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About this Book

Trade Paperback

640 Pages, 6.1 x 9.05 x 1.35 in

March 10, 2009

Random House of Canada


0307356337
9780307356338

From the Publisher

In south India in 1896, ten-year old Sivakami is about to embark on a new life. Hanumarathnam, a village healer with some renown as an astrologer, has approached her parents with a marriage proposal. In keeping with custom, he provides his prospective in-laws with his horoscope. The problem is that his includes a prediction, albeit a weak one, that he will die in his tenth year of marriage.

Despite the ominous horoscope, Sivakami's parents hesitate only briefly, won over by the young man and his family's reputation as good, upstanding Brahmins. Once married, Sivikami and Hanumarathnam grow to love one another and the bride, now in her teens, settles into a happy life. But the predictions of Hanumarathnam's horoscope are never far from her new husband's mind. When their first child is born, as a strategy for accurately determining his child's astrological charts, Hanumarathnam insists the midwife toss a lemon from the window of the birthing room the moment his child appears. All is well with their first child, a daughter, Thangam, whose birth has a positive influence on her father's astrological future. But this influence is fleeting: when a son, Vairum, is born, his horoscope confirms that his father will die within three years.

Resigned to his fate, Hanumarathnam sets himself to the unpleasant task of readying his household for his imminent death. Knowing the hardships and social restrictions Sivakami will face as a Brahmin widow, he hires and trains a servant boy called Muchami to help Sivakami manage the household and properties until Vairum is of age.

When Sivakami is eighteen, Hanumarathnam dies as predicted. Relentless in her adherence to the traditions that define her Brahmin caste, she shaves her head and dons the white sari of the widow. With some reluctance, she moves to her family home to raise her children under the protection of her brothers, but then realizes that they are not acting in the best interests of her children. With her daughter already married to an unreliable husband of her brothers' choosing, and Vairum's future also at risk, Sivakami leaves her brothers and returns to her marital home to raise her family.

With the freedom to make decisions for her son's future, Sivakami defies tradition and chooses to give him a secular education. While her choice ensures that Vairum fulfills his promise, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother's mainstay, twisting their fates in fascinating and unbearable ways.


From the Hardcover edition.

From the Jacket

In south India in 1896, ten-year old Sivakami is about to embark on a new life. Hanumarathnam, a village healer with some renown as an astrologer, has approached her parents with a marriage proposal. In keeping with custom, he provides his prospective in-laws with his horoscope. The problem is that his includes a prediction, albeit a weak one, that he will die in his tenth year of marriage.

Despite the ominous horoscope, Sivakami's parents hesitate only briefly, won over by the young man and his family's reputation as good, upstanding Brahmins. Once married, Sivikami and Hanumarathnam grow to love one another and the bride, now in her teens, settles into a happy life. But the predictions of Hanumarathnam's horoscope are never far from her new husband's mind. When their first child is born, as a strategy for accurately determining his child's astrological charts, Hanumarathnam insists the midwife toss a lemon from the window of the birthing room the moment his child appears. All is well with their first child, a daughter, Thangam, whose birth has a positive influence on her father's astrological future. But this influence is fleeting: when a son, Vairum, is born, his horoscope confirms that his father will die within three years.

Resigned to his fate, Hanumarathnam sets himself to the unpleasant task of readying his household for his imminent death. Knowing the hardships and social restrictions Sivakami will face as a Brahmin widow, he hires and trains a servant boy called Muchami to help Sivakami manage the household and properties until Vairum is of age.

When Sivakami is eighteen, Hanumarathnam dies as predicted. Relentless in her adherence to the traditions that define her Brahmin caste, she shaves her head and dons the white sari of the widow. With some reluctance, she moves to her family home to raise her children under the protection of her brothers, but then realizes that they are not acting in the best interests of her children. With her daughter already married to an unreliable husband of her brothers' choosing, and Vairum's future also at risk, Sivakami leaves her brothers and returns to her marital home to raise her family.

With the freedom to make decisions for her son's future, Sivakami defies tradition and chooses to give him a secular education. While her choice ensures that Vairum fulfills his promise, it also sets Sivakami on a collision course with him. Vairum, fatherless in childhood, childless as an adult, rejects the caste identity that is his mother's mainstay, twisting their fates in fascinating and unbearable ways.


From the Hardcover edition.

About the Author

Padma Viswanathan is a fiction writer, playwright and journalist from Edmonton, Alberta. Her writing awards include residencies at the MacDowell Colony and the Banff Playwrights' Colony, and first place in the 2006 Boston Review Short Story Contest. She received her Creative Writing MA from Johns Hopkins and her MFA from the University of Arizona, and lives with her family in Fayetteville, Arkansas.


From the Hardcover edition.

Bookclub Guide

1. How does fate intersect with personal will in the book? What are your thoughts on the concept of fate? Has it been operational in your life?

2. Sivakami makes some decisions for her family, with mixed results. How do you feel about her decisions? Can you think of similar situations in your family?

3. Many of Sivakami's values seem strange to the modern reader. How do you relate to them? Which are strange and which are familiar?

4. Vairum is the only character who actively works to break down caste barriers. How do you feel about his methods and goals, especially given the ways they hurt Sivakami and make Janaki uncomfortable?

5. Muchami is not technically part of the family but still has an intimate investment in their well-being. How would you characterize his role and his affection for Sivakami and her family, given that he is an employee and not even permitted in certain parts of their house?

6. How does the notion of "a life well-lived" play out in the book? What does this mean for each individual character? Does it change along with societal norms?

7. Do you think the personalities of the characters in the book are essentially shaped by the times they are living in? If not, can you imagine how they would differ in other contexts?

8. This novel is set in a very specific region and subculture, did you learn anything new or surprising about Indian society or history?

9. Both music and creative impulse strongly influence the lives of Vani, Janaki and Bharati, but do these qualities define them as people? What does that influence mean, in general and for them?

10. The language in the book has been described alternately as "poetic and precise," as "simple" and as quite the opposite: "maximalist." Were you aware of the style of writing as you were reading and how would you describe it? What are some sentences or passages that characterize the style?

Other Editions

Format List Price Online Price
Hardcover $34.95 $7.99

From the Critics

"Her narrative, refreshingly, is free of anachronism, and she has a pleasing way of engaging the reader's senses….Of a piece with the recent works of Vikram Seth, and reminiscent at times of García Márquez-altogether a pleasure."
-Kirkus (starred review)

"What Viswanathan does remarkably well is give the reader a closeup of India's history, culture, politics and landscape through the domestic lens of one family. This is a rich, sensual book that uses life itself as its plot....Reading it is an experience of immersion. You feel as though you are right there in all the teeming detail of life as Sivakami and her family know it. There is a whole world here between two covers."
-National Post

"With its rich and complex background and often sharp insights, The Toss of a Lemon is a valuable and evocative work."
-Elaine Kalman Nave, author of Robert Weaver: Godfather of Canadian Literature (Ottawa Citizen)

"Astonishing. Brilliant. Beautiful….Like the very best novels, at its core, The Toss of A Lemon teaches us about ourselves."
-January Magazine

"Lovers of Rohinton Mistry and Vikram Seth will want to get a hold of this Brahmin family saga involving early marriage, early widowhood and clashing values."
-The Vancouver Sun

"The Toss of a Lemon is a captivating novel that in relating the story of one Indian woman and her family tells the story of a changing society. Precisely and deftly written, constantly interesting, morally serious yet sympathetic-I challenge any reader to start reading this book and give up on it. The Toss of a Lemon joins the company of great novels on India."
-Yann Martel

"The Toss of a Lemon is a glorious feat, as boisterously written as it is wholly engrossing. It's about love - and cruelty - and how each reverberate across the generations in one family. And it is that rare thing, a novel that manages to be both epic and intimate at the same time." 
-Peter Orner, author of The Second Coming of Mavala Shikongo 

"In this, her debut novel, Padma Viswanathan performs a wondrous balancing act of words. She sustains a vivid sense of the moment while spanning decades, brings unforgettable individual characters to life while recounting a saga of generations, and lays bare the inner worlds of those characters while evoking an entire nation in turmoil. Rich with sensual detail, The Toss of a Lemon is the story of a community centred on tradition during an era of upheaval and change. Above all, it is a moving and deftly drawn portrait of a family." 
-Alissa York, Giller-nominated author of Effigy

"The Toss of a Lemon gives readers the rare opportunity to enter the life of a Brahmin widow, to live her norms and routines and rituals as they have been lived by countless women over thousands of years. Padma Viswanathan's remarkable achievement is to capture the slow, stately pace of an 8,000-year-old culture and yet keep her story moving briskly. I closed the book indebted for this immersion in a world I could not have otherwise entered."
-Shyam Selvadurai, author of Funny Boy


From the Hardcover edition.

From The Community

Who's Listing it as a Top TenWhat's this?

This title has appeared in 3 Top Ten lists. See the most recent lists below:

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This title has been mentioned in 3 blogs. See the most recent posts below:

5

Reviews from the Community4 Reviews

  • arrial

    arrial

    Very good 4

    5 months ago

    This book ,although a little slow at times is a very interesting potrayal of an East Indian family, spanning several generations. A window into the culture of Brahmin traditions, it deals with characters totally engulfed in the caste system to those who are entirely against it. . An excellent book for someone interested in understanding India's history.

  • Barbara Martin

    Barbara Martin

    The Toss of a Lemon 5

    5 months ago

    The Toss of a Lemon provides an excellent insight into Brahmin culture in the early 20th century spanning three generations. This is a compelling story of a family in the changing times of India through the fight for independence from colonial times. The story begins in 1896 southeastern India with a marriage proposal, after careful astrological calculations, between Hanumarathnam, a young man with the ability to heal, and ten-year-old Sivakami, a girl who looks “capable of bearing great… read more

  • Mary Weedmark

    Mary Weedmark

    Beautiful beautiful beautiful 5

    6 months ago

    I loved this wonderful culturally rich story. Very refreshing and enjoyable to read (and without violence). Couldn't wait to get back to it after work each night. Top notch . . . . five stars.

  • Shirley Koenig

    Shirley Koenig

    A lovely, lovely book! 5

    10 months ago

    I didn't want it to end. It tells a wonderful story of the caste system in India starting at the turn of the 20th Century. It certainly increased my understanding and knowledge of the culture.

see all 4 reviews

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