Fatal Attractions: Rescripting Romance In Contemporary Literature & Film

Editor Gina Wisker, Lynne Pearce

Pluto Press (UK) | October 1, 1998 | Trade Paperback

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Our fascination with romance is seemingly indestructible. Until now, however, romance has been badly neglected as a subject for serious academic study. This original collection aims to redress this imbalance by focusing on the changing nature, or "rescripting" of romance in film & fiction. This is the first volume to fully consider the cultural representation of romance in the wake of postmodernism & postcolonialism & offers clear evidence of romance as a "category under stress." The contemporary nature of the texts discussed - such as Basic Instinct, Fatal Attraction & Hotel du Lac - places it at the center of many current debates concerning identity, gender, sexuality & desire. Viewing romance in the context of queer theory & AIDS, & challenging many popular psychoanalytic concepts such as abjection, the collection also makes a significant contribution to feminist & gay/lesbian discussions on the politics of romantic love.

Format: Trade Paperback

Dimensions: 256 pages, 8.38 × 5.34 × 0.66 in

Published: October 1, 1998

Publisher: Pluto Press (UK)

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0745313817

ISBN - 13: 9780745313818

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Fatal Attractions: Rescripting Romance In Contemporary Literature & Film

Editor Gina Wisker, Lynne Pearce

Format: Trade Paperback

Dimensions: 256 pages, 8.38 × 5.34 × 0.66 in

Published: October 1, 1998

Publisher: Pluto Press (UK)

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0745313817

ISBN - 13: 9780745313818

From the Publisher

Our fascination with romance is seemingly indestructible. Until now, however, romance has been badly neglected as a subject for serious academic study. This original collection aims to redress this imbalance by focusing on the changing nature, or "rescripting" of romance in film & fiction. This is the first volume to fully consider the cultural representation of romance in the wake of postmodernism & postcolonialism & offers clear evidence of romance as a "category under stress." The contemporary nature of the texts discussed - such as Basic Instinct, Fatal Attraction & Hotel du Lac - places it at the center of many current debates concerning identity, gender, sexuality & desire. Viewing romance in the context of queer theory & AIDS, & challenging many popular psychoanalytic concepts such as abjection, the collection also makes a significant contribution to feminist & gay/lesbian discussions on the politics of romantic love.
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