Brassaï Graffiti

by Brassai

Rizzoli | May 3, 2002 | Hardcover

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Brassai became interested in the marginal art form of graffiti in the 1930s, seeing it as a form of outsider art that could open the door to new forms of artistic expression. His atmospheric photographs capture the essence of this unfettered creation. Stark contrasts of black and white alternate with softer shades of grey that meld into one another, smoothing the harsh gouges typical of graffiti. Several of these photographs first appeared in the Surrealist review Minotaure; others were first published in France and Germany in 1960, in a work entitled Graffiti, which accompanied an exhibition that visited New York, London, Milan, Baden-Baden, Frankfurt, Hannover, and Paris. The approach was hugely influential, both for the Surrealists and in the domain of Outsider Art. Accompanying the photographs are selections from previously unpublished writings, including extracts from Brassai's own notebooks, in which he noted the presence of elements of graffiti on the walls of Paris that he intended to photograph. The book also contains an interview with Picasso on the subject of graffiti as an art form. This first English language version of this classic title is a beautifully produced edition of what is undoubtedly a seminal work in the history of modern photography.

Format: Hardcover

Published: May 3, 2002

Publisher: Rizzoli

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 2080107135

ISBN - 13: 9782080107138

Found in: Art and Architecture

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Brassaï Graffiti

by Brassai

Format: Hardcover

Published: May 3, 2002

Publisher: Rizzoli

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 2080107135

ISBN - 13: 9782080107138

From the Publisher

Brassai became interested in the marginal art form of graffiti in the 1930s, seeing it as a form of outsider art that could open the door to new forms of artistic expression. His atmospheric photographs capture the essence of this unfettered creation. Stark contrasts of black and white alternate with softer shades of grey that meld into one another, smoothing the harsh gouges typical of graffiti. Several of these photographs first appeared in the Surrealist review Minotaure; others were first published in France and Germany in 1960, in a work entitled Graffiti, which accompanied an exhibition that visited New York, London, Milan, Baden-Baden, Frankfurt, Hannover, and Paris. The approach was hugely influential, both for the Surrealists and in the domain of Outsider Art. Accompanying the photographs are selections from previously unpublished writings, including extracts from Brassai's own notebooks, in which he noted the presence of elements of graffiti on the walls of Paris that he intended to photograph. The book also contains an interview with Picasso on the subject of graffiti as an art form. This first English language version of this classic title is a beautifully produced edition of what is undoubtedly a seminal work in the history of modern photography.

About the Author

One of the most important & influential photographers of the twentieth century, Brassai (1899-1984) moved to Paris from Hungary in 1924. He is best known for chronicling the city in the 1930s & for his portraits of artists such as Picasso & Matisse, & writers including Henry Miller. His fifty-year artistic career also encompassed drawing, sculpture, writing, & filmmaking.
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