Romance on the Early Modern Stage: English Expansion Before and After Shakespeare

by Cyrus Mulready

Palgrave Macmillan | August 15, 2013 | Kobo Edition (eBook)

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In Shakespeare studies, 'Romance' is widely understood to refer to the plays composed and performed in the waning days of the playwright's career. Romance on the Early Modern Stage introduces a new history for the genre, one that dates back to the first years of the commercial theatre in London. These early plays drew on popular stories depicting adventurous travel, imperial conquest, and exploration of new realms. Their staging also altered the practices of the theatre, as playwrights embraced a dramatic poetics to accommodate the extravagant narratives of these stories. Romance on the Early Modern Stage aligns such formal alterations in stagecraft with an array of materials drawn from early modern global exploration to argue that dramatic fantasies both reflected and informed England's overseas ambitions. The book revises how romance is understood within the dramatic canon - from romance enabling empire in Henry V and Milton's Comus, to the 'anti-romance' staged in The Tempest.

Format: Kobo Edition (eBook)

Published: August 15, 2013

Publisher: Palgrave Macmillan

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 1137322721

ISBN - 13: 9781137322722

Found in: Fiction and Literature

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Romance on the Early Modern Stage: English Expansion Before and After Shakespeare

by Cyrus Mulready

Format: Kobo Edition (eBook)

Published: August 15, 2013

Publisher: Palgrave Macmillan

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 1137322721

ISBN - 13: 9781137322722

From the Publisher

In Shakespeare studies, 'Romance' is widely understood to refer to the plays composed and performed in the waning days of the playwright's career. Romance on the Early Modern Stage introduces a new history for the genre, one that dates back to the first years of the commercial theatre in London. These early plays drew on popular stories depicting adventurous travel, imperial conquest, and exploration of new realms. Their staging also altered the practices of the theatre, as playwrights embraced a dramatic poetics to accommodate the extravagant narratives of these stories. Romance on the Early Modern Stage aligns such formal alterations in stagecraft with an array of materials drawn from early modern global exploration to argue that dramatic fantasies both reflected and informed England's overseas ambitions. The book revises how romance is understood within the dramatic canon - from romance enabling empire in Henry V and Milton's Comus, to the 'anti-romance' staged in The Tempest.
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