Knopf Canada is proud to welcome this bestselling, Pulitzer Prize-winning author with eight dazzling stories that take us from Cambridge and Seattle to India and Thailand as they explore the secrets at the heart of family life.

In the stunning title story, Ruma, a young mother in a new city, is visited by her father who carefully tends her garden-where she later unearths evidence of a love affair he is keeping to himself. In "A Choice of Accommodations," a couple's romantic getaway weekend takes a dark turn at a party that lasts deep into the night. In "Only Goodness," a woman eager to give her younger brother the perfect childhood she never had is overwhelmed by guilt, anguish and anger when his alcoholism threatens her family. And in "Hema and Kaushik," a trio of linked stories-a luminous, intensely compelling elegy of life, death, love and fate-we follow the lives of a girl and boy who, one fateful winter, share a house in Massachusetts. They travel from innocence to experience on separate, sometimes painful paths, until destiny brings them together again years later in Rome.

Unaccustomed Earth is rich with the author's signature gifts: exquisite prose, emotional wisdom and subtle renderings of the most intricate workings of the heart and mind. It is the work of a writer at the peak of her powers.


From the Hardcover edition.

"The kind of writer who makes you want to grab the next person you see and say, 'Read this!'" - Amy Tan

"Wonderfully distinctive . . . a writer of uncommon poise." - The New York Times

"Lahiri's enormous gifts as a storyteller are on full display in this collection: the gorgeous, effortless prose; the characters haunted by regret, isolation, loss, and tragedies big and small; and most of all, a quiet, emerging sense of humanity." - Khaled Hosseini, author of A Thousand Splendid Suns and The Kite Runner

"Jhumpa Lahiri's new collection of stories overflows with insights about the secrets we can hide. While these stories examine the crossing and commingling of Indian and Western cultures, the feelings of pride, love, and loneliness ring true in any society. They are jewels." - Rosemary Pugliese, Quail Ridge Books, Raleigh, NC

"Lahiri extends her mastery of the short-story in a collection that has a novel's thematic cohesion, narrative momentum and depth of character. . . . Some of her most compelling fiction to date. An eye for detail, ear for dialogue and command of family dynamics distinguish this uncommonly rich collection." - Kirkus Reviews

"Stunning . . . The gulf that separates expatriate Bengali parents from their American-raised children - and that separates the children from India - remains Lahiri's subject for this follow-up to Interpreter of Maladies and The Namesake. . . . Lahiri's stories of exile, identity, disappointment and maturation evince a spare and subtle mastery that has few contemporary equals." - Publishers Weekly

"Pulitzer Prize-winning Lahiri returns with her highly anticipated second collection exploring the inevitable tension brought on by family life. . . . [Lahiri's] ability to flesh out completely even minor characters in every story . . . is what will keep readers invested in the work until its heartbreaking conclusion." - Library Journal

"The tight arc of a story is perfect for Lahiri's keen sense of life's abrupt and powerful changes, and her avid eye for telling details. This collection's five powerful stories and haunting triptych of tales about the fates of two Bengali families in America map the perplexing hidden forces that pull families asunder and undermine marriages. . . . Lahiri's emotionally and culturally astute short stories (ideal for people with limited time for pleasure reading and a hunger for serious literature) are surprising, aesthetically marvelous, and shaped by a sure and provocative sense of inevitability." - Booklist

"Ferociously good . . . acutely observed . . . In exquisitely attuned prose, Lahiri notes the clash between generations . . . She is emotionally precise about her characters and the way the world appears to them . . . These are unforgettable people, their stories unforgettably well told." - O, The Oprah Magazine

"A great book . . . to move you. Whether American or Bengali by birth, Lahiri's protagonists valiantly walk a tightrope between personal choice and family expectation. Faltering or triumphant, each tugs at the heart." - Good Housekeeping

"[Lahiri] explores with her modulated prose a full range of relationships among her subjects. So thoroughly and judiciously does she use detail that she easily presents entire lives with each story. These are tales of careful observation and adjustment." - The Atlantic

"Dazzling . . . [Lahiri's] comparisons with literary masters such as Alice Munro are well-earned. In these eight exquisitely detailed stories, Lahiri is less interested in painful family conflicts than in the private moments of sadness that come in their aftermath." - More

"Lahiri's finely drawn prose makes [Unaccustomed Earth] feel less like reading and more like peering into the most raw, intimate moments of people's lives." - Marie Claire

"Lahiri delves into the souls of indelible characters struggling with displacement, guilt, and fear as they try to find a balance between the solace and suffocation of tradition and the terror and excitement of the future into which they're being thrust. . . . [Unaccustomed Earth] further establishes her as an important American writer." - Bookforum

"Brilliant . . . Vividly imagined . . . In Unaccustomed Earth, Lahiri's preternaturally mature voice has grown even more confident. . . . Her sharp and sympathetic observations are deeply considered, using memory, dialogue, and visual detail to capture family dynamics . . . Masterful." - India Currents
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"Once you've started, you have to struggle not to set aside every other obligation and distraction until you've reached the end. . . . Lahiri's prose is effortlessly articulate. Her stories move from one carefully wrought scene to another, often turning on a motif that appears earlier in the story." - National Post

"[T]he emotional impact Lahiri achieves is not only underpinned by her mastery of detail, it's inseparable from it. . . . [W]e are left in rapt anticipation of just where this great writer might go next." - The Gazette

"A strain of the mythic that totally engages . . . Lahiri is note-perfect." - Toronto Star


From the Hardcover edition.

Jhumpa Lahiri was born in London and raised in Rhode Island. She is the recipient of a Guggenheim Fellowship, and author of two previous books. Her debut collection of stories, Interpreter of Maladies, was awarded the Pulitzer Prize, the PEN/Hemingway Award and The New Yorker Debut of the Year. Her novel The Namesake was a New York Times Notable Book, a Los Angeles Times Book Prize finalist and was selected as one of the best books of the year by USA Today and Entertainment Weekly, among other publications. She lives in Brooklyn, New York.


From the Hardcover edition.

1. Discuss the relevance of the epigraph from Hawthorne's "The Custom House" not just to the title story but also to the collection as a whole. In which stories do the children successfully "strike their roots into unaccustomed earth"? Why do others find themselves unable to establish roots? How do their feelings of restlessness and insecurity stem from growing up in two cultures? What other more universal problems do they experience? In what ways does their lack of attachment to a place or culture reflect a more general trend in society?

2. In "Unaccustomed Earth," what underlies the tension in the relationship between Ruma and her father as the story opens? What aspects of the family's history inhibit their ability to communicate with each other? How do their memories of Ruma's mother and the life she led influence the paths they choose for the next stages in their lives? Do you feel more sympathy for either character's point of view?

3. In what ways does "Heaven-Hell" echo the themes explored in "Unaccustomed Earth"? How does the way the story unfolds add to its power and its poignancy? What parallels are there between the narrator's mother's "crush" on Pranab and her own infatuation with him and Deborah?

4. What is the significance of the title "A Choice of Accommodations"? What does it imply about Amit and Megan's marriage? Why do you think Lahiri chose to set the story at Amit's old prep school? Do you think the events of the weekend bring Amit a better sense of who he is, what he wants and needs from Megan, and his role as a husband and father? Will the weekend change anything for Amit and Megan and their relationship?

5. "Only Goodness" traces the impact of parental expectations on a sister and brother. Why did Sudha and Rahul develop in such different ways? Discuss such factors as the circumstances surrounding their births and earliest years; the obligations Sudha takes on both as the "perfect daughter" and in response to the combination of love, envy, and resentment Rahul's attitudes and behavior arouse in her; and the siblings' awareness of and reactions to the "perplexing fact of [their] parents' marriage" [p. 137]. Compare and contrast the siblings' choice of partners. What attracts Sudha to Roger, and Rahul to Elena?

6. Why does Paul, the American graduate student in "Nobody's Business," find his roommate, Sang, the recipient of frequent marriage proposals, so intriguing? Does Paul really want to help Sang, or does he get involved in her relationship with Farouk for more selfish reasons? Why do you think Lahiri titled this story "Nobody's Business" - and what does the title mean to you?

7. In "Once in a Lifetime," Hema addresses Kaushik directly as she recalls the time they spent together as teenagers. How does this twist on the first-person narration change your experience as a reader? Does it establish a greater intimacy between you and the narrator? Does it have an effect on the flow of the narrative? On the way Hema presents her memories? Is it comparable, for example, to reading a private letter or diary? Are the same things true of Kaushik's narrative in "Year's End"?

8. In an interview with Bookforum, Lahiri, whose parents immigrated to London and then to the United States, said, "My parents befriended people simply for the fact that they were like them on the surface; they were Bengali, and that made their circle incredibly vast. There is this de facto assumption that they're going to get along, and often that cultural glue holds them, but there were also these vast differences. My own circle of friends is much more homogenous, because most of my friends went to college - Ivy League or some other fine institution - and vote a certain way." How is this mirrored by the friendship between the two sets of parents in "Once in a Lifetime," who are close friends despite the differences in their backgrounds? Why does this attachment deteriorate when the Choudhuri family returns from India? Which of their habits or attitudes do Hema's parents find particularly reprehensible and why? What is the significance of Kaushik's breaking his family's silence and telling Hema about his mother's illness?

9. How would you describe the tone and style of Kaushik's account of his father's remarriage in "Year's End"? Does his conversation with his father [pp. 253-255] reveal similarities between them? Why does Kaushik say, "I didn't know which was worse - the idea of my father remarrying for love, or of his actively seeking out a stranger for companionship" [p. 255]? Does the time he spends with his father's new family offer an alternate, more complex, explanation for his father's decision?

10. What role do his stepsisters play in Kaushik's willingness to accept his father's marriage? Why is he so outraged by their fascination with the pictures of his mother? He later reflects, "in their silence they continued to both protect and punish me" [p.293]. In what ways does their silence and the reasons for it mirror Kaushik's own behavior, both here and in "Once in a Lifetime"?

11. How do "Once in a Lifetime" and "Year's End" set the stage for "Going Ashore," the final story in the trilogy? What traces of their younger selves are visible in both Hema and Kaushik? In what ways do the paths they've chosen reflect or oppose the journeys their parents made as immigrants?

12. Why does Hema find the idea of an arranged marriage appealing? How has her affair with Julian affected her ideas about romantic love? What does her description of her relationship with Navin [pp. 296-298] reveal about what she thinks she wants and needs in a relationship? What role do her memories of her parents' marriage play in her vision of married life?

13. What motivates Kaushik's decision to become a photojournalist? In what ways does the peripatetic life of a photojournalist suit his idea of himself? In addition to the many moves his family made, what other experiences make him grow up to be an outsider, "away from the private detritus of life" [p. 309]?

14. What does the reunion in Rome reveal about the ties that bind Hema and Kaushik despite their many years of separation? What does it illustrate about their attempts to escape from the past and their parents' way of life? What do they come to realize about themselves and the plans they have made as the intimacy between them escalates? Why does Lahiri introduce Hema's voice as the narrator of the final pages?

15. In what ways does "Going Ashore" bring together the themes threaded through the earlier stories? What does the ending demonstrate about realities of trying to find a home in the world?

16. The stories in Unaccustomed Earth offer a moving, highly original perspective on the clash between family and cultural traditions and the search for individual identity. How does the sense of displacement felt by the older, immigrant generation affect their American-born children? What accommodations do the children make to their parents' way of life? In trying to fit in with their American friends, do they sacrifice their connections to their heritage? In what ways are the challenges they face more complex than those of their parents?

17. Several stories feature marriages between an Indian-American and an American - and in once case, English - spouse. What characteristics do these mixed marriages share? In what ways does becoming parents themselves bring up (or renew) questions about cultural identity? What emotions arise as they contemplate the differences between the families they're creating and those in which they grew up?