Night Studio: A Memoir Of Philip Guston

by Musa Mayer

Da Capo Press | March 22, 1997 | Trade Paperback

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Philip Guston (1913–1980) was driven, sustained, and consumed by art. His style ranged from the social realism of his WPA murals through his abstract expressionist canvasses of the 1950s and 1960s (when he counted Pollock, Rothko, de Kooning, and Kline among his friends) to his cartoonlike paintings of Klansmen, disembodied heads, and tangled piles of everyday objects. Critics and public alike savaged Guston for his return to figurative art, but today his late work is recognized for the singular power of its darkly hilarious vision. Musa Mayer augments her firsthand knowledge with extensive interviews with his family, friends, students, and colleagues, as well as Guston''s own letters, notes, and autobiographical writings, to re-create a turbulent era in American art. Night Studio, profusely illustrated (including almost a dozen paintings in full color), illuminates not only the life of a great artist, but the experience of growing up in his shadow.

Format: Trade Paperback

Dimensions: 320 pages, 3.54 × 2.36 × 0.27 in

Published: March 22, 1997

Publisher: Da Capo Press

The following ISBNs are associated with this title:

ISBN - 10: 030680767X

ISBN - 13: 9780306807671

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– More About This Product –

Night Studio: A Memoir Of Philip Guston

by Musa Mayer

Format: Trade Paperback

Dimensions: 320 pages, 3.54 × 2.36 × 0.27 in

Published: March 22, 1997

Publisher: Da Capo Press

The following ISBNs are associated with this title:

ISBN - 10: 030680767X

ISBN - 13: 9780306807671

About the Book

Philip Guston (1913-1980) was driven, sustained, and consumed by art. His style ranged from the social realism of his WPA murals through his abstract expressionist canvasses of the 1950s and 1960s (when he counted Pollock, Rothko, de Kooning, and Kline among his friends) to his cartoonlike paintings of Klansmen, disembodied heads, and tangled piles of everyday objects. Critics and public alike savaged Guston for his return to figurative art, but today his late work is recognized for the singular power of its darkly hilarious vision. Musa Mayer augments her firsthand knowledge with extensive interviews with his family, friends, students, and colleagues, as well as Guston's own letters, notes, and autobiographical writings, to re-create a turbulent era in American art. Night Studio, profusely illustrated (including almost a dozen paintings in full color), illuminates not only the life of a great artist, but the experience of growing up in his shadow.

From the Publisher

Philip Guston (1913–1980) was driven, sustained, and consumed by art. His style ranged from the social realism of his WPA murals through his abstract expressionist canvasses of the 1950s and 1960s (when he counted Pollock, Rothko, de Kooning, and Kline among his friends) to his cartoonlike paintings of Klansmen, disembodied heads, and tangled piles of everyday objects. Critics and public alike savaged Guston for his return to figurative art, but today his late work is recognized for the singular power of its darkly hilarious vision. Musa Mayer augments her firsthand knowledge with extensive interviews with his family, friends, students, and colleagues, as well as Guston''s own letters, notes, and autobiographical writings, to re-create a turbulent era in American art. Night Studio, profusely illustrated (including almost a dozen paintings in full color), illuminates not only the life of a great artist, but the experience of growing up in his shadow.

From the Jacket

The most intimate and detailed biography of the artist that anyone has written. This compelling memoir of Guston by his daughter gives an inside tour that reeks of booze and turpentine - the all night painting binges, the raucous dinners, the rages against the art world. Frank and touching.

About the Author

Musa Mayer is the author of Examining Myself: One Woman''s Story of Breast Cancer Treatment and Recovery. She lives in New York City.

From Our Editors

Philip Guston (1913-1980) was driven, sustained, and consumed by art. His style ranged from the social realism of his WPA murals through his abstract expressionist canvasses of the 1950s and 1960s (when he counted Pollock, Rothko, de Kooning, and Kline among his friends) to his cartoonlike paintings of Klansmen, disembodied heads, and tangled piles of everyday objects. Critics and public alike savaged Guston for his return to figurative art, but today his late work is recognized for the singular power of his personal, darkly hilarious vision. Musa Mayer augments her firsthand knowledge with extensive interviews with his family, friends, students, and colleagues, as well as Guston's own letters, notes, and autobiographical writings, to re-create a turbulent era in American art. Night Studio, profusely illustrated (including almost a dozen paintings in full color), illuminates not only the life of a great artist, but the experience of growing up in his overwhelming shadow.
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