Format: Trade Paperback
Dimensions: 344 Pages, 5.12 × 8.27 × 0.39 in
Published: September 13, 1997
Publisher: McClelland & Stewart
The following ISBNs are associated with this title:
ISBN - 10: 077108692X
ISBN - 13: 9780771086922
From the Publisher
The Englishman's Boy brilliantly links together Hollywood
in the 1920s with one of the bloodiest, most brutal events of the
nineteenth-century Canadian West - the Cypress Hills Massacre.
Vanderhaeghe's rendering of the stark, dramatic beauty of the
western landscape and of Hollywood in its most extravagant era -
with its visionaries, celebrities, and dreamers - provides vivid
background for scenes of action, adventure, and intrigue. Richly
textured, evocative of time and place, this is an unforgettable
novel about power, greed, and the pull of dreams that has at its
centre the haunting story of a young drifter - "the Englishman's
boy" - whose fate, ultimately, is a tragic one.
From the Hardcover edition.
About the Author
Guy Vanderhaeghe was born in Esterhazy,
Saskatchewan, in 1951. He is the author of four novels, My
Present Age (1984), Homesick (1989), co-winner of the
City of Toronto Book Award, The Englishman's Boy (1996),
winner of the Governor General's Award for Fiction and the
Saskatchewan Book Awards for Fiction and for Best Book of the Year,
and a finalist for The Giller Prize and the prestigious
International IMPAC Dublin Literary Award, and, most recently,
The Last Crossing (2002), a long-time national bestseller
and winner of the Saskatoon Book Award, the Saskatchewan Book
Awards for Fiction and for Book of the Year, and the Canadian
Booksellers Association Libris Award for Fiction Book of the Year,
and a finalist for the Commonwealth Writers' Prize for Best Book.
He is also the author of three collections of short stories,
Man Descending (1982), winner of the Governor's General's
Award and the Faber Prize in the U.K., and The Trouble With
Heroes (1983), and Things As They Are (1992).
Acclaimed for his fiction, Vanderhaeghe has also written plays.
I Had a Job I Liked. Once. was first produced in 1991, and
won the Canadian Authors Association Award for Drama. His second
play, Dancock's Dance, was produced in 1995.
Guy Vanderhaeghe lives in Saskatoon, where he is a Visiting
Professor of English at S.T.M. College.
From the Hardcover edition.
From Our Editors
What do 1920s Hollywood and the Canadian West's Cypress Hills
Massacre have in common? They provide the vivid background of
Guy Vanderhaeghe's masterfully crafted novel,
The Englishman's Boy. Richly textured,
this epic novel weaves together the stories of two men - a young
drifter and a crippled journalist - separated by time and place.
Critically acclaimed, this historical novel of control, gluttony
and the pull of dreams won Vanderhaeghe the
Governor General's Award for Fiction and was shortlisted for the
“It is a wonder and a glory – written by a man who has plundered the language for all its treasures. The story of the Englishman’s boy and his journey into hell and back is absolutely riveting.” –Timothy Findley “ The Englishman’s Boy is one of the finest historical novels ever written by a Canadian, an impossible-to-put-down adventure story that also packs some keen insights into the way civilization works.…” – Maclean’s “A vital and important novel with a bitterly coruscating message at its heart. Read it now.” – Edmonton Journal “A great accomplishment.” –Richard Ford “A stunning performance. Highly enjoyable. I couldn’t put it down.” –Mordecai Richler “The canvas is broad, the writing is vivid, and the two story-lines are deftly interwoven to contrast cinematic ‘truth’ with history as it happened. An intense and original piece of writing.” – The Bookseller (U.K.) “A richly textured epic that passes with flying colors every test that could be applied for good storytelling.” –Saskatoon StarPhoenix “Characters and landscapes are inscribed on the mind’s eye in language both startling and lustrous.” – Globe and Mail “Vanderhaeghe succeeds at a daring act: he juggles style and stories with the skill of a master.…” – Financial Post “There isn’t a du