Bacchae

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Bacchae

Translated by Ken McLeish, Kenneth McLeish

Playwrights Canada Press | April 1, 1999 | Trade Paperback |

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Euripides'' classic drama about the often mortifying consequences of the unbridled--and frequently hysterical--celebration of the feast of Dionysus, the God of wine.

Format: Trade Paperback

Dimensions: 96 Pages, 3.94 × 5.91 × 0 in

Published: April 1, 1999

Publisher: Playwrights Canada Press

The following ISBNs are associated with this title:

ISBN - 10: 1854594117

ISBN - 13: 9781854594112

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– More About This Product –

Bacchae

Translated by Ken McLeish, Kenneth McLeish

Format: Trade Paperback

Dimensions: 96 Pages, 3.94 × 5.91 × 0 in

Published: April 1, 1999

Publisher: Playwrights Canada Press

The following ISBNs are associated with this title:

ISBN - 10: 1854594117

ISBN - 13: 9781854594112

About the Book

Euripides' classic drama about the often mortifying consequences of the unbridled--and frequently hysterical--celebration of the feast of Dionysus, the God of wine.

From the Publisher

<DIV>Euripides'' classic drama about the often mortifying consequences of the unbridled--and frequently hysterical--celebration of the feast of Dionysus, the God of wine.</DIV>

About the Author

Euripides, one of the three great Greek tragedians was born in Attica probably in 485 B.C. of well-to-do parents. In his youth he cultivated gymnastic pursuits and studied philosophy and rhetoric. Soon after he received recognition for a play that he had written, Euripides left Athens for the court of Archelaus, king of Macedonia. In his tragedies, Euripides represented individuals not as they ought to be but as they are. His excellence lies in the tenderness and pathos with which he invested many of his characters. Euripides' attitude toward the gods was iconoclastic and rationalistic; toward humans-notably his passionate female characters-his attitude was deeply sympathetic. In his dramas, Euripides separated the chorus from the action, which was the first step toward the complete elimination of the chorus. He used the prologue as an introduction and explanation. Although Euripides has been charged with intemperate use of the deus ex machina, by which artifice a god is dragged in abruptly at the end to resolve a situation beyond human powers, he created some of the most unforgettable psychological portraits. Fragments of about fifty-five plays survive; some were discovered as recently as 1906. Among his best-known plays are Alcestis (438 B.C.), Medea and Philoctetes (431 B.C.), Electra (417 B.C.), Iphigenia in Tauris (.413 B.C.), The Trojan Women (415 B.C.), and Iphigenia in Aulis Iphigenia (c.405 B.C.). Euripides died in Athens in 406. Shortly after his death his reputatio
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