Slouching Towards Bethlehem: Essays

by Joan Didion

Farrar, Straus And Giroux | October 28, 2008 | Trade Paperback |

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The first nonfiction work by one of the most distinctive prose stylists of our era, Slouching Towards Bethlehem remains, forty years after its first publication, the essential portrait of America- particularly California-in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.

Format: Trade Paperback

Dimensions: 256 Pages, 5.12 × 7.87 × 0.39 in

Published: October 28, 2008

Publisher: Farrar, Straus And Giroux

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0374531382

ISBN - 13: 9780374531386

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Slouching Towards Bethlehem: Essays

Slouching Towards Bethlehem: Essays

by Joan Didion

Format: Trade Paperback

Dimensions: 256 Pages, 5.12 × 7.87 × 0.39 in

Published: October 28, 2008

Publisher: Farrar, Straus And Giroux

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0374531382

ISBN - 13: 9780374531386

About the Book

The first nonfiction work by one of the most distinctive prose stylists of our era, "Slouching Towards Bethlehem "remains, forty years after its first publication, the essential portrait of America-- particularly California--in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.

From the Publisher

The first nonfiction work by one of the most distinctive prose stylists of our era, Slouching Towards Bethlehem remains, forty years after its first publication, the essential portrait of America- particularly California-in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.

From the Jacket

Upon its publication in 1968, Slouching Towards Bethlehem confirmed Joan Didion as one of the most prominent writers on the literary scene. Her unblinking vision and deadpan tone have influenced subsequent generations of reporters and essayists, changing our expectations of style, voice, and the artistic possibilities of nonfiction.
"In her portraits of people," "The New York Times Book Review wrote, "Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left-wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful. . . . A rare display of some of the best prose written today in this country."
In essay after essay, Didion captures the dislocation of the 1960s, the disorientation of a country shredding itself apart with social change. Her essays not only describe the subject at hand--the murderous housewife, the little girl trailing the rock group, the millionaire bunkered in his mansion--but also offer a broader vision of America, one that is both terrifying and tender, ominous and uniquely her own.
Joyce Carol Oates has written, "Joan Didion is one of the very few writers of our time who approaches her terrible subject with absolute seriousness, with fear and humility and awe. Her powerful irony is often sorrowful rather than clever. . . . She has been an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control."

About the Author

Joan Didion''s many books include The Year of Magical Thinking, for which she received the National Book Award. She lives in New York City.

Editorial Reviews

"In her portraits of people, Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful . . . A rich display of some of the best prose written today in this country."--Dan Wakefield, The New York Times Book Review
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