was born in Ottawa in 1939, and
grew up in northern Quebec and Ontario, and later in Toronto. She
has lived in numerous cities in Canada, the U.S., and Europe.
She is the author of more than forty books - novels, short stories,
poetry, literary criticism, social history, and books for children.
Atwood's work is acclaimed internationally and has been published
around the world. Her novels include The Handmaid's Tale
and Cat's Eye
- both shortlisted for the Booker Prize;
The Robber Bride
, winner of the Trillium Book Award and a
finalist for the Governor General's Award; Alias Grace
winner of the prestigious Giller Prize in Canada and the Premio
Mondello in Italy, and a finalist for the Governor General's Award,
the Booker Prize, the Orange Prize, and the International IMPAC
Dublin Literary Award; The Blind Assassin
, winner of the
Booker Prize and a finalist for the International IMPAC Dublin
Literary Award; and Oryx and Crake
, a finalist for The
Giller Prize, the Governor General's Award, the Orange Prize, and
the Man Booker Prize. Her most recent books of fiction are The
, The Tent
, and Moral Disorder
She is the recipient of numerous honours, such as The Sunday
Award for Literary Excellence in the U.K., the National
Arts Club Medal of Honor for Literature in the U.S., Le Chevalier
dans l'Ordre des Arts et des Lettres in France, and she was the
first winner of the London Literary Prize. She has received
honorary degrees from universities across Canada, and one from
Oxford University in England.
Margaret Atwood lives in Toronto with novelist Graeme Gibson.
From the Hardcover edition.
1. This novel is rooted in physical reality, on one hand, and
floats free of it, on the other, as Atwood describes physical
things in either organic, raw terms (the "tongue-coloured settee")
or with otherworldly, more ephemeral images (the laundry like
"angels rejoicing, although without any heads"). How do such
descriptions deepen and reinforce the themes in the novel?
2. The daily and seasonal rhythm of household work is described
in detail. What role does this play in the novel in regard to its
3. Atwood employs two main points of view and voices in the
novel. Do you trust one more than the other? As the story
progresses, does Grace's voice (in dialogue) in Simon's part of the
story change? If so, how and why?
4. Grace's and Simon's stories are linked, and they have a
kinship on surface and deeper levels. For instance, they both
eavesdrop or spy as children, and later, each stays in a house that
would have been better left sooner or not entered at all. Discuss
other similarities or differences in the twinning of their stories
and their psyches.
5. Atwood offers a vision of the dual nature of people, houses,
appearances, and more. How does she make use of darkness and light,
and to what purpose?
6. In a letter to his friend Dr. Edward Murchie, Simon Jordan
writes, "Not to know -- to snatch at hints and portents, at
intimations, at tantalizing whispers -- it is as bad as being
haunted." How are the characters in this story affected by the
things they don't know?
7. How and why does Atwood conceal Grace's innocence or guilt
throughout the novel? At what points does one become clearer than
the other and at what points does it become unclear?