American Theatre: A Chronicle of Comedy and Drama, 1930-1969

by Gerald Bordman

Oxford University Press | April 30, 1999 | Hardcover |

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This book concludes Gerald Bordman''s acclaimed survey of American non-musical theatre. It deals with the years 1930 to 1970, a period when the number of yearly new plays was shrinking, but a period during which American drama as a whole entered the world stage and became a dominant force. With works like Eugene O''Neill''s Long Day''s Journey Into Night, Tennessee William''s A Streetcar Named Desire, and Arthur Miller''s Death of a Salesman, American theater finally reached adulthood both dramatically and psychologically. Bordman''s lively, authoritative study covers every Broadway production, as well as every major off-Broadway show. His discussion moves season by season and show by show in chronological order; he offers plot synopses and details the physical production, directors, players, theaters, and newspaper reviews. This book and the preceding volumes of American Theatre stand as the premier history of American drama.

Format: Hardcover

Dimensions: 480 Pages, 7.48 × 9.06 × 0.79 in

Published: April 30, 1999

Publisher: Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10: 0195090799

ISBN - 13: 9780195090796

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American Theatre: A Chronicle of Comedy and Drama, 1930-1969

American Theatre: A Chronicle of Comedy and Drama, 1930-1969

by Gerald Bordman

Format: Hardcover

Dimensions: 480 Pages, 7.48 × 9.06 × 0.79 in

Published: April 30, 1999

Publisher: Oxford University Press

The following ISBNs are associated with this title:

ISBN - 10: 0195090799

ISBN - 13: 9780195090796

From the Publisher

This book concludes Gerald Bordman''s acclaimed survey of American non-musical theatre. It deals with the years 1930 to 1970, a period when the number of yearly new plays was shrinking, but a period during which American drama as a whole entered the world stage and became a dominant force. With works like Eugene O''Neill''s Long Day''s Journey Into Night, Tennessee William''s A Streetcar Named Desire, and Arthur Miller''s Death of a Salesman, American theater finally reached adulthood both dramatically and psychologically. Bordman''s lively, authoritative study covers every Broadway production, as well as every major off-Broadway show. His discussion moves season by season and show by show in chronological order; he offers plot synopses and details the physical production, directors, players, theaters, and newspaper reviews. This book and the preceding volumes of American Theatre stand as the premier history of American drama.

About the Author

Gerald Bordman is the author of many books, including American Musical Theatre: A Chronicle, Jerome Kern: His Life and Music, and Days to be Happy, Years to be Sad: The Life and Music of Vincent Youmans.

From Our Editors

Here is the third volume in Gerald Bordman's acclaimed survey of American non-musical theatre. It deals with the seasons 1930-31 through 1968-69, a period which saw the number of yearly new plays decline at the same time as American drama fully entered the world stage and became a dominant presence. With works like Eugene O'Neill's Long Day's Journey Into Night, Tennessee Williams's A Streetcar Named Desire, Arthur Miller's Death of a Salesman, and Edward Albee's Who's Afraid of Virginia Woolf?, American theatre finally reached adulthood both dramatically and psychologically. A number of distinguished theatrical careers reached their zenith during these years, including those of Alfred Lunt and Lynn Fontanne, Helen Hayes, Katharine Cornell, and Henry Fonda. And as many brilliant theatrical careers were launched, among them those of Julie Harris, Jessica Tandy, Hume Cronyn, Jason Robards, Uta Hagen, and Geraldine Page. This volume chronicles every Broadway production as well as every major off-Broadway show as its coverage extends into the 50s and 60s. Noted theatr

Editorial Reviews

"''American Theatre'' is packed with such juicy bits of information that it''s safe to say the book will leave no theatrelover unsatisfied."--What''s Up
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