The Creative Habit: Learn It And Use It For Life

Kobo eBook available

read instantly on your Kobo or tablet.

buy the ebook now

The Creative Habit: Learn It And Use It For Life

by Twyla Tharp

Simon & Schuster | January 6, 2006 | Trade Paperback

Not yet rated | write a review
One of the world's leading creative artists, choreographers, and creator of the smash-hit Broadway show, Movin' Out, shares her secrets for developing and honing your creative talents-at once prescriptive and inspirational, a book to stand alongside The Artist's Way and Bird by Bird.

Format: Trade Paperback

Dimensions: 256 pages, 9 × 7 × 0.7 in

Published: January 6, 2006

Publisher: Simon & Schuster

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0743235274

ISBN - 13: 9780743235273

save
28%

In Stock Not yet released

$15.20  ea

Online Price

$20.00 List Price

or, Used from $7.94

eGift this item

Give this item in the form of an eGift Card.

+ what is this?

This item is eligible for FREE SHIPPING on orders over $25.
See details

Easy, FREE returns. See details

Item can only be shipped in Canada

Downloads instantly to your kobo or other ereading device. See details

All available formats:

Check store inventory (prices may vary)

Reviews

– More About This Product –

The Creative Habit: Learn It And Use It For Life

by Twyla Tharp

Format: Trade Paperback

Dimensions: 256 pages, 9 × 7 × 0.7 in

Published: January 6, 2006

Publisher: Simon & Schuster

Language: English

The following ISBNs are associated with this title:

ISBN - 10: 0743235274

ISBN - 13: 9780743235273

About the Book

This inspiring, encouraging guide will show every reader--from the author facing a bad case of writer's block, to the business person looking to secure a deal--how to achieve his or her fullest creative potential.

Read from the Book

Chapter One: I Walk into a White Room I walk into a large white room. It''s a dance studio in midtown Manhattan. I''m wearing a sweatshirt, faded jeans, and Nike cross-trainers. The room is lined with eight-foot-high mirrors. There''s a boom box in the corner. The floor is clean, virtually spotless if you don''t count the thousands of skid marks and footprints left there by dancers rehearsing. Other than the mirrors, the boom box, the skid marks, and me, the room is empty. In five weeks I''m flying to Los Angeles with a troupe of six dancers to perform a dance program for eight consecutive evenings in front of twelve hundred people every night. It''s my troupe. I''m the choreographer. I have half of the program in hand -- a fifty-minute ballet for all six dancers set to Beethoven''s twenty-ninth piano sonata, the "Hammerklavier." I created the piece more than a year ago on many of these same dancers, and I''ve spent the past few weeks rehearsing it with the company. The other half of the program is a mystery. I don''t know what music I''ll be using. I don''t know which dancers I''ll be working with. I have no idea what the costumes will look like, or the lighting, or who will be performing the music. I have no idea of the length of the piece, although it has to be long enough to fill the second half of a full program to give the paying audience its money''s worth. The length of the piece will dictate how much rehearsal time I need. This, in turn, means getting on the phone to
read more read less

Table of Contents

CONTENTS

1 I Walk into a White Room

2 Rituals of Preparation

3 Your Creative DNA

4 Harness Your Memory

5 Before You Can Think out of the Box, You Have to Start with a Box

6 Scratching

7 Accidents Will Happen

8 Spine

9 Skill

10 Ruts and Grooves

11 An "A" in Failure

12 The Long Run

Acknowledgments

From the Publisher

One of the world's leading creative artists, choreographers, and creator of the smash-hit Broadway show, Movin' Out, shares her secrets for developing and honing your creative talents-at once prescriptive and inspirational, a book to stand alongside The Artist's Way and Bird by Bird.

About the Author

Modern dancer and choreographer Twyla Tharp was born in Portland, Indiana. As a child, Tharp was an accomplished musician, dancer, and athlete. In the early 1960s, she went to New York City to study dance, and she performed with the Paul Taylor Dance Company from 1963 to 1965. Then, in 1965, she formed her own small company, focusing her efforts on choreographing severe modern-dance works. As both a dancer and a choreographer, Tharp is noted for her ability to create dance with a popular appeal without losing integrity or depth. Although her first works were rather somber and highly structured in style, her later works have often captured a more whimsical note. Eight Jelly Rolls (1971), for example, delighted audiences with its dancing set to the jazz piano music of "Jelly Roll" Morton. Other enormously popular works include Coupe (1973), a piece set to music by the Beach Boys, and Push Comes to Shove (1976), which was choreographed for the ballet star Mikhail Baryshnikov. In addition to creating works for her own company, Tharp has created commissioned pieces for a number of other dance companies, for films, and for nondancers in such other entertainment fields as ice-skating and sports. These works include Bach Partita (1984), created for American Ballet Theatre, When We Were Very Young (1980) and The Catherine Wheel (1983), created for Broadway, and dance numbers created for the films Hair (1979) and White Knights (1985).

Editorial Reviews

"Though its context is a choreographer''s world, its principles are universally applicable and sound....It could change your life."

-- Elizabeth Zimmer, The Village Voice
Item not added

This item is not available to order at this time.

See used copies from 00.00
  • My Gift List
  • My Wish List
  • Shopping Cart