best Books of the YearThe Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington PostThe searing, postapocalyptic novel destined to become Cormac McCarthy''s masterpiece.A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don''t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food--and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other''s world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

About the Author

Cormac McCarthy was born in Rhode Island. He attended the University of Tennessee in the early 1950s, and joined the U.S. Air Force, serving four years, two of them stationed in Alaska. McCarthy then returned to the university, where he published in the student literary magazine and won the Ingram-Merrill Award for creative writing in 1959 and 1960. McCarthy next went to Chicago, where he worked as an auto mechanic while writing his first novel, The Orchard Keeper. The Orchard Keeper was published by Random House in 1965; McCarthy''s editor there was Albert Erskine, William Faulkner''s long-time editor. Before publication, McCarthy received a traveling fellowship from the American Academy of Arts and Letters, which he used to travel to Ireland. In 1966 he also received the Rockefeller Foundation Grant, with which he continued to tour Europe, settling on the island of Ibiza. Here, McCarthy completed revisions of his next novel, Outer Dark.In 1967, McCarthy returned to the United States, moving to Tennessee. Outer Dark was published by Random House in 1968, and McCarthy received the Guggenheim Fellowship for Creative Writing in 1969. His next novel, Child of God, was published in 1973. From 1974 to 1975, McCarthy worked on the screenplay for a PBS film called The Gardener''s Son, which premiered in 1977. A revised version of the screenplay was later published by Ecco Press.In the late 1970s, McCarthy moved to Texas, and in 1979 published his fourth novel, Suttree, a book that had occupied his writing life on and off for twenty years. He received a MacArthur Fellowship in 1981, and published his fifth novel, Blood Meridian, in 1985. After the retirement of Albert Erskine, McCarthy moved from Random House to Alfred A. Knopf. All the Pretty Horses, the first volume of The Border Trilogy, was published by Knopf in 1992. It won both the National Book Award and the National Book Critics Circle Award and was later turned into a feature film. The Stonemason, a play that McCarthy had written in the mid-1970s and subsequently revised, was published by Ecco Press in 1994. Soon thereafter, Knopf released the second volume of The Border Trilogy, The Crossing; the third volume, Cities of the Plain, was published in 1998. McCarthy''s next novel, No Country for Old Men was published in 2005. This was followed in 2006 by a novel in dramatic form, The Sunset Limited, originally performed by Steppenwolf Theatre Company of Chicago and published in paperback by Vintage Books. McCarthy''s most recent novel, The Road, was published by Knopf in 2006 and won the Pulitzer Prize.

Bookclub Guide

NATIONAL BESTSELLER

Winner of the 2007 Pulitzer Prize in Fiction

National Book Critics Circle Award Finalist

One of the Best Books of the Year
The Boston Globe, The Christian Science Monitor, The Denver Post, The Kansas City Star, Los Angeles Times, New York, People, Rocky Mountain News, Time, The Village Voice, The Washington Post

"His tale of survival and the miracle of goodness only adds to McCarthy''s stature as a living master. It''s gripping, frightening and, ultimately, beautiful. It might very well be the best book of the year, period." --San Francisco Chronicle

The introduction, discussion questions, suggestions for further reading, and author biography that follow are designed to stimulate your group''s discussion of The Road, the tender, harrowing new novel of unfailing hope amid epic devastation by acclaimed writer Cormac McCarthy.

1. Cormac McCarthy has an unmistakable prose style. What do you see as the most distinctive features of that style? How is the writing in The Road in some ways more like poetry than narrative prose?

2. Why do you think McCarthy has chosen not to give his characters names? How do the generic labels of "the man" and "the boy" affect the way in which readers relate to them?

3. How is McCarthy able to make the postapocalyptic world of The Road seem so real and utterly terrifying? Which descriptive passages are especially vivid and visceral in their depiction of this blasted landscape? What do you find to be the most horrifying features of this world and the survivors who inhabit it?

4. McCarthy doesn''t make explicit what kind of catastrophe has ruined the earth and destroyed human civilization, but what might be suggested by the many descriptions of a scorched landscape covered in ash? What is implied by the father''s statement that "On this road there are no godspoke men. They are gone and I am left and they have taken with them the world" [p. 32]?

5. As the father is dying, he tells his son he must go on in order to "carry the fire." When the boy asks if the fire is real, the father says, "It''s inside you. It was always there. I can see it" [p. 279]. What is this fire? Why is it so crucial that they not let it die?

6. McCarthy envisions a postapocalyptic world in which "murder was everywhere upon the land" and the earth would soon be "largely populated by men who would eat your children in front of your eyes" [p. 181]. How difficult or easy is it to imagine McCarthy''s nightmare vision actually happening? Do you think people would likely behave as they do in the novel, under the same circumstances? Does it now seem that human civilization is headed toward such an end?

7. The man and the boy think of themselves as the "good guys." In what ways are they like and unlike the "bad guys" they encounter? What do you think McCarthy is suggesting in the scenes in which the boy begs his father to be merciful to the strangers they encounter on the road? How is the boy able to retain his compassion--to be, as one reviewer put it, "compassion incarnate"?

8. The sardonic blind man named Ely who the man and boy encounter on the road tells the father that "There is no God and we are his prophets" [p. 170]. What does he mean by this? Why does the father say about his son, later in the same conversation, "What if I said that he''s a god?" [p. 172] Are we meant to see the son as a savior?

9. The Road takes the form of a classic journey story, a form that dates back to Homer''s Odyssey. To what destination are the man and the boy journeying? In what sense are they "pilgrims"? What, if any, is the symbolic significance of their journey?

10. McCarthy''s work often dramatizes the opposition between good and evil, with evil sometimes emerging triumphant. What does The Road ultimately suggest about good and evil? Which force seems to have greater power in the novel?

11. What makes the relationship between the boy and his father so powerful and poignant? What do they feel for each other? How do they maintain their affection for and faith in each other in such brutal conditions?

12. Why do you think McCarthy ends the novel with the image of trout in mountain streams before the end of the world: "In the deep glens where they lived all things were older than man and they hummed of mystery" [p. 287]. What is surprising about this ending? Does it provide closure, or does it prompt a rethinking of all that has come before? What does it suggest about what lies ahead?

Trade Paperback

304 Pages, 5.17 x 8 x 0.86 in

March 28, 2007

English


0307387895
9780307387899

Related Lists

From the Critics

"His tale of survival and the miracle of goodness only adds to McCarthy''s stature as a living master. It''s gripping, frightening and, ultimately, beautiful. It might very well be the best book of the year, period." -San Francisco Chronicle

"Vivid, eloquent . . . The Road is the most readable of [McCarthy''s] works, and consistently brilliant in its imagining of the posthumous condition of nature and civilization." -The New York Times Book Review

"One of McCarthy''s best novels, probably his most moving and perhaps his most personal." -Los Angeles Times Book Review

"Illuminated by extraordinary tenderness. . . . Simple yet mysterious, simultaneously cryptic and crystal clear. The Road offers nothing in the way of escape or comfort. But its fearless wisdom is more indelible than reassurance could ever be." -The New York Times

"No American writer since Faulkner has wandered so willingly into the swamp waters of deviltry and redemption. . . . [McCarthy] has written this last waltz with enough elegant reserve to capture what matters most." -The Boston Globe

"There is an urgency to each page, and a raw emotional pull . . . making [The Road] easily one of the most harrowing books you''ll ever encounter. . . . Once opened, [it is] nearly impossible to put down; it is as if you must keep reading in order for the characters to stay alive. . . . The Road is a deeply imagined work and harrowing no matter what your politics." -Bookforum

"We find this violent, grotesque world rendered in gorgeous, melancholic, even biblical cadences. . . . Few books can do more; few have done better. Read this book." -Rocky Mountain News

"A dark book that glows with the intensity of [McCarthy''s] huge gift for language. . . . Why read this? . . . Because in its lapidary transcription of the deepest despair short of total annihilation we may ever know, this book announces the triumph of language over nothingness." -Chicago Tribune

"The love between the father and the son is one of the most profound relationships McCarthy has ever written."
-The Christian Science Monitor

"The Road is a wildly powerful and disturbing book that exposes whatever black bedrock lies beneath grief and horror. Disaster has never felt more physically and spiritually real." -Time

"The Road is the logical culmination of everything [McCarthy]''s written." -Newsweek

"It''s hard to think of [an apocalypse tale] as beautifully, hauntingly constructed as this one. McCarthy possesses a massive, Biblical vocabulary and he unleashes it in this book with painterly effect. . . . The Road takes him to a whole new level. . . . It will grip even the coldest human heart." -The Star-Ledger (Newark)

"McCarthy is a gutsy, powerful storyteller. . . . The writing throughout is magnificent." -Chicago Sun-Times

"Devastating. . . . McCarthy has never seemed more at home, more eloquent, than in the sere, postapocalyptic ash land of The Road. . . . Extraordinarily lovely and sad. . . . [A] masterpiece." -Entertainment Weekly

"His most compelling, moving and accessible novel since All the Pretty Horses. . . . McCarthy brilliantly captures the knife edge that fugitives in a hostile world stand on. . . . Amid this Godot-like bleakness, McCarthy shares something vital and enduring about the boy''s spirit, his father''s love and the nature of bravery itself." -USA Today

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