The Virgin Cure

by Ami Mckay

Knopf Canada | October 25, 2011 | Hardcover

Based on 114 ratings | Rate this
Following in the footsteps of The Birth House, her powerful debut novel, The Virgin Cure secures Ami McKay''s place as one of our most beguiling storytellers. (Not that it has to… that is pretty much taken care of!)

"I am Moth, a girl from the lowest part of Chrystie Street, born to a slum-house mystic and the man who broke her heart." So begins The Virgin Cure, a novel set in the tenements of lower Manhattan in the year 1871. As a young child, Moth''s father smiled, tipped his hat and walked away from his wife and daughter forever, and Moth has never stopped imagining that one day they may be reunited - despite knowing in her heart what he chose over them. Her hard mother is barely making a living with her fortune-telling, sometimes for well-heeled clients, yet Moth is all too aware of how she really pays the rent.

Life would be so much better, Moth knows, if fortune had gone the other way - if only she''d had the luxury of a good family and some station in life. The young Moth spends her days wandering the streets of her own and better neighbourhoods, imagining what days are like for the wealthy women whose grand yet forbidding gardens she slips through when no one''s looking. Yet every night Moth must return to the disease- and grief-ridden tenements she calls home.

The summer Moth turns twelve, her mother puts a halt to her explorations by selling her boots to a local vendor, convinced that Moth was planning to run away. Wanting to make the most of her every asset, she also sells Moth to a wealthy woman as a servant, with no intention of ever seeing her again.

These betrayals lead Moth to the wild, murky world of the Bowery, filled with house-thieves, pickpockets, beggars, sideshow freaks and prostitutes, but also a locale frequented by New York''s social elite. Their patronage supports the shadowy undersphere, where businesses can flourish if they truly understand the importance of wealth and social standing - and of keeping secrets. In that world Moth meets Miss Everett, the owner of a brothel simply known as an "infant school." There Moth finds the orderly solace she has always wanted, and begins to imagine herself embarking upon a new path.

Yet salvation does not come without its price: Miss Everett caters to gentlemen who pay dearly for companions who are "willing and clean," and the most desirable of them all are young virgins like Moth. That''s not the worst of the situation, though. In a time and place where mysterious illnesses ravage those who haven''t been cautious, no matter their social station, diseased men yearn for a "virgin cure" - thinking that deflowering a "fresh maid" can heal the incurable and tainted.

Through the friendship of Dr. Sadie, a female physician who works to help young women like her, Moth learns to question and observe the world around her. Moth''s new friends are falling prey to fates both expected and forced upon them, yet she knows the law will not protect her, and that polite society ignores her. Still she dreams of answering to no one but herself. There''s a high price for such independence, though, and no one knows that better than a girl from Chrystie Street.
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Found in: Fiction and Literature
  • Was this review helpful?
    8
    2
    Ok, but the Birth House was better ...
    by Crista
    17 months ago

    I would give this book 3.5 stars. It was good, but I'm not raving about it. This author's "Birth House" was much better. This story is more about the tragedy of poor Moth's coming of age in the late 1800's in NYC, than it is about any myth of a 'virgin cure'. Unfortunately, there was something missing about Moth's character development; while a sympathetic character, I wasn't made to care about her enough to rate this book any higher. I'm glad to have read it, and it kept my attention ~ so a quick and easy, albeit not terribly entertaining read. A hesitant recommendation.

    Comments on this review:
    marla rattner

    I agree this book was a big disappointment, nothing near as good as The Birth House. Waiting so long for her next book and then having it be a disappointment was a real let down.

    pat morris

    I've read several reviews of this novel from newspapers and magazines to see if anyone agreed with me that The Virgin Cure wasn't as successful as Mckay's first novel. I found only a couple of reviewers who mentioned a serious flaw or two, one being that the character of Moth wasn't fully drawn and that her voice as narrator wasn't compelling. I agree with this opinion as apparently the previous two commenters did as well. I also felt that in spite of the wealth of colourful detail Mckay's writing was often stilted. Another reviewer pointed out that the inserts of historical information throughout the story are distracting. I agree that this information would be better placed in introductory or endnotes so as not hold up the story.

    Susan Shandro

    Agree fully - The Birth House was much better. I didn't dislike this book but I found myself ambivalent to both Moth and the overall story. I almost feel guilty as I think I should care more about the topic of poverty and child prostitution as it can be highly relatable to the world today. The writing seemed stilted but maybe that's to be expected from a Victorian age story. Overall it was an easy, quick read but ultimately not very satisfying.

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