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the gas line is leaking, the bird is gone from the
cage, the skyline is dotted with vultures;
Benny finally got off the stuff and Betty now has a job
as a waitress; and
the chimney sweep was quite delicate as he
giggled up through the
soot.
I walked miles through the city and recognized
nothing as a giant claw ate at my
stomach while the inside of my head felt
airy as if I was about to go
mad.
it?s not so much that nothing means
anything but more that it keeps meaning
nothing,
there?s no release, just gurus and self-
appointed gods and hucksters.
the more people say, the less there is to say.
even the best books are dry sawdust.

-from "fingernails; nostrils; shoelaces"

"It began as a mistake." By middle age, Henry Chinaski has lost more than twelve years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers. This classic 1971 novel-the one that catapulted its author to national fame-is the perfect introduction to the grimly hysterical world of legendary writer, poet, and Dirty Old Man Charles Bukowski and his fictional alter ego, Chinaski.

In what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at fifty, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

With all of Bukowski's trademark humor and gritty, dark honesty, this 1978 follow-up to Post Office and Factotum is an uncompromising account of life on the edge.

These mad immortal stories, now surfaced from the literary underground, have addicted legions of American readers, even though the high literary establishment continues to ignore them. In Europe, however (particularly in Germany, Italy, and France where he is published by the great publishing houses), he is critically recognized as one of America''s greatest living realist writers.

Charles Bukowski was born in Andernach, Germany in 1920 and brought to America at the age of two. Eighteen or twenty books of prose and poetry, Bukowski, after publishing prose in Story and Portfolio, stopped writing for ten years. He arrived in the charity ward of the Los Angeles County General Hospital, hemorrhaging as a climax to a ten year drinking bout. Some say he didn''t die. After leaving the hospital he got a typewriter and began writing again-this time, poetry. He later returned to prose and gained some fame with his column, Notes of a Dirty Old Man. After 14 years in the Post Office he resigned at age 50, he says, to keep from going insane. He now claims to be unemployable and eats typewriter ribbons.

This collection of observations from one of America's most misunderstood writers contains works that began appearing in Open City of the Free Press in 1960s California. Notes of a Dirty Old Man from Charles Bukowski provides a range of columns that discuss everything from daily existence to the Vietnam War to diatribes against hippies to ridiculous and offensive opinion pieces. Although there is some insightfulness and humorous passages, this text is not for everyone. His interpretations of certain events and social occurrences appear at times to be wholly unresearched and as such, they are mere personal grievances. However, there are moments of clarity and biting political awareness that make up for occasional indulgences.

One of Charles Bukowski's best, this beer-soaked, deliciously degenerate novel follows the wanderings of aspiring writer Henry Chinaski across World War II-era America. Deferred from military service, Chinaski travels from city to city, moving listlessly from one odd job to another, always needing money but never badly enough to keep a job. His day-to-day existence spirals into an endless litany of pathetic whores, sordid rooms, dreary embraces, and drunken brawls, as he makes his bitter, brilliant way from one drink to the next.

Charles Bukowski's posthumous legend continues to grow. Factotum is a masterfully vivid evocation of slow-paced, low-life urbanity and alcoholism, and an excellent introduction to the fictional world of Charles Bukowski.

Charles Bukowski is one of America's best-known contemporary writers of poetry and prose, and, many would claim, its most influential poet. He was born in Andernach, Germany, and brought to the United States at the age of three. He was raised in Los Angeles and lived there for fifty years. He published his first story in 1944, when he was twenty-four, and began writing poetry when he was thirty-five. He died in San Pedro, California, on March 9, 1994, at the age of seventy-three. During his lifetime he published over forty-five books of poetry and prose-many translated into more than a dozen languages. His worldwide popularity remains undiminished, and Ecco is proud to publish the five posthumous collections of his work (this volume is the fifth and final) in addition to a new selection of his later works, The Pleasures of the Damned.