Midnight's Children: A Novel

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Midnight's Children: A Novel

by Salman Rushdie

Knopf Canada | June 10, 1997 | Trade Paperback |

4 out of 5 rating. 4 Reviews
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Introduction by Anita Desai

Saleem Sinai was born at midnight, the midnight of India''s independence, and finds himself mysteriously ''handcuffed to history'' by the coincidence. He is one of 1,001 children born at the midnight hour, each of them endowed with an extraordinary talent -- and whose privilege and curse it is to be both master and victims of their times. Through Saleem''s gifts -- inner voices and a wildly sensitive sense of smell -- we are drawn into a fascinating family saga set against the vast, colourful background of the India of this century.

Format: Trade Paperback

Dimensions: 560 Pages, 5.12 × 7.87 × 0.79 in

Published: June 10, 1997

Publisher: Knopf Canada

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0676970656

ISBN - 13: 9780676970654

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Reviews

– More About This Product –

Midnight's Children: A Novel

by Salman Rushdie

Format: Trade Paperback

Dimensions: 560 Pages, 5.12 × 7.87 × 0.79 in

Published: June 10, 1997

Publisher: Knopf Canada

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0676970656

ISBN - 13: 9780676970654

From the Publisher

Introduction by Anita Desai

Saleem Sinai was born at midnight, the midnight of India''s independence, and finds himself mysteriously ''handcuffed to history'' by the coincidence. He is one of 1,001 children born at the midnight hour, each of them endowed with an extraordinary talent -- and whose privilege and curse it is to be both master and victims of their times. Through Saleem''s gifts -- inner voices and a wildly sensitive sense of smell -- we are drawn into a fascinating family saga set against the vast, colourful background of the India of this century.

About the Author

Salman Rushdie was born in 1947 and has lived in England since 1961. He is the author of six novels: Grimus, Midnight's Children, which won the Booker Prize in 1981 and the James Tait Black Prize, Shame, winner of the French Prix du Meilleur Livre Etranger, The Satanic Verses, which won the Whitbread Prize for Best Novel, Haroun and the Sea of Stories, which won the Writers' Guild Award and The Moor's Last Sigh which won the Whitbread Novel of the Year Award. He has also published a collection of short stories East, West, a book of reportage The Jaguar Smile, a volume of essays Imaginary Homelands and a work of film criticism The Wizard of Oz. His most recent novel is The Ground Beneath Her Feet, which was published in 1999.

Salman Rushdie was awarded Germany's Author of the Year Award for his novel The Satanic Verses in 1989. In 1993, Midnight's Children was voted the 'Booker of Bookers', the best novel to have won the Booker Prize in its first 25 years. In the same year, he was awarded the Austrian State Prize for European Literature. He is also Honorary Professor in the Humanities at the Massachusetts Institute of Technology and a Fellow of the Royal Society of Literature. His books have been published in more than two dozen languages.

From Our Editors

In part a 'stream of consciousness' narrative blended with history, Midnight's Children by Salman Rushdie is considered one of the most important books to come out of the English-speaking world. Saleem Sinai entered this world at the precise moment India gained independence. For the next three decades, his fate and that of his country are entwined. Midnight's Children was awarded the Booker Prize and the James Tait Black Prize.

Editorial Reviews

"Salman Rushdie has earned the right to be called one of our great storytellers." -- Observer

"Huge, vital, engrossing... in all senses a fantastic book." -- Sunday Times

"The literary map of India has been redrawn... Midnight''s Children sounds like a country finding its voice." -- New York Times

"A brilliant and endearing novel." -- London Review of Books

Bookclub Guide

1. Midnight''s Children is clearly a work of fiction; yet, like many modern novels, it is presented as an autobiography. How can we tell it isn''t? What literary devices are employed to make its fictional status clear? And, bearing in mind the background of very real historical events, can "truth" and "fiction" always be told apart?

2. To what extent has the legacy of the British Empire, as presented in this novel, contributed to the turbulent character of Indian life?

3. Saleem sees himself and his family as a microcosm of what is happening to India. His own life seems so bound up with the fate of the country that he seems to have no existence as an individual; yet, he is a distinct person. How would you characterise Saleem as a human being, set apart from the novel''s grand scheme? Does he have a personality?

4. "To understand just one life, you have to swallow the world ... do you wonder, then, that I was a heavy child?" (p. 109). Is it possible, within the limits of a novel, to "understand" a life?

5. At the very heart of Midnight''s Children is an act of deception: Mary Pereira switches the birth-tags of the infants Saleem and Shiva. The ancestors of whom Saleem tells us at length are not his biological relations; and yet he continues to speak of them as his forebears. What effect does this have on you, the reader? How easy is it to absorb such a paradox?

6. "There is no escape from form" says Saleem (p. 226); and later, he speaks of his own "overpowering desire for form" (p. 317). Set against this is the chaos of Indian life which is described in such detail throughout the book. How is this coherence achieved? What role does mythology play in giving form to events in the novel?

7. "There is no magic on earth strong enough to wipe out the legacies of one''s parents" (p. 402). Saleem is speaking here of an injury; but has he inherited anything more positive? Is there anything inherited which aids rather than hinders him?

8. Saleem''s father says of Wee Willie Winkie, "That''s a cheeky fellow; he goes too far." The Englishman Methwold disagrees: "The tradition of the fool, you know. Licensed to provoke and tease." (p. 102). The novel itself provokes and teases the reader a good deal. Did you feel yourself "provoked"? Does the above exchange shed any light on Rushdie''s own plight since The Satanic Verses?

9. How much affection is there between fathers and sons in Midnight''s Children? Why is Saleem so drawn to father-figures? What does he gain from his many adopted fathers?

10. "What is so precious to need all this writing-shiting?" asks Padma (p. 24). What is the value of it for Saleem?

11. "...is not Mother India, Bharat-Mata, commonly thought of as female?" asks Saleem; "And, as you know, there''s no escape from her" (p. 404). Elsewhere he speaks of "...the long series of women who have bewitched and finally undone me good and proper" (p. 241). To what extent are women "held for blame" for Saleem''s misfortunes?

12. Saleem often appears to be an unreliable narrator, mixing up dates and hazarding details of events he never witnessed. He also draws attention to his own telling of the story: "Like an incompetent puppeteer, I reveal the hands holding the strings..." (p. 65). How much faith do you put in his version of events?

13. Saleem pleads, "...believe that I am falling apart." (p. 37); he never arrives at a certain image of himself without being thrown into chaos again (e.g. p.164-165). But a child on an advertising hoarding is described as "flattened by certitude" (p. 153). Is there, then, value in uncertainty? What is it?

14. With the birth of Saleem''s giant-eared son, history seems about to repeat itself; but Saleem senses that this time round, things will be different. How have circumstances changed?

15. Midnight''s Children is a novel about India, and attempts to map the modern Indian mind, with all its contradictions. In your discussions, how much difficulty have you had in addressing the novel from a Western perspective? Is there an ''otherness'' which makes it hard to assimilate, or are the novel''s concerns universal and easily understood?

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