Format: Trade Paperback
Dimensions: 594 pages, 9.23 × 6.14 × 1.26 in
Published: September 3, 2013
Publisher: Diversified Publishing
The following ISBNs are associated with this title:
ISBN - 10: 0804121095
ISBN - 13: 9780804121095
Read from the Book
Egg The Story of the Egg, and of Oryx and Crake, and how they made People and Animals; and of the Chaos; and of Snowman-the-Jimmy; and of the Smelly Bone and the coming of the Two Bad Men In the beginning, you lived inside the Egg. That is where Crake made you. Yes, good, kind Crake. Please stop singing or I can’t go on with the story. The Egg was big and round and white, like half a bubble, and there were trees inside it with leaves and grass and berries. All the things you like to eat. Yes, it rained inside the Egg. No, there was not any thunder. Because Crake did not want any thunder inside the Egg. And all around the Egg was the chaos, with many, many people who were not like you. Because they had an extra skin. That skin is called clothes. Yes, like mine. And many of them were bad people who did cruel and hurtful things to one another, and also to the animals. Such as . . . We don’t need to talk about those things right now. And Oryx was very sad about that, because the animals were her Children. And Crake was sad because Oryx was sad. And the chaos was everywhere outside the Egg. But inside the Egg there was no chaos. It was peaceful there. And Oryx came every day to teach you. She taught you what to eat, she taught you to make fire, she taught you about the animals, her Children. She taught you to purr if a person is hurt. And Crake watched over you. Yes, good, kind Crake. Please stop singing. You don’t have to sing every time.
From the Publisher
A New York Times Notable Book
A Washington Post Notable Book
A Best Book of the Year: The Guardian, NPR, The Christian Science Monitor, The Globe and Mail
A GoodReads Reader''s Choice
Bringing together Oryx and Crake and The Year of the Flood, this thrilling conclusion to Margaret Atwood''s speculative fiction trilogy points toward the ultimate endurance of community, and love.
Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it''s left to Toby to preach the Craker theology, with Crake as Creator. She must also deal with cultural misunderstandings, terrible coffee, and her jealousy over her lover, Zeb.
Zeb has been searching for Adam One, founder of the God''s Gardeners, the pacifist green religion from which Zeb broke years ago to lead the MaddAddamites in active resistance against the destructive CorpSeCorps. But now, under threat of a Painballer attack, the MaddAddamites must fight back with the aid of their newfound allies, some of whom have four trotters. At the center of MaddAddam is the story of Zeb''s dark and twisted past, which contains a lost brother, a hidden murder, a bear, and a bizarre act of revenge.
Combining adventure, humor, romance, superb storytelling, and an imagination at once dazzlingly inventive and grounded in a recognizable world, MaddAddam is vintage Margaret Atwood—a moving and dramatic conclusion to her internationally celebrated dystopian trilogy.
From the Hardcover edition.
About the Author
MARGARET ATWOOD, whose work has been published in over thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid''s Tale, her novels include Cat''s Eye, shortlisted for the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; Oryx and Crake, shortlisted for the 2003 Booker Prize; and her most recent, The Year of the Flood. She lives in Toronto with writer Graeme Gibson.
"Atwood has brought the previous two books together in a fitting and joyous conclusion that’s an epic not only of an imagined future but of our own past, an exposition of how oral storytelling traditions led to written ones and ultimately to our sense of origin ... Atwood''s prose miraculously balances humor, outrage and beauty. A simple description becomes both chilling and sublime ... In so much genre fiction, language is sacrificed to plot and invention. It''s a pleasure to read a futuristic novel whose celebration of beauty extends to the words themselves." — The New York Times Book Review "Thoughtful, sardonic, and full of touches that almost resemble a fairy tale, MaddAddam will stick with you long after you''ve put it down. It''s an apocalypse story about new life, and a condemnation of humanity that ends, however uneasily, with a celebration of it." —NPR " MaddAddam is sharp, witty and strong enough to stand alone ... Peppered with witty neologisms, Atwood’s character-driven novel is terrific precisely because of close attention to detail, to voice, to what’s in the hearts of these people: love, loss, the need to keep on keeping on, no matter what ... [T]his novel sings." — Miami Herald "[S]ardonically funny ... [Atwood] certainly has the tone exactly right, both for the linguistic hypocrisy that can disguise any kind of catastrophe, and for the contemptuous dismissal of those who point to disaster ... MaddAddam is at once a pre- an